Walls that Speak PDF Download

Author: Ollie Jensen Theisen
Publisher: University of North Texas Press
ISBN: 1574412892
Category : Art
Languages : en
Pages : 148

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"A beautiful tribute to a man and his art"---Review of Texas Books --

Author: Ollie Jensen Theisen
Publisher: University of North Texas Press
ISBN: 1574412205
Category : Art
Languages : en
Pages : 160

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John Thomas Biggers (1924-2001) was a major African American artist who inspired countless others through his teaching, murals, paintings, and drawings. Based on interviewes during the last thirteen years of his life, this title features selected representative works of John.

Author: John Thomas Biggers
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 72

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Author: John Thomas Biggers
Publisher: Texas A&M University Press
ISBN:
Category : Art
Languages : en
Pages : 130

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Author: Alvia J. Wardlaw
Publisher: ABRAMS
ISBN: 9780810919563
Category : African American artists
Languages : en
Pages : 0

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In this splendid book, which accompanies a major exhibition of Biggers's work opening at the Museum of Fine Arts, Houston in April, 1995, a generous selection of Biggers's paintings, drawings, prints, and sculptures are reproduced together for the first time. Included are preparatory drawings for the artist's major mural commissions, such as his now lost early Expressionist work.

Author: Andrea Andersson
Publisher: Yale University Press
ISBN: 0300248644
Category : Art
Languages : en
Pages : 193

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“What I want to do is code-switch. To have there be layers of history and politics, but also this heady, arty stuff—inside jokes, black humor—that you might have to take a while to research if you want to really get it.”—Sanford Biggers Sanford Biggers (b. 1970) is a Harlem-based artist working in various media including painting, sculpture, video, and performance. He describes his practice as “code-switching”—mixing disparate elements to create layers of meaning—to account for his wide-ranging interests. This catalogue focuses on a series of repurposed quilts (many made in the 19th century) that embodies this interest in mixture. Informed by the significance of quilts to the Underground Railroad, Biggers transforms the quilts into new works using materials such as paint, tar, glitter, and charcoal to add his own layers of codes, whether they be historical, political, or purely artistic. Insightful essays survey Biggers’s career, his art in relation to music, and the history upon which the series draws. Also featured is a short yet powerful graphic essay by an award-winning illustrator that introduces the layered meanings inherent in the art and craft of quilting.

Author: John Biggers
Publisher:
ISBN: 9780292703469
Category :
Languages : en
Pages :

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Author: James Prigoff
Publisher: Pomegranate
ISBN: 0764913395
Category : African American art
Languages : en
Pages : 282

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THIRTEEN COLONIES & THE LOST COLONY(tm) Take a step back and discover the thirteen colonies of Colonial America. From European exploration through the American Revolution, witness the unique history and character of each colony. Trace the role of each colony in the American Revolution and that colony's impact on the formation of our Constitution. Georgia - Using primary source documents that include the Charter of Georgia, a map of the colony circa 1725, period portraits, and newspaper articles, this fascinating book traces the history of the colony from its founding to its being the fourth state to ratify the U.S. Constitution in 1788."Good organization, well-written text which reads like a story, numerous quotes and historic incidents, attractive format and well-designed pages, drawings, maps...all make this title a recommended source for studies in the colonial period of American history." - ASSOCIATION OF REG. XI SCHOOL LIBRARIANS, TEXAS

Author: Carol Kountz
Publisher:
ISBN: 9780997599008
Category : Biography & Autobiography
Languages : en
Pages : 296

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Walter Heape never earned a university degree, but after a world voyage he left the family business to train in embryology at Trinity College, Cambridge, and work alongside many great scientists of the late Victorian Age, including Francis Balfour, William Bateson, Michael Foster, James Frazer, Francis Galton, Thomas Huxley, E. Ray Lankester and Anton Dohrn. His entrepreneurial spirit embraced the unfolding revolutions in genetics and endocrinology, and breakthroughs in animal breeding technology and fertility treatment for patients were foreshadowed by his contributions to reproductive biology. He did not, however, always enjoy a smooth ride as a researcher and science administrator, but a background in business helped him to survive the political fray to leave a scientific legacy that deserves to be celebrated.JOHN D. BIGGERS, Ph.D., D.Sc. has worked in the field of reproductive biology from 1950 and at Harvard Medical School from 1971 where he is now Emeritus Professor of Cell Biology. CAROL KOUNTZ, Ph.D. is Associate Professor Emerita of Writing, Grand Valley State University, Allendale, Michigan.

Author: Katie Robinson Edwards
Publisher: University of Texas Press
ISBN: 0292756593
Category : Art
Languages : en
Pages : 393

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Book Description
Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's "Americans" exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.