Author: Victor Lévy Beaulieu
Publisher: Exile Editions, Ltd.
ISBN: 9780920428450
Category : Poetry
Languages : en
Pages : 176
Book Description
Jos Connaissant
Author: Victor Lévy Beaulieu
Publisher: Exile Editions, Ltd.
ISBN: 9780920428450
Category : Poetry
Languages : en
Pages : 176
Book Description
Publisher: Exile Editions, Ltd.
ISBN: 9780920428450
Category : Poetry
Languages : en
Pages : 176
Book Description
The Arts in Canada
Author: William J. Keith
Publisher: University of Toronto Press
ISBN: 148759075X
Category : Art
Languages : en
Pages : 270
Book Description
In this volume a baker's dozen of creative Canadians make personal responses to the state of the arts in Canada: Northrop Frye and Guy Rocher write on general cultural trends; Hugh MacLennan and Gérard Bessette on fiction; Ralph Gustafson and Michèle Lalonde on poetry; Robertson Davies and Gratien Gélinas on drama; George Woodcock and Jacques Allard on non-fiction prose; Godfrey Ridout on music, and Aba Bayefsky and Humphrey N. Milnes on art. The essays were written to mark the fiftieth anniversary of the University of Toronto Quarterly. The contributors were invited to discuss the changes, problems, challenges, and achievements in the arts in the last fifty years. Since all the authors had personal experience of at least a large section of the period surveyed, the editors welcomed personal reminiscence as well as description and assessment. The result is a varied group of essays in each of which the character of the individual artist is clearly evident; together, they provide a complex, many-faceted, lively, and living discussion of the cultural development of Canada. This anniversary collection of essays is a valuable and provocative source for courses in Canadian studies and for anyone interested in the development of the arts and humanities in Canada.
Publisher: University of Toronto Press
ISBN: 148759075X
Category : Art
Languages : en
Pages : 270
Book Description
In this volume a baker's dozen of creative Canadians make personal responses to the state of the arts in Canada: Northrop Frye and Guy Rocher write on general cultural trends; Hugh MacLennan and Gérard Bessette on fiction; Ralph Gustafson and Michèle Lalonde on poetry; Robertson Davies and Gratien Gélinas on drama; George Woodcock and Jacques Allard on non-fiction prose; Godfrey Ridout on music, and Aba Bayefsky and Humphrey N. Milnes on art. The essays were written to mark the fiftieth anniversary of the University of Toronto Quarterly. The contributors were invited to discuss the changes, problems, challenges, and achievements in the arts in the last fifty years. Since all the authors had personal experience of at least a large section of the period surveyed, the editors welcomed personal reminiscence as well as description and assessment. The result is a varied group of essays in each of which the character of the individual artist is clearly evident; together, they provide a complex, many-faceted, lively, and living discussion of the cultural development of Canada. This anniversary collection of essays is a valuable and provocative source for courses in Canadian studies and for anyone interested in the development of the arts and humanities in Canada.
History of Literature in Canada
Author: Reingard M. Nischik
Publisher: Camden House
ISBN: 9781571133595
Category : History
Languages : en
Pages : 622
Book Description
The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature. From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own voice in the North American and francophone worlds. "CanLit" has likewise developed into a staple of academic interest, pursued in Canadian Studies programs in Canada and around the world. This volume draws on the expertise of scholars from Canada, Germany, Austria, and France, tracing Canadian literature from the indigenous oral tradition to thedevelopment of English-Canadian and French-Canadian literature since colonial times. Conceiving of Canada as a single but multifaceted culture, it accounts for specific characteristics of English- and French-Canadian literatures, such as the vital role of the short story in English Canada or that of the chanson in French Canada. Yet special attention is also paid to Aboriginal literature and to the pronounced transcultural, ethnically diverse character ofmuch contemporary Canadian literature, thus moving clearly beyond the traditions of the two founding nations. Contributors: Reingard M. Nischik, Eva Gruber, Iain M. Higgins, Guy Laflèche, Dorothee Scholl, Gwendolyn Davies, Tracy Ware, Fritz Peter Kirsch, Julia Breitbach, Lorraine York, Marta Dvorak, Jerry Wasserman, Ursula Mathis-Moser, Doris G. Eibl, Rolf Lohse, Sherrill Grace, Caroline Rosenthal, Martin Kuester, Nicholas Bradley, Anne Nothof, Georgiana Banita, Gilles Dupuis, and Andrea Oberhuber. Reingard M. Nischik is Professor of American Literature at the University of Constance, Germany.
