Author: Jo Spence
Publisher:
ISBN: 9781905464814
Category : Art
Languages : en
Pages : 84
Book Description
Jo Spence (19341992) disliked the term artist, preferring instead to call herself
Jo Spence
Author: Jo Spence
Publisher:
ISBN: 9781905464814
Category : Art
Languages : en
Pages : 84
Book Description
Jo Spence (19341992) disliked the term artist, preferring instead to call herself
Publisher:
ISBN: 9781905464814
Category : Art
Languages : en
Pages : 84
Book Description
Jo Spence (19341992) disliked the term artist, preferring instead to call herself
Putting Myself in the Picture
Author: Jo Spence
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 232
Book Description
Jo Spence
Author: Jo Spence
Publisher: Actar D
ISBN:
Category : Photography
Languages : en
Pages : 440
Book Description
A Retrospective on the work of Jospence. Jo Spence [London, 1934-1992] began her artistic career during the critical re-thinking of modern photography and body art in the mid 70s. This is a wide-ranging selection of Spence's texts with the most significant photographic works of her career.
Publisher: Actar D
ISBN:
Category : Photography
Languages : en
Pages : 440
Book Description
A Retrospective on the work of Jospence. Jo Spence [London, 1934-1992] began her artistic career during the critical re-thinking of modern photography and body art in the mid 70s. This is a wide-ranging selection of Spence's texts with the most significant photographic works of her career.
Cultural Sniping
Author: Jo Spence
Publisher: Routledge
ISBN: 1134962614
Category : Art
Languages : en
Pages : 266
Book Description
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1134962614
Category : Art
Languages : en
Pages : 266
Book Description
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Family Snaps
Author: Jo Spence
Publisher: Virago Press
ISBN: 9781853812705
Category : Photography
Languages : en
Pages : 252
Book Description
An examination of the family album through essays and photo essays from contributors such as Jo Spence, Annette Kuhn, Val Williams, Stuart Hall and Simon Watney. The book looks at the shifting meanings of domestic photography and the transformation of the family album into narratives of commmunity.
Publisher: Virago Press
ISBN: 9781853812705
Category : Photography
Languages : en
Pages : 252
Book Description
An examination of the family album through essays and photo essays from contributors such as Jo Spence, Annette Kuhn, Val Williams, Stuart Hall and Simon Watney. The book looks at the shifting meanings of domestic photography and the transformation of the family album into narratives of commmunity.
Killer Storm
Author: Jen Wright
Publisher: Jo Spence Mystery Series
ISBN: 9780979488306
Category : Fiction
Languages : en
Pages : 0
Book Description
"Killer Storm" features the adventures of Jo Spence, a 40-year-old, coffee-addicted, dog-loving lesbian, whose desk job suddenly places her in the middle of a murder investigation and the escalating violence of a new gang in Duluth, Minnesota.
Publisher: Jo Spence Mystery Series
ISBN: 9780979488306
Category : Fiction
Languages : en
Pages : 0
Book Description
"Killer Storm" features the adventures of Jo Spence, a 40-year-old, coffee-addicted, dog-loving lesbian, whose desk job suddenly places her in the middle of a murder investigation and the escalating violence of a new gang in Duluth, Minnesota.
The Creatures Time Forgot
Author: David Hevey
Publisher: Taylor & Francis
ISBN: 1000878325
Category : Social Science
Languages : en
Pages : 313
Book Description
First published in 1992, The Creatures Time Forgot examines the representation of disabled people – in advertising, particularly that produced by disability charities, and in the work of photographers such as Diane Arbus and Gary Winogrand. He shows how such images construct disabled people as ‘creatures,’ the tragic-but-brave objects of photographic gaze, or as the ‘’appy ‘andicapped’ of ‘positive imagery’ advertising. As a disabled photographer and writer, David Hevey has been a pioneer in challenging such visual representations of disabled people. His work advocates a move away from medical, charity or impairment-fixated imagery towards a visual equivalent of ‘Rights not Charity’. The book outlines David Hevey’s own photographic practice and includes wide-ranging selections from his work to create a visual form which reflects the new social presence of disabled people. This book will be of interest to students of media studies, cultural studies, and disability studies.
Publisher: Taylor & Francis
ISBN: 1000878325
Category : Social Science
Languages : en
Pages : 313
Book Description
First published in 1992, The Creatures Time Forgot examines the representation of disabled people – in advertising, particularly that produced by disability charities, and in the work of photographers such as Diane Arbus and Gary Winogrand. He shows how such images construct disabled people as ‘creatures,’ the tragic-but-brave objects of photographic gaze, or as the ‘’appy ‘andicapped’ of ‘positive imagery’ advertising. As a disabled photographer and writer, David Hevey has been a pioneer in challenging such visual representations of disabled people. His work advocates a move away from medical, charity or impairment-fixated imagery towards a visual equivalent of ‘Rights not Charity’. The book outlines David Hevey’s own photographic practice and includes wide-ranging selections from his work to create a visual form which reflects the new social presence of disabled people. This book will be of interest to students of media studies, cultural studies, and disability studies.
