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Author: Douglas McFarland Publisher: State University of New York Press ISBN: 143846374X Category : Performing Arts Languages : en Pages : 328
Book Description
John Huston as Adaptor makes the case that adaptation is the salient element in Huston's identity as a filmmaker and that his early and deep attraction to the experience of reading informed his approach to film adaptation. Thirty-four of Huston's thirty-seven films were adaptations of literary texts, and they stand as serious interpretations of literary works that could only be made by an astute reader of literature. Indeed, Huston asserted that a film director should be above all else a reader and that reading itself should be the intellectual and emotional basis for filmmaking. The seventeen essays in this volume not only address Huston as an adaptor, but also offer an approach to adaptation studies that has been largely overlooked. How an adaptor reads, the works to which he is drawn, and how his literary interpretations can be brought to the screen without relegating film to a subservient role are some of the issues addressed by the contributors. An introductory chapter identifies Huston as the quintessential Hollywood adaptor and argues that his skill at adaptation is the mark of his authorial signature. The chapters that follow focus on fifteen of Huston's most important films, including The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The African Queen (1951), The Night of the Iguana (1964), Under the Volcano (1984), and The Dead (1987), and are divided into three areas: aesthetics and textuality; history and social context; and theory and psychoanalysis. By offering a more comprehensive account of the centrality of adaptation to Huston's films, John Huston as Adaptor offers a greater understanding of Huston as a filmmaker.
Author: Douglas McFarland Publisher: State University of New York Press ISBN: 143846374X Category : Performing Arts Languages : en Pages : 328
Book Description
John Huston as Adaptor makes the case that adaptation is the salient element in Huston's identity as a filmmaker and that his early and deep attraction to the experience of reading informed his approach to film adaptation. Thirty-four of Huston's thirty-seven films were adaptations of literary texts, and they stand as serious interpretations of literary works that could only be made by an astute reader of literature. Indeed, Huston asserted that a film director should be above all else a reader and that reading itself should be the intellectual and emotional basis for filmmaking. The seventeen essays in this volume not only address Huston as an adaptor, but also offer an approach to adaptation studies that has been largely overlooked. How an adaptor reads, the works to which he is drawn, and how his literary interpretations can be brought to the screen without relegating film to a subservient role are some of the issues addressed by the contributors. An introductory chapter identifies Huston as the quintessential Hollywood adaptor and argues that his skill at adaptation is the mark of his authorial signature. The chapters that follow focus on fifteen of Huston's most important films, including The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The African Queen (1951), The Night of the Iguana (1964), Under the Volcano (1984), and The Dead (1987), and are divided into three areas: aesthetics and textuality; history and social context; and theory and psychoanalysis. By offering a more comprehensive account of the centrality of adaptation to Huston's films, John Huston as Adaptor offers a greater understanding of Huston as a filmmaker.
Author: Vivian Y. Kao Publisher: Springer Nature ISBN: 3030545806 Category : Performing Arts Languages : en Pages : 252
Book Description
This book brings film adaptation of literature to bear on the question of how nineteenth-century imperial ideologies of progress continue to inform power inequalities in a global capitalist age. Not simply the promotion of general betterment for all, improvement in the British colonial context licensed a superior “master race” to “uplift” its colonized populations—morally, socially, and economically. This book argues that, on the one hand, film adaptations of nineteenth-century novels reveal the arrogance and coercive intentions that underpin contemporary notions of development, humanitarianism, and modernity—improvement’s post-Victorian guises. On the other hand, the book also argues that the films use their nineteenth-century source texts to criticize these same legacies of imperialism. By bringing together film adaptation, postcolonial theory, and literary studies, the book demonstrates that adaptation, as both method and cultural product, provides a way to engage with the baggage of ideological heritage in our contemporary global media environment.
Author: Tony Tracy Publisher: McFarland ISBN: 078645993X Category : Performing Arts Languages : en Pages : 233
Book Description
Years after his death, American filmmaker John Huston (1906-1987) remains an enigmatic and compelling figure. This wide-ranging collection of new essays encompasses a variety of topics relating to Huston's lifestyle, political activities and cinematic legacy. Fresh analyses of such films as Key Largo, The Asphalt Jungle, The African Queen, The Misfits and Prizzi's Honor are included along with insightful studies of Huston's oft-overlooked literary adaptations In This Our Life, Moby Dick and A Walk With Love and Death. Also evaluated are Huston's controversial World War II documentary Let There Be Light, and two a clef portraits of the "real" Huston in the films The Way We Were and White Hunter, Black Heart. Bookending these essays are revealing interviews with John's actress daughter Angelica Huston and film producer Wieland Schultz-Keil.