Publisher: Camden House
ISBN: 9781571133595
Category : History
Languages : en
Pages : 622
Book Description
The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature. From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own voice in the North American and francophone worlds. "CanLit" has likewise developed into a staple of academic interest, pursued in Canadian Studies programs in Canada and around the world. This volume draws on the expertise of scholars from Canada, Germany, Austria, and France, tracing Canadian literature from the indigenous oral tradition to thedevelopment of English-Canadian and French-Canadian literature since colonial times. Conceiving of Canada as a single but multifaceted culture, it accounts for specific characteristics of English- and French-Canadian literatures, such as the vital role of the short story in English Canada or that of the chanson in French Canada. Yet special attention is also paid to Aboriginal literature and to the pronounced transcultural, ethnically diverse character ofmuch contemporary Canadian literature, thus moving clearly beyond the traditions of the two founding nations. Contributors: Reingard M. Nischik, Eva Gruber, Iain M. Higgins, Guy Laflèche, Dorothee Scholl, Gwendolyn Davies, Tracy Ware, Fritz Peter Kirsch, Julia Breitbach, Lorraine York, Marta Dvorak, Jerry Wasserman, Ursula Mathis-Moser, Doris G. Eibl, Rolf Lohse, Sherrill Grace, Caroline Rosenthal, Martin Kuester, Nicholas Bradley, Anne Nothof, Georgiana Banita, Gilles Dupuis, and Andrea Oberhuber. Reingard M. Nischik is Professor of American Literature at the University of Constance, Germany.
Canadiana
A Québécois Dream
Author: Victor Lévy Beaulieu
Publisher: Exile Editions, Ltd.
ISBN: 9780920428184
Category : Fiction
Languages : en
Pages : 108
Book Description
Publisher: Exile Editions, Ltd.
ISBN: 9780920428184
Category : Fiction
Languages : en
Pages : 108
Book Description
Myths & Voices
Author: David Lampe
Publisher: White Pine Press
ISBN: 9781877727283
Category : Fiction
Languages : en
Pages : 430
Book Description
Anthology of French and English speaking Canadian stories.
Publisher: White Pine Press
ISBN: 9781877727283
Category : Fiction
Languages : en
Pages : 430
Book Description
Anthology of French and English speaking Canadian stories.
Fifteen Years in Exile
Author: Barry Callaghan
Publisher: Exile Editions, Ltd.
ISBN: 9781550960235
Category : Literary Collections
Languages : en
Pages : 480
Book Description
Publisher: Exile Editions, Ltd.
