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Author: Yuval Etgar Publisher: Walther Konig Verlag ISBN: 9783960988915 Category : Languages : en Pages : 176
Book Description
John Stezaker is one of the most distinguished voices in the history of image-based collage. Since the 1970s Stezaker?s work has occupied a unique position in the face of radical changes in the economy of popular visual culture and its implications on the value of ?found? imagery in art. Faced with the post-conceptual crisis of the mid-1970s, Stezaker came to reject the prevailing tendency among his British contemporaries towards agitprop photomontage, promoted in the name of punk, anarchism and second-wave feminism. He also positioned himself at a distance from the North American Pictures Generation artists with whom he had a meaningful exchange during this period, and in whose narrative he remains something of a missing link to this day. Stezaker was gradually to become consumed by a different enquiry altogether ? one that was, and remains, invested in the possibility of reviving the mechanically reproduced image and exploring its potentials as an outmoded visual currency that is shifting out of circulation in favour of new technologies and alternative modes of image distribution.00Exhibition: Luxembourg + Co., London, UK (01.10 - 05.12.2020).
Author: Yuval Etgar Publisher: Walther Konig Verlag ISBN: 9783960988915 Category : Languages : en Pages : 176
Book Description
John Stezaker is one of the most distinguished voices in the history of image-based collage. Since the 1970s Stezaker?s work has occupied a unique position in the face of radical changes in the economy of popular visual culture and its implications on the value of ?found? imagery in art. Faced with the post-conceptual crisis of the mid-1970s, Stezaker came to reject the prevailing tendency among his British contemporaries towards agitprop photomontage, promoted in the name of punk, anarchism and second-wave feminism. He also positioned himself at a distance from the North American Pictures Generation artists with whom he had a meaningful exchange during this period, and in whose narrative he remains something of a missing link to this day. Stezaker was gradually to become consumed by a different enquiry altogether ? one that was, and remains, invested in the possibility of reviving the mechanically reproduced image and exploring its potentials as an outmoded visual currency that is shifting out of circulation in favour of new technologies and alternative modes of image distribution.00Exhibition: Luxembourg + Co., London, UK (01.10 - 05.12.2020).
Author: John Stezaker Publisher: ISBN: 9781905464531 Category : Art Languages : en Pages : 110
Book Description
John Stezaker's found images, collages and image fragments are most associated with cinematic imagery, however it is the other found-image sources which he has worked with over the past 30 years which is the focus of this publication; notably the artist's Bridge collages and the anatomical nudes of his 'Falland Expulsion' series. This catalogue, published in association with Rosenwald-Wolf Gallery, Philadelphia, which showed the exhibition 'John Stezaker: The Nude and Landscape' in October 2011, centres on Stezaker's works from the 1980s when he switched from the cinematic imagery of the 1970s towards 'an engagement with the culture of the image to the nature of the image'. The catalogue presents many new works that have not been shown before and, interestingly, also unaltered found images so similar to the Stezaker collages that they are only identifiable when focussing on the absence or presence of the artist's cut.0Exhibition: Rosenwald-Wolf Gallery, Philadelphia, USA.
Author: John Stezaker Publisher: ISBN: 9781905464333 Category : Art Languages : en Pages : 220
Book Description
The art of John Stezaker engages with the ceaseless flow of images that has been a consequence of mechanical reproduction, mass media and popular culture. His intervention into these images through collage, excision, reconfiguration, inversion or occlusion can be seen to interrupt their everyday circulation in a profound way: image and perception alike are questioned, rearranged and opened to new possibilities. Through their transformation Stezaker's images acquire poetic resonance, and, in many cases, a disquieting allure. With over 120 illustrations, this monograph presents the first overview of John Stezaker's work on paper from the 1970s onwards, featuring his found images, collages, image fragments and a selection from The 3rd Person Archive. Essays by Dawn Ades and Michael Bracewell, as well as a conversation between the artist and curators Daniel F. Herrmann and Christophe Gallois, place Stezaker's work in a historical context and analyse his methodology and practice. The exhibition opens at the Whitechapel Gallery, London in January 2011 and travels to the MUDAM, Luxembourg at the end of the year (June - September 2011). It will also show at Mildred Lane Kemper Art Museum, St Louis, USA (January - April 2012);
Author: Mark Coetzee Publisher: Rubell Family Collection ISBN: Category : Art Languages : en Pages : 136
Book Description
This update will be published in full color and includes the newest waterjet safety technologies, methods, and equipment. Will also expand upon the information on shrouds, shielding, chocking, and grounding. Instructor Supplements Instructors: Product supplements may be ordered directly through OASIS athttp://oasis.pearson.com. For more information contact your Pearson NCCER/Contren Sales Specialist at http://nccer.pearsonconstructionbooks.com/store/sales.aspx. Annotated Instructor's Guide (AIG) Paperback (Includes access code for Instructor Resource Center) 978-0-13-294915-6 TestGen Software and TestQuestions - Available for download from www.nccerirc.com . Access code comes in AIG and also available separately. PowerPoint Presentation Slides 978-0-13-294908-8
Author: John Stezaker Publisher: ISBN: 9781905464890 Category : Art Languages : en Pages : 143
Book Description
Reframing image fragments from postcards, John Stezaker's series Crossing Over (2012-13) focuses on the incidental micro-narratives of life that are often overlooked in these everyday objects.Celebrated British artist John Stezaker is widely known for his innovative approach to found photographic imagery. Building upon the corresponding 3rd Person Archive series, the image fragments in this volume span the history of postcard production.Moving from the Victorian era to the postwar period and black and white to colour imagery, Stezaker explores the female figure, notions of return and crossing back.Working with notions of time and memory, Crossing Over frames seemingly minor details, such as the figures passing on a street corner or conversing on a park bench, as well as the marks left by the physical movement of the images themselves.Reprinted to full-scale, 65 image fragments in this artist project is collected for the first time here.
