Author: Jules David PrownPublisher:
ISBN:
Category :
Languages : en
Pages : 448
Book Description
For contents, see Author Catalog.
John Singleton Copley: In England, 1774-1815
Author: Jules David PrownPublisher:
ISBN:
Category :
Languages : en
Pages : 448
Book Description
For contents, see Author Catalog.
John Singleton Copley
Author: Jules David PrownA Revolution in Color: The World of John Singleton Copley
Author: Jane KamenskyPublisher: W. W. Norton & Company
ISBN: 0393608611
Category : History
Languages : en
Pages : 352
Book Description
"A stunning biography…[A] truly singular account of the American Revolution." —Amanda Foreman, author of A World on Fire Through an intimate narrative of the life of painter John Singleton Copley, award-winning historian Jane Kamensky reveals the world of the American Revolution, rife with divided loyalties and tangled sympathies. Famed today for his portraits of patriot leaders like Samuel Adams and Paul Revere, Copley is celebrated as one of America’s founding artists. But, married to the daughter of a tea merchant and seeking artistic approval from abroad, he could not sever his own ties with Great Britain. Rather, ambition took him to London just as the war began. His view from abroad as rich and fascinating as his harrowing experiences of patriotism in Boston, Copley’s refusal to choose sides cost him dearly. Yet to this day, his towering artistic legacy remains shared by America and Britain alike.
John Singleton Copley in America
Author: Carrie Rebora BarrattPublisher: Metropolitan Museum of Art
ISBN: 0870997459
Category : Art, American
Languages : en
Pages : 366
Book Description
A lavish, illustrated volume published to accompany an exhibition of Copley's work that will be traveling to several cities during 1996. The focus is on the paintings, miniatures, and pastels that Copley, the supreme portraitist of the colonial era, produced before he moved to London in 1774. Four principal essays place the work in historical and social context and bring new critical methods to bear upon the study of portraits and portraiture; four shorter essays treat various aspects of Copley's art and techniques. Catalog entries detail the sitters' lives and the ways in which Copley enhanced his subjects' status and presence. 10x12.25" Annotation copyright by Book News, Inc., Portland, OR
John Singleton Copley in America
Author: Carrie Rebora BarrattPublisher: Metropolitan Museum of Art New York
ISBN: 9780300086317
Category : Art
Languages : en
Pages : 348
Book Description
"Unexpectedly, John Singleton Copley illuminated Boston's colonial sky," writes one of the authors of this volume. The son of poor Irish immigrants, Copley (1738-1815) became the supreme portraitist of the colonial era before he left his native Boston for England in 1774. Primarily in Boston, and to some extent in New York, Copley depicted contemporary merchant princes, clergymen, and military officers and their wives, as well as Paul Revere, Samuel Adams, John Hancock, and other political leaders. His splendidly painted portraits provided his sitters, Loyalists and revolutionaries alike, with the opulent images they craved and brought him spectacular material success. This book, which accompanies an important exhibition of Copley's work organized by The Metropolitan Museum of Art, New York, and the Museum of Fine Arts, Boston, is the first major study of the artist published since 1966. Like the exhibition, it focuses on the large-scale paintings, miniatures, and pastels Copley executed before he moved to London, on the theory that his American oeuvre is unified by the circumstances of its production and is stylistically and intellectually distinct from his English pictures.
John Singleton Copley: In England, 1774-1815
Author: Jules David PrownPublisher:
ISBN:
Category :
Languages : en
Pages : 434
Book Description
For contents, see Author Catalog.
John Singleton Copley
Author: James Thomas FlexnerPublisher:
ISBN:
Category : Artists
Languages : en
Pages : 202
Book Description
A book for both the general reader of American history and the student of art, Flexner's study of Copley (1738-1815) brings into vivid detail the struggle the artist endured against an unfavorable environment in the New World, his rise to fame, the development of his unique style, and the personal growth of the man who became America's first great artist. Copley's life began in the humble surroundings of Boston's waterfront. As a poor boy growing up in a city where no formal art instruction was available, rigorous self-instruction was Copley's only means to his goal of becoming a painter. Through laborious work Copley mastered his craft; the portraits he produced between 1753 and 1774, at the height of his fame, were distinguished by the fully rounded modeling and realism which make the personalities of his subjects come alive. His paintings in these years were the best works a colonial American artist had ever produced. Yet his personal letters reveal that he found life in Boston limited; he cites the dearth of great art from which to learn and by which to be inspired, and complains of what he perceives to be the underappreciation of his patrons. The Boston Tea Party and other events led inexorably toward the Revolution. Copley was unwillingly drawn into the troubled political arena; his loyalist connections made his life in Boston increasingly turbulent and precarious. In 1774, at the suggestion of Joshua Reynolds and Benjamin West, Copley became convinced he was wasting his talents in the colonies and moved to London to study the European masters. This decision marked the second period of his life, lasting forty years, and instigated a no less dramatic shift in the style and subject of his art. Copley's tour of European cities and galleries broadened the range and scope of his work. He produced large canvases of sweeping historical scenes of war, political subjects, and religious subjects considered taboo in the colonies.
John Singleton Copley, 1737/8-1815
Author: John Hill MorganJohn Singleton Copley in England
Author: Emily Ballew NeffPublisher: Merrell
ISBN:
Category : Art
Languages : en
Pages : 188
Book Description
John Singleton Copley is well known in America as the creator of the finest portraits of the Colonial era. Less well known is the fact that he left America in 1774, when the impending armed struggle between the Colonies and England threatened to destroy his livelihood, and settled in London to pit himself ambitiously against the Old Masters and the English giants of the day. Copley's English career was long and brilliant - and represents the most important period of his working life. During the forty-one years he spent in England, Copley created his great masterpieces of history painting and portraiture that stand as key monuments of British painting. From the earliest days of his career in London Copley realized that he would have to do everything possible to stand out in a crowded field of painters and create works that would bring him instant notice. This he did with his first great English picture, The Copley Family (1776-77) and, even more dramatically, with the landmark Watson and the Shark (1778). He quickly mastered the elements of the fashionable English style of painting, exchanging the tight and linear handling of the Colonial period for one more fluid and expressive. By the 1780s Copley was reckoned one of the most important painters working in England, a clear rival to his compatriot Benjamin West. With his masterpiece, The Death of Major Pierson (1784), Copley assumed a place of primacy in the field of history painting. While William L. Pressly gives a balanced, up-to-date exposition of Copley's English career, Emily Ballew Neff examines his masterpiece, The Death of Major Pierson, in particular detail, and is the author of the catalogue of his major English works. This isa long overdue study of this important painter.
A Portrait of Rivalry
Author: Doughlas G. WatersPublisher: Archway Publishing
ISBN: 1480801372
Category : History
Languages : en
Pages : 178
Book Description
American colonial artists John Copley and Benjamin West were both born into humble circumstances in 1738. As young boys, they both wanted to be artists. As teenagers, they embarked on their artistic careers. They met each other for the first time in London in 1774, clashing as they sought the same goals: wealth and artistic fame. In A Portrait of Rivalry, author Douglas G. Waters examines the histories of these two eighteenth-century American painters and their competition to achieve artistic dominance in London. Their struggle began against the backdrop of Americas fight to gain independence from the realm of King George III, coincidently born the same year as the two artists. Filled with colorful charactersincluding a wax lady and spy, a noble Englishman with too many wives, a preacher unworthy of the cloth, and a con artistA Portrait of Rivalry focuses on the lives of the two artists, revealing why they created the paintings they did and who achieved everlasting fame.