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Author: Sarah Rose Young Publisher: ISBN: Category : Art, Modern Languages : en Pages : 226
Book Description
This project examines the role of masculinity in the artwork and persona of postwar West German artist Joseph Beuys. Specifically, I am analyzing how Beuys' construction of himself as a shaman-like figure in both his performance pieces, which he calls "Actions," and in his public persona relates to concepts of masculinity that were being negotiated in the postwar West German state. After World War Two, West Germany had to renegotiate their place within the western world and especially in relation to the increasing cultural hegemony of the United States. For Beuys, rising to prominence in the early 1960s in the neo-avant-garde, this means positioning oneself as a German artist in an art world that has become dominated by American artists. In the late 1940s and early 1950s, the American Abstract Expressionists rose to prominence within the art world with their large-scale, expressive paintings such as the drip paintings of Jackson Pollock. The mainly male Abstract Expressionists also embodied a type of masculinity characterized by the heroic individualism of the "anti-intellectual man of action." I argue that Beuys positioned himself in opposition to these Americanized ideals through a negotiation of the concepts of Germaness and masculinity in his public persona and performances..
Author: Sarah Rose Young Publisher: ISBN: Category : Art, Modern Languages : en Pages : 226
Book Description
This project examines the role of masculinity in the artwork and persona of postwar West German artist Joseph Beuys. Specifically, I am analyzing how Beuys' construction of himself as a shaman-like figure in both his performance pieces, which he calls "Actions," and in his public persona relates to concepts of masculinity that were being negotiated in the postwar West German state. After World War Two, West Germany had to renegotiate their place within the western world and especially in relation to the increasing cultural hegemony of the United States. For Beuys, rising to prominence in the early 1960s in the neo-avant-garde, this means positioning oneself as a German artist in an art world that has become dominated by American artists. In the late 1940s and early 1950s, the American Abstract Expressionists rose to prominence within the art world with their large-scale, expressive paintings such as the drip paintings of Jackson Pollock. The mainly male Abstract Expressionists also embodied a type of masculinity characterized by the heroic individualism of the "anti-intellectual man of action." I argue that Beuys positioned himself in opposition to these Americanized ideals through a negotiation of the concepts of Germaness and masculinity in his public persona and performances..
Author: Publisher: BRILL ISBN: 9004456635 Category : Law Languages : en Pages : 267
Book Description
Contemporary Western societies are currently witness to a “crisis of masculinity” but also to an intriguing diversification of images of masculinity. Once relatively stable regimes of masculine gender representation appear to have been replaced by a wider spectrum of varieties of masculine “lifestyles” taken up by the media and the market, to produce new and immensely flexible forms consumerised gender hegemony. The essays in Subverting Masculinity concentrate on contemporary film, literature and diverse forms of popular culture. The essays show that the subversion of traditional images of masculinity is both a source of gender contestation, but may equally be susceptible to assimilation by new hegemonic configurations of masculinity. Subverting Masculinity maps out the ongoing relevance of gender politics in contemporary culture, but also raises the question of increasingly unclear distinctions between hegemonic and subversive versions of masculinity in contemporary cultural production. Subverting Masculinity will be of interest to students and teachers of gender, cultural, film and literary studies.
Author: Judith Still Publisher: Edinburgh University Press ISBN: 1474472885 Category : Literary Criticism Languages : en Pages : 293
Book Description
This special issue of Paragraph, Volume 26 Numbers 1 and 2, brings together differing approaches (from a diverse range of disciplines) to the question of the representation of men's bodies in twentieth-century visual culture - from art photography and cinema to popular culture, advertising and pornography. These are bodies of different colours, nationalities, sexualities, ages, which are available to be gazed upon by many different consumers even though the location of the different images may condition both who looks and how they look.
Author: David Hopkins Publisher: Oxford University Press ISBN: 0191084492 Category : Art Languages : en Pages : 476
Book Description
Contemporary art can be baffling and beautiful, provocative and disturbing. This pioneering book presents a new look at the controversial period between 1945 and 2015, when art and its traditional forms were called into question. It focuses on the relationship between American and European art, and challenges previously held views about the origins of some of the most innovative ideas in art of this time. Major artists such as Jackson Pollock, Robert Rauschenberg, Andy Warhol, Joseph Beuys, Gerhard Richter, Louise Bourgeois, Cindy Sherman, Jeff Koons, and Shiran Neshat are all discussed, as is the art world of the last fifty years. Important trends are also covered including Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and Performance Art. This revised and updated second edition includes a new chapter exploring art since 2000 and how globalization has caused shifts in the art world, an updated Bibliography, and 16 new, colour illustrations.
Author: Marcus Wood Publisher: Psychology Press ISBN: 9780415926980 Category : Art Languages : en Pages : 380
Book Description
Throughout this important volume, the author provides an invaluable addition to the limited literature now available on the visual images associated with slavery and abolition, integrated into a sophisticated analysis of their meaning and legacy today. of color images. 150 illustrations.
