Author: Jules David Prown
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
John Singleton Copley. In America, 1738-1774. (In England, 1774-1815.) [With Reproductions and Portraits, Including a Self-portrait.].
John Singleton Copley
John Singleton Copley
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 54
Book Description
John Singleton Copley
Author: Barbara Neville Parker
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 436
Book Description
John Singleton Copley: In England, 1774-1815
Author: Jules David Prown
Publisher:
ISBN:
Category :
Languages : en
Pages : 434
Book Description
For contents, see Author Catalog.
Publisher:
ISBN:
Category :
Languages : en
Pages : 434
Book Description
For contents, see Author Catalog.
John Singleton Copley
John Singleton Copley
Author: Barbara Neville Parker
Publisher:
ISBN: 9781258210885
Category :
Languages : en
Pages : 428
Book Description
Publisher:
ISBN: 9781258210885
Category :
Languages : en
Pages : 428
Book Description
The Domestic and Artistic Life of John Singleton Copley, R.A
Author: Martha Babcock Amory
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 504
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 504
Book Description
John Singleton Copley, 1738-1815
John Singleton Copley: Selected Paintings
Author: Brook Steinman
Publisher:
ISBN: 9781976287275
Category :
Languages : en
Pages : 70
Book Description
John Singleton Copley RA (1738 - 1815) was an Anglo-American painter, active in both colonial America and England. He was probably born in Boston, Massachusetts, to Richard and Mary Singleton Copley, both Anglo-Irish. He is famous for his portrait paintings of wealthy and influential figures in colonial New England, depicting in particular middle-class subjects. His portraits were innovative in their tendency to depict artifacts relating to these individuals' lives.According to art historian Paul Staiti, Copley was the greatest and most influential painter in colonial America, producing about 350 works of art. With his startling likenesses of persons and things, he came to define a realist art tradition in America. His visual legacy extended throughout the nineteenth century in the American taste for the work of artists as diverse as Fitz Henry Lane and William Harnett. In Britain, while he continued to paint portraits for the �lite, his great achievement was the development of contemporary history painting, which was a combination of reportage, idealism, and theatre. He was also one of the pioneers of the private exhibition, orchestrating shows and marketing prints of his own work to mass audiences that might otherwise attend exhibitions only at the Royal Academy, or who previously had not gone to exhibitions at all.
Publisher:
ISBN: 9781976287275
Category :
Languages : en
Pages : 70
Book Description
John Singleton Copley RA (1738 - 1815) was an Anglo-American painter, active in both colonial America and England. He was probably born in Boston, Massachusetts, to Richard and Mary Singleton Copley, both Anglo-Irish. He is famous for his portrait paintings of wealthy and influential figures in colonial New England, depicting in particular middle-class subjects. His portraits were innovative in their tendency to depict artifacts relating to these individuals' lives.According to art historian Paul Staiti, Copley was the greatest and most influential painter in colonial America, producing about 350 works of art. With his startling likenesses of persons and things, he came to define a realist art tradition in America. His visual legacy extended throughout the nineteenth century in the American taste for the work of artists as diverse as Fitz Henry Lane and William Harnett. In Britain, while he continued to paint portraits for the �lite, his great achievement was the development of contemporary history painting, which was a combination of reportage, idealism, and theatre. He was also one of the pioneers of the private exhibition, orchestrating shows and marketing prints of his own work to mass audiences that might otherwise attend exhibitions only at the Royal Academy, or who previously had not gone to exhibitions at all.