ISBN: 9781550960235
Category : Literary Collections
Languages : en
Pages : 480
Book Description
Yesterday, at the Hotel Clarendon
Author: Nicole Brossard
Publisher: Coach House Books
ISBN: 9781552451502
Category : Fiction
Languages : en
Pages : 248
Book Description
Yesterday, on my way back from the museum: my head is full of images of storms. A boundless sea of paintings and photographs. Other storms I build like a backdrop, with sombre and anonymous characters, impossible to identify. I remain thus all evening, pressed up against the existence of a storm without feeling threatened. Waiting. After a few moments I become, I am, the storm, the disruption, the precipitation, the agitation that puts reality in peril. Carla Carlson is at the Hotel Clarendon in Quebec City trying to finish a novel. Nearby, a woman, preoccupied with sadness and infatuated with her boss, catalogues antiquities at the Museum of Civilization. Every night, the two women meet at the hotel bar and talk-about childhood and parents and landscapes, about time and art, about Descartes and Francis Bacon and writing. When Yesterday, at the Hotel Clarendon appeared in French (as Hier ), the media called it the pinnacle of Brossard's remarkable forty-year literary career. From its intersection of four women emerges a kind of art installation, a lively read in which life and death and the vertigo of ruins tangle themselves together to say something about history and desire and art. ' Hier is a book in which the love of language, authorial anxiety and the generosity of a writer who has dedicated herself to the craft of writing are truly revealed.' - Le Devoir 'An explorer of language, Brossard has, for many years, pursued a demanding and unarguably original oeuvre. Hier , her latest book, is a kind of sum or synthesis of her research and her meditations.' - Lettres Quebecoises
Publisher: Coach House Books
ISBN: 9781552451502
Category : Fiction
Languages : en
Pages : 248
Book Description
Yesterday, on my way back from the museum: my head is full of images of storms. A boundless sea of paintings and photographs. Other storms I build like a backdrop, with sombre and anonymous characters, impossible to identify. I remain thus all evening, pressed up against the existence of a storm without feeling threatened. Waiting. After a few moments I become, I am, the storm, the disruption, the precipitation, the agitation that puts reality in peril. Carla Carlson is at the Hotel Clarendon in Quebec City trying to finish a novel. Nearby, a woman, preoccupied with sadness and infatuated with her boss, catalogues antiquities at the Museum of Civilization. Every night, the two women meet at the hotel bar and talk-about childhood and parents and landscapes, about time and art, about Descartes and Francis Bacon and writing. When Yesterday, at the Hotel Clarendon appeared in French (as Hier ), the media called it the pinnacle of Brossard's remarkable forty-year literary career. From its intersection of four women emerges a kind of art installation, a lively read in which life and death and the vertigo of ruins tangle themselves together to say something about history and desire and art. ' Hier is a book in which the love of language, authorial anxiety and the generosity of a writer who has dedicated herself to the craft of writing are truly revealed.' - Le Devoir 'An explorer of language, Brossard has, for many years, pursued a demanding and unarguably original oeuvre. Hier , her latest book, is a kind of sum or synthesis of her research and her meditations.' - Lettres Quebecoises
Francophone Literatures
Author: Belinda Jack
Publisher: OUP Oxford
ISBN: 0191584134
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
The canon of French literature has been the subject of much debate and now increasingly francophone literatures are demanding more attention in student French literature courses. The first study in English of francophone literatures, this book introduces the diverse bodies of texts in French from the numerous French-speaking areas around the world, with separate sections covering Africa, French Canada, the Creole Islands, and Europe, and will provide students at both undergraduate and 'A' level with a comprehensive introductory survey of the subject. Francophone literatures emerge from rich bi- and multi-lingual cultures in part as colonial legacies. They also challenge the monopoly of the French literary tradition. This introductory survey celebrates the linguistic difference of such texts and the creative possibilities offered by deviance from an established tradition, demanding new critical approaches. The texts studied here cast a new light upon French literature in terms of their diverse perspectives upon writing, history, politics, and culture, their violent rewritings, subversive versions and parodies sometimes forming an elaborate pastiche of celebrated French texts. Guides to further reading, a select bibliography, and an extensive index combine to make the book an extremely readable introductory overview of a hitherto little explored area.
Publisher: OUP Oxford
ISBN: 0191584134
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
The canon of French literature has been the subject of much debate and now increasingly francophone literatures are demanding more attention in student French literature courses. The first study in English of francophone literatures, this book introduces the diverse bodies of texts in French from the numerous French-speaking areas around the world, with separate sections covering Africa, French Canada, the Creole Islands, and Europe, and will provide students at both undergraduate and 'A' level with a comprehensive introductory survey of the subject. Francophone literatures emerge from rich bi- and multi-lingual cultures in part as colonial legacies. They also challenge the monopoly of the French literary tradition. This introductory survey celebrates the linguistic difference of such texts and the creative possibilities offered by deviance from an established tradition, demanding new critical approaches. The texts studied here cast a new light upon French literature in terms of their diverse perspectives upon writing, history, politics, and culture, their violent rewritings, subversive versions and parodies sometimes forming an elaborate pastiche of celebrated French texts. Guides to further reading, a select bibliography, and an extensive index combine to make the book an extremely readable introductory overview of a hitherto little explored area.