Author: James Monaco Publisher: Perigee Trade ISBN: Category : Performing Arts Languages : en Pages : 616
Book Description
An alphabetical reference on the major film figures (stars, producers, directors, writers, et al.), past and present. Each entry provides a substantial career biography and a complete listing of all films the individual has been involved with. Annotation copyrighted by Book News, Inc., Portland, OR
Author: R. Barton Palmer Publisher: State University of New York Press ISBN: 1438437501 Category : Performing Arts Languages : en Pages : 339
Book Description
The adaptation of literary works to the screen has been the subject of increasing, and increasingly sophisticated, critical and scholarly attention in recent years, but most studies of the subject have continued to privilege literature over film by taking the literary sources as their starting point. Rather than examining the processes by which a particular author has been adapted into a diversity of films by different filmmakers, the contributors in Hitchcock at the Source consider the processes by which a varied range of literary sources have been transformed by one filmmaker into an impressive body of work. Throughout his career, Alfred Hitchcock transformed a variety of literary sources—novels, plays, short stories—into what is arguably the most coherent and distinctive (narratively, stylistically, and thematically) of all directorial oeuvres. After an introduction surveying the nature and diversity of Hitchcock's sources and locating the current volume in the context of theoretical work on adaptation, nineteen original essays range across the entirety of Hitchcock's career, from the silent period through to the 1970s. In addition to addressing the process of adaptation in particular films in terms of plot and character, the contributors also consider less obvious matters of tone, technique, and ideology; Hitchcock's manipulation of the conventions of literary and dramatic genres such as spy fiction and romantic comedy; and more general problems, such as Hitchcock's shift from plays to novels as his major sources in the course of the 1930s.
Author: Steven Jay Schneider Publisher: B.E.S. Publishing ISBN: Category : Performing Arts Languages : en Pages : 968
Book Description
Lists "must-see" movies in a chronological arrangement, providing information on director, producer, screenplay writer, music, cast members, and awards, along with a detailed review of each
Author: Thomas S. Hischak Publisher: McFarland ISBN: 0786492791 Category : Literary Criticism Languages : en Pages : 309
Book Description
The 525 notable works of 19th and 20th century American fiction in this reference book have many stage, movie, television, and video adaptations. Each literary work is described and then every adaptation is examined with a discussion of how accurate the version is and how well it succeeds in conveying the spirit of the original in a different medium. In addition to famous novels and short stories by authors such as Nathaniel Hawthorne, F. Scott Fitzgerald, and Willa Cather, many bestsellers, mysteries, children's books, young adult books, horror novels, science fiction, detective stories, and sensational potboilers from the past two centuries are examined.
Author: Bert Cardullo Publisher: Cambridge Scholars Publishing ISBN: Category : Biography & Autobiography Languages : en Pages : 276
Book Description
Five French Filmmakers: Renoir, Bresson, Tati, Truffaut, Rohmer; Essays and Interviews is, as its title indicates, a collection of essays about, followed by interviews with, five of France's major movie directors from the silent period (the early part of Jean Renoir's career) through the New Wave and beyond (even to the present, in the films of Eric Rohmer). Most critics would agree that these five men are among the most important, if not the most important, in the history of French cinema-which means, of course, that they play a significant role in the history of world cinema as well. Moreover, there are echoes of Renoir's work in Francois Truffaut's, even as there are of Robert Bresson in Rohmer. The great Jacques Tati himself is evidence of Bresson's dictum that the soundtrack invented silence, for he made all of his comedies-otherwise filled with silence-during the sound period. Five French Filmmakers, then, is the macrocosmic French cinema in microcosm. And all the more so because this book is introduced by the seminal French theorist and critic Andre Bazin (1918-1958), who in 1957 wrote an essay (translated here by me, for the very first time) titled Fifteen Years of French Cinema, which serendipitously spans the period from Renoir's sound pictures all the way up to the start of the New Wave. Bazin naturally talks about all the important directors, in addition to Renoir, Bresson, Tati, Truffaut, and Rohmer, working or starting their careers from 1942 to 1957, which is precisely why I have included his piece in-indeed, placed it at the start of-Five French Filmmakers.
Author: Jessica Bomarito Publisher: Short Story Criticism ISBN: 9780787688905 Category : Literary Criticism Languages : en Pages : 488
Book Description
Presents literary criticism on the works of short-story writers of all nations, cultures, and time periods. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers.
Author: Douglas McFarland
Author: Douglas McFarland
Author: Vivian Y. Kao
Author: Tony Tracy
Author: James Monaco
Author: Stephen Cooper
Author: R. Barton Palmer
Author: Steven Jay Schneider
Author: Thomas S. Hischak
Author: Bert Cardullo
Author: Jessica Bomarito