Author: Gregory H. Williams Publisher: University of Chicago Press ISBN: 0226898954 Category : Art Languages : en Pages : 256
Book Description
Permission to Laugh explores the work of three generations of German artists who, beginning in the 1960s, turned to jokes and wit in an effort to confront complex questions regarding German politics and history. Gregory H. Williams highlights six of them—Martin Kippenberger, Isa Genzken, Rosemarie Trockel, Albert Oehlen, Georg Herold, and Werner Büttner—who came of age in the mid-1970s in the art scenes of West Berlin, Cologne, and Hamburg. Williams argues that each employed a distinctive brand of humor that responded to the period of political apathy that followed a decade of intense political ferment in West Germany. Situating these artists between the politically motivated art of 1960s West Germany and the trends that followed German unification in 1990, Williams describes how they no longer heeded calls for a brighter future, turning to jokes, anecdotes, and linguistic play in their work instead of overt political messages. He reveals that behind these practices is a profound loss of faith in the belief that art has the force to promulgate political change, and humor enabled artists to register this changed perspective while still supporting isolated instances of critical social commentary. Providing a much-needed examination of the development of postmodernism in Germany, Permission to Laugh will appeal to scholars, curators, and critics invested in modern and contemporary German art, as well as fans of these internationally renowned artists.
Author: Ann Lee Morgan Publisher: Rowman & Littlefield ISBN: 1442276681 Category : Art Languages : en Pages : 571
Book Description
The Historical Dictionary of Contemporary Art illuminates important artists, styles, and movements of the past 70 years. Beginning with the immediate post-World War II period, it encompasses earlier 20th century masters, including Pablo Picasso, Henri Matisse, Henry Moore, Alberto Giacometti, Joan Miró, Jean Dubuffet, Stuart Davis, Georgia O’Keeffe, and other well-known figures, who remained creatively productive, while also inspiring younger generations. The book covers subsequent developments, including abstract expressionism, happenings, pop art, minimalism, conceptual art, arte povera, feminist art, photorealism, neo-expressionism, and postmodernism, as well as the contributions of such artists as Jackson Pollock, Willem de Kooning, Mark Rothko, Helen Frankenthaler, Joan Mitchell, Robert Rauschenberg, David Hockney, Ellsworth Kelly, Francis Bacon, Louise Bourgeois, Lucio Fontana, Andy Warhol, Richard Serra, Donald Judd, Joseph Beuys, Christo, Anselm Kiefer, Judy Chicago, Ai Weiwei, and Jeff Koons. Historical Dictionary of Contemporary Art contains a chronology, an introduction, and an extensive bibliography, including more than 900 cross-referenced entries on important artists, styles, terms, and movements.This book is an excellent resource for students, researchers, and anyone wanting to know more about contemporary art.
Author: Jonathan D. Katz Publisher: Smithsonian Institution ISBN: 1588342999 Category : History Languages : en Pages : 296
Book Description
An entirely new interpretation of modern American portraiture based on the history of sexual difference. Hide/Seek: Difference and Desire in American Portraiture, companion volume to an exhibition of the same name at the National Portrait Gallery, Smithsonian Institution, traces the defining presence of same-sex desire in American portraiture through a seductive selection of more than 140 full-color illustrations, drawings, and portraits from leading American artists. Arcing from the turn of the twentieth century, through the emergence of the modern gay liberation movement in 1969, the tragedies of the AIDS epidemic, and to the present, Hide/Seek openly considers what has long been suppressed or tacitly ignored, even by the most progressive sectors of our society: the influence of gay and lesbian artists in creating American modernism. Hide/Seek shows how questions of gender and sexual identity dramatically shaped the artistic practices of influential American artists such as Thomas Eakins, Romaine Brooks, Marsden Hartley, Georgia O'Keeffe, Charles Demuth, Jasper Johns, Robert Rauschenberg, Andrew Wyeth, Andy Warhol, Robert Mapplethorpe, and many more—in addition to artists of more recent works such as Felix Gonzalez-Torres, Glenn Ligon, Catherine Opie, and Cass Bird. The authors argue that despite the late-nineteenth-century definition and legal codification of the “homosexual,” in reality, questions of sexuality always remained fluid and continually redefined by artists concerned with the act of portrayal. In particular, gay and lesbian artists—of but not fully in the society they portrayed—occupied a position of influential marginality, from which vantage point they crafted innovative and revolutionary ways of painting portraits. Their resistance to society's attempt to proscribe them forced them to develop new visual vocabularies by which to code, disguise, and thereby express their subjects' identities—and also their own. Bringing together for the first time new scholarship in the history of American sexuality and new research in American portraiture, Hide/Seek charts the heretofore hidden impact of gay and lesbian artists on American art and portraiture and creates the basis for the necessary reassessment of the careers of major American artists—both gay and straight—as well as of portraiture itself.
Author: Sarah Rose Young
Author: Sarah Rose Young
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Author: Judith Still
Author: David Hopkins
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Author: Marcus Wood
Author: Gregory H. Williams
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Author: Ann Lee Morgan
Author: Jonathan D. Katz