Author: Bernarr RainbowPublisher:
ISBN:
Category : Education
Languages : en
Pages : 76
Book Description
John Curwen, a Short Critical Biography
Author: Bernarr RainbowPublisher:
ISBN:
Category : Education
Languages : en
Pages : 76
Book Description
Bernarr Rainbow on Music
Author: Bernarr RainbowPublisher: Boydell & Brewer
ISBN: 1843835924
Category : Biography & Autobiography
Languages : en
Pages : 420
Book Description
A memoir by the renowned historian of music education, Bernarr Rainbow, including a selection of his writings and a biographical introduction by Peter Dickinson. Bernarr Rainbow's [1914-1998] Memoirs written in the last year or two of his life offers a fascinating read about the life of the man who became the leading historian of music education. The book answers questions about how his life and work developed and how he came to establish the Bernarr Rainbow Trust before he died in 1998. The collection will also bring together Rainbow's writings published in various magazines, some of very limited circulation. Thenotes by Peter Dickinson cover Rainbow's earlier life and career, from archival material including press cuttings and including areas he does not cover in his memoirs. There are introductions by Gordon Cox and Charles Plummeridge. PETER DICKINSON, the composer and pianist, is emeritus professor, University of Keele and University of London. He has written or edited several books about twentieth-century music, including Copland Connotations [2002], The Music of Lennox Berkeley [2003], CageTalk [2006], and the more recent Lord Berners and Samuel Barber Remembered.
Scripture and Song in Nineteenth-Century Britain
Author: James GrandePublisher: Bloomsbury Publishing USA
ISBN: 150137639X
Category : Music
Languages : en
Pages : 247
Book Description
This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.
The Origins and Foundations of Music Education
Author: Gordon CoxPublisher: A&C Black
ISBN: 1847062075
Category : Education
Languages : en
Pages : 258
Book Description
Explores the origins and foundations of music education across five continents.
Music Education in Crisis
Author: Peter DickinsonPublisher: Boydell & Brewer Ltd
ISBN: 184383880X
Category : Education
Languages : en
Pages : 202
Book Description
Seminal lectures on music education since the 1990s. There is no question that music education is in crisis today. The place of music in the national curriculum is controversial; there have been cuts in the provision of individual lessons; and there have been severe reductions in government funding, with more planned. This book, containing the first five Bernarr Rainbow Lectures, makes an important and timely contribution to the debate on music education. Baroness Warnock brings the perspective of a distinguished philosopher to bear on issues about the nature of music and its study; Lord Moser urges us to maintain and expand what has been achieved since World War II; the late Professor John Paynter, responsible for the 1960s surge in creative approaches to music teaching, presents his case in two contributions; John Stephens discusses structures for music teaching and then, in a second contribution, brings everything up to date; and Professor Gavin Henderson traces his own colourful career and supports music for all ages. Also included is the 2005 Royal Philharmonic Society by the Master of the Queen's Music, Sir Peter Maxwell Davies; an assessment from Bernarr Rainbow himself, written late in his life; an indictment from Wilfrid Mellers; and two reviews of Bernarr Rainbow on Music: Memoirs and Selected Writings, showing the continuing importance of his work fifteen years after his death. This book is part of the series Classic Texts in Music Education, edited by Professor Peter Dickinson, and supported by the Bernarr Rainbow Trust. Peter Dickinson is a British composer, writer and pianist and authorand editor of books on Lennox Berkeley, Copland, Cage, Barber and Berners.
Music in the British Provinces, 1690–1914
Author: Peter HolmanPublisher: Routledge
ISBN: 1351557327
Category : Music
Languages : en
Pages : 428
Book Description
The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.
Living Music in Schools 1923-1999
Author: Gordon CoxPublisher: Routledge
ISBN: 1351735616
Category : Social Science
Languages : en
Pages : 249
Book Description
This title was first published in 2002: This volume explores educational reforms and innovations in music teaching in England between 1923 and 1999. Gordon Cox investigates the key reforms which attempted to give life to music in schools, and describes teachers' reactions to such innovations. By taking classroom practice and teacher experiences as seriously as policy making and education rhetoric, this book broadens the horizons of historical investigation into music education.
"Music in the British Provinces, 1690?914 "
Author: Peter HolmanPublisher: Routledge
ISBN: 1351557319
Category : Music
Languages : en
Pages : 458
Book Description
The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.
Sarah Anna Glover
Author: Jane SouthcottPublisher: Rowman & Littlefield
ISBN: 1793606048
Category : Music
Languages : en
Pages : 359
Book Description
In Sarah Anna Glover: Nineteenth Century Music Education Pioneer, Jane Southcott explores the life and pedagogy of Sarah Anna Glover, the female music education pioneer of congregational singing (psalmody) and singing in nineteenth-century schools. Glover devoted her life to the creation and propagation of a way of teaching class music that was meticulously devised, musically rigorous, and successfully promulgated. Southcott analyzes Glover’s methods, history, and memory, and works to correct inaccuracies and misrepresentations that have emerged since Glover’s death.
The Musical Salvationist
Author: Gordon CoxPublisher: Boydell & Brewer Ltd
ISBN: 1843836963
Category : Biography & Autobiography
Languages : en
Pages : 250
Book Description
The Musical Salvationist frames the Salvation Army's contribution to British musical life through the life story of composer, arranger and musical editor Richard Slater (1854-1939), popularly known as the 'Father of SalvationArmy Music', drawing on his detailed hand-written diaries. The Musical Salvationist frames the musical history of the Salvation Army through the life story of Richard Slater, popularly known as the 'Father of Salvation Army Music'. This book focuses upon the significant contribution of the Salvation Army to British musical life from the late Victorian era until the outbreak of the Second World War in 1939. It demonstrates links between the Army's music-making and working class popular culture, education and religion. Richard Slater [1854-1939] worked in the Army's Musical Department from 1883 until his retirement in 1913. His detailed hand-written diaries reveal new information about his background before he became a Salvationist at the age of 28. He then worked as the principal Salvationist composer, arranger and musical editor of the period and had contact with William Booth, the Army's Founder, who rejoiced in 'robbing the devil of his choicetunes'; George Bernard Shaw who wrote a penetrating critique of a band festival in 1905; and Eric Ball who was to become one of the Army's finest composers. The book illuminates rarely explored aspects of a vibrant Britishmusical tradition, and its adaptation to international contexts. GORDON COX is a former Senior Lecturer in Music Education, University of Reading. Foreword by Dr Ray Steadman-Allen.