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Author: John Donne Publisher: Univ of California Press ISBN: 9780520239289 Category : Literary Criticism Languages : en Pages : 258
Book Description
The prose of John Donne, as glorious as his poetry, introduced and edited by Evelyn M. Simpson (deceased), one of the foremost scholars of Donne. First published by the Press in 1963.
Author: John Donne Publisher: Univ of California Press ISBN: 9780520239289 Category : Literary Criticism Languages : en Pages : 258
Book Description
The prose of John Donne, as glorious as his poetry, introduced and edited by Evelyn M. Simpson (deceased), one of the foremost scholars of Donne. First published by the Press in 1963.
Author: Donne/Simpson Publisher: ISBN: 9780520352124 Category : RELIGION Languages : en Pages : 0
Book Description
The glory of John Donne's prose at its best is very different from that of his verse, but is equal to it; and there can be no question that his best prose is in his sermons. His sense of form and arrangement, his psychological insight, his differences of mood and emphasis, and his religious fervor will make this selection of ten sermons particularly interesting to the attentive reader familiar with Donne's poetry.
Author: Lara M. Crowley Publisher: Oxford University Press ISBN: 0192554956 Category : Literary Criticism Languages : en Pages : 276
Book Description
Manuscript Matters illuminates responses to some of John Donne's most elusive texts by his contemporary audiences. Since examples of seventeenth-century literary criticism prove somewhat rare and frequently ambiguous, this book emphasizes a critical framework rarely used for exhibiting early readers' exegeses of literary texts: the complete manuscripts containing them. Many literary manuscripts that include poems by Donne and his contemporaries were compiled during their lifetimes, often by members of their circles. For this reason, and because various early modern poems and prose works satirize topical events and prominent figures in highly coded language, attempting to understand early literary interpretations proves challenging but highly valuable. Compilers, scribes, owners, and other readers–men and women who shared in Donne's political, religious, and social contexts–offer clues to their literary responses within a range of features related to the construction and subsequent use of the manuscripts. This study's findings call us to investigate more extensively and systematically how certain early manuscripts were constructed through analysis of such features as scripts, titles, sequence of contents, ascriptions, and variant diction. While such studies can throw light on many early modern texts, exploring artefacts containing Donne's works proves particularly useful because more of his poetry circulated in manuscript than did that of any other early modern poet. Manuscript Matters engages Donne's satiric, lyric, and religious poetry, as well as his prose paradoxes and problems. Analysing his texts within their manuscript contexts enables modern readers to interpret Donne's poetry and prose through an early modern lens.
Author: Joshua R. Held Publisher: University of Alabama Press ISBN: 0817361111 Category : Literary Criticism Languages : en Pages : 249
Book Description
"'Bold Conscience' chronicles the shifting conception of conscience in early modern England, as it evolved from a faculty of restraint--what the author labels "cowardly conscience"--to one of bold and forthright self-assertion. Caught at the vortex of public and private concerns, the concept of the conscience played an important role in post-Reformation England, from clerical leaders on down to laymen, not least because of its central place in determining loyalties during the English Civil War and the consequent regicide of King Charles I. Yet within this mix of perspectives, the most sinuous, complex, and ultimately lasting perspectives on bold conscience emerge from deliberately literary, rhetorically artistic voices--Shakespeare, Donne, and Milton. Joshua Held argues that literary texts by these authors, in re-casting the idea of conscience as a private, interior, shameful state to one of boldness fit for the public realm, parallel a historical development in which the conscience becomes a platform both for royal power and for common dissent in post-Reformation England. With the 1649 regicide of King Charles I as a fulcrum that unites both literary and historical timelines, Held tracks the increasing power of the conscience from William Shakespeare's Hamlet and Henry VIII to John Donne's court sermons, and finally to Milton's Areopagitica and Charles's defense of his kingship, Eikon Basilike. In a direct attack on Eikon Basilike, Milton destroys the prerogative of the royal conscience in Eikonoklastes, and later in Paradise Lost proposes an alternative basis for inner confidence, rooting it not in divine right but in the 'paradise within,' a metonym for conscience. Applying a fine-grain literary analysis to literary England from about 1601 to 1667, this study looks backward as well to the theological foundations of the concept in Luther of the 1520s and forward to its transformation by Locke into the term 'consciousness' in 1689. Ultimately, Held's study shows how the idea of a conscience in early modern England, long central to the private self and linked to the will, memory, and mind-emerges as a nexus between the private self and the realm of public action, a bulwark against absolute sovereignty, and its attenuation as a means of more limited, personal certainty. Whether in Milton's struggle against King Charles or Hamlet's against King Claudius, the conscience born of the Reformation becomes less a state of inner critique and more a form of outward expression fit for the communal life and commitments demanded by the early modern era"--
Author: Gilles Teulié Publisher: Cambridge Scholars Publishing ISBN: 1443808741 Category : Religion Languages : en Pages : 285
Book Description
This collection of essays ponders upon the intricate relations between the military and the spiritual from the Middle Ages to the present day. In order to analyse human attitudes towards conflicts, it is necessary to dwell upon the nebulous area where the religious and political spheres interweave so tightly that they become virtually impossible to distinguish. Indeed, despite remaining the responsibility of the state, the political decision to go to war depends heavily on some spiritual underpinning since, without a moral, ethical, or religious justification, it stands for gratuitous violence and is often equated with aggression. Situated as they are at the intersection of religious and political awareness, war sermons are an invaluable source of information regarding societies in times of conflict. Indeed, whether favourable or hostile to the waging of war, preachers participated in the edification of parishioners’ opinion. The writing, delivering or reading of sermons shaped the mental process of peoples who sought their ministers’ moral and spiritual guidance in times of crisis. This collection of essays offers contributions to the renewed debate on the function of war, its representations and its rhetoric as generators of identity.
Author: Jonathan Locke Hart Publisher: Routledge ISBN: 1000352560 Category : Drama Languages : en Pages : 253
Book Description
Shakespeare, the Renaissance and Empire presents Shakespeare as both a local and global writer, investigating Shakespeare’s trans-cultural writing through the interrelations and interactions of binaries including theory and practice, past and present, aesthetics and ethics, freedom and tyranny, republic and empire, empires and colonies, poetry and history, rhetoric and poetics, England and America, and England and Asia. The book breaks away from traditional western-centric analysis to present a universal Shakespeare, exposing readers to the relevance and significance of Shakespeare within their local contexts and cultures. This text aims to present a global Shakespeare, utilizing a dual perspective or dialectical presentation, mainly centred on questions of (1) how Shakespeare can be viewed as both an English writer and a world writer; (2) how language operates across genres and kinds of discourse; and (3) how Shakespeare helps to articulate a poetics of both texts (literature) and contexts (cultures). The book’s originality lies in its articulation of the importance and value of Shakespeare in the emerging landscape of global culture.
Author: John Donne
Author: John Donne
Author: 
Author: John Donne
Author: John Donne
Author: John Donne
Author: Donne/Simpson
Author: Lara M. Crowley
Author: Joshua R. Held
Author: Gilles Teulié
Author: Jonathan Locke Hart