Author: Richard Brereton Publisher: ISBN: 9781780672366 Category : Collage Languages : en Pages : 0
Book Description
Collage is at the cutting edge of visual design, and can be seen everywhere from advertisements, magazine editorials and fashion stories to street art, album covers, animation and website design. Cut & Paste brings together over 250 images from more than 40 contemporary collage artists, including Serge Bloch, Borsodi Bela, Sara Fanelli, Julian House, Christoph Niemann, John Stezaker and Sergei Sviatchenko.
Author: Blanche Craig Publisher: Black Dog Pub Limited ISBN: 9781906155391 Category : Art Languages : en Pages : 238
Book Description
Collage has a relatively short, but incredibly rich history. The popularity of collage is on the increase again, partly as a result of such postmodernist concerns as pluralism, multiplicity and hybridity. This book features works by international artists Picasso, Schwitters and Ernst, through to Hannah Hoch, Martha Rosler, John Stezaker, Richard Hamilton, Layla Curtis, David Salle, Eduardo Poalozzi, Javier Rodriguez, Robert Rauschenberg, Mimei Thompson, David Thorpe, Fred Tomaselli and many more.
Author: Dominic Molon Publisher: Princeton Architectural Press ISBN: 9781616894030 Category : Art Languages : en Pages : 0
Book Description
Best known for his powerful sculptures and installations, Scottish artist Martin Boyce reconfigures everyday elements into alternate realities. Garbage cans are lopsided, trees consist of straight lines, and air-vent grilles become objets d'art. Heavily influenced by modernism, Boyce often incorporates well-known objects by mid-twentieth-century designers into his work, such as the Eames Storage Unit or the four concrete trees by Joel and Jan Martel for a 1925 garden. By reinventing or deconstructing them for his installations, Boyce critically reflects on the legacy of modernist design. When Now is Night is the most significant monograph on the artist—who won Britain's coveted Turner Prize in 2011—in a decade, providing an overview of his career with an emphasis on work from recent years. While his practice is frequently considered in relationship to modernism and the specific precedents he draws on, this book places a greater emphasis on the narratives he develops within individual works and the process involved in creating them. This shift in focus will encourage new insights into Boyce's work, making it an invaluable resource for admirers and scholars alike.
Author: Yuval Etgar Publisher: ISBN: 9780995612518 Category : Art Languages : en Pages : 238
Book Description
The title 'The Ends of Collage', refers both literally and metaphorically to the place where collage fulfils its calling -- at the ends or edges of pictures and fragments, where separate worlds come together or break apart from one another. But it also suggests an historical paradigm, where collage is considered as a medium that existed in the so called "age of mechanical reproduction" and has now been overcome by the new logic of the digital age. The book attempts to survey different approaches to- and definitions of collage and the role of this medium in two crucial historical moments: its emergence in the early decades of the 20th century, and the introduction of digital media during the postmodern moment of the late 1970s and early 1980s.
Author: Yuval Etgar
Author: Yuval Etgar
Author: John Stezaker
Author: John Stezaker
Author: Mark Coetzee
Author: John Stezaker
Author: Richard Brereton
Author: Blanche Craig
Author: Dominic Molon
Author: Yuval Etgar
Author: John Stezaker