The Invading Body
Author: Einat Avrahami
Publisher: University of Virginia Press
ISBN: 9780813926650
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
Widely debated in feminist, poststructuralist, and literary theory is the relationship between subjectivity and the body. Yet autobiographical criticism--an obvious place for testing this conceptual relationship--has lagged behind contemporary queries about the embodied self. In The Invading Body, Einat Avrahami corrects this deficiency by analyzing the genre of terminal illness autobiographies. These personal narratives challenge the world of self-writing in their power to question the assumption that autobiography--and the body--are products of cultural constructs and discursive practices. Their self-disclosures of symptoms, disabilities, and the physical and psychological pains of treatment, especially when combined with thoughts of further deterioration and imminent death, defy the theoretical formulations of identity and alter the definition of autobiography itself. Avrahami investigates an array of autobiographical testimonies of terminal illness ranging from Harold Brodkey's poignant account of his struggle with AIDS to Hannah Wilke's and Jo Spence's gripping self-portraits of cancer. By challenging the artificial and contrived skepticism that critics and theorists bring to their concepts of the self, the author argues, these illness narratives constitute an "invasion of the real," confronting the notions of self-representation and self-invention on which current autobiographical studies are based. The author's examinations of these moving memoirs and photographs will engage not only the growing field of disability studies, but also a more general readership interested in the transition that occurs when one's body suddenly falls out of step with one's mind.
Publisher: University of Virginia Press
ISBN: 9780813926650
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
Widely debated in feminist, poststructuralist, and literary theory is the relationship between subjectivity and the body. Yet autobiographical criticism--an obvious place for testing this conceptual relationship--has lagged behind contemporary queries about the embodied self. In The Invading Body, Einat Avrahami corrects this deficiency by analyzing the genre of terminal illness autobiographies. These personal narratives challenge the world of self-writing in their power to question the assumption that autobiography--and the body--are products of cultural constructs and discursive practices. Their self-disclosures of symptoms, disabilities, and the physical and psychological pains of treatment, especially when combined with thoughts of further deterioration and imminent death, defy the theoretical formulations of identity and alter the definition of autobiography itself. Avrahami investigates an array of autobiographical testimonies of terminal illness ranging from Harold Brodkey's poignant account of his struggle with AIDS to Hannah Wilke's and Jo Spence's gripping self-portraits of cancer. By challenging the artificial and contrived skepticism that critics and theorists bring to their concepts of the self, the author argues, these illness narratives constitute an "invasion of the real," confronting the notions of self-representation and self-invention on which current autobiographical studies are based. The author's examinations of these moving memoirs and photographs will engage not only the growing field of disability studies, but also a more general readership interested in the transition that occurs when one's body suddenly falls out of step with one's mind.
Interfaces
Author: Sidonie Smith
Publisher: University of Michigan Press
ISBN: 9780472068142
Category : Art
Languages : en
Pages : 500
Book Description
Charts the ways that woman artists have represented themselves and their life stories
Publisher: University of Michigan Press
ISBN: 9780472068142
Category : Art
Languages : en
Pages : 500
Book Description
Charts the ways that woman artists have represented themselves and their life stories
Murder by Page One
Author: Olivia Matthews
Publisher: Simon and Schuster
ISBN: 1952210135
Category : Fiction
Languages : en
Pages : 328
Book Description
If you love Hallmark mystery movies, you’ll love this cozy mystery with humor, intrigue, and a librarian amateur sleuth. Marvey, a librarian, has moved from Brooklyn to a quirky small town in Georgia. When she’s not at the library organizing events for readers, she’s handcrafting book-themed jewelry and looking after her cranky cat. At times, her new life in the South still feels strange...and that’s before the discovery of the dead body in the bookstore. After one of her friends becomes a suspect, Marvey sets out to solve the murder mystery. She even convinces Spence, the wealthy and charming newspaper owner, to help. With his ties to the community, her talents for research, and her fellow librarians’ knowledge, Marvey pursues the truth. But as she gets closer to it, could she be facing a deadly plot twist? This first in series cozy mystery includes a free Hallmark original recipe for Classic Peach Cobbler.
Publisher: Simon and Schuster
ISBN: 1952210135
Category : Fiction
Languages : en
Pages : 328
Book Description
If you love Hallmark mystery movies, you’ll love this cozy mystery with humor, intrigue, and a librarian amateur sleuth. Marvey, a librarian, has moved from Brooklyn to a quirky small town in Georgia. When she’s not at the library organizing events for readers, she’s handcrafting book-themed jewelry and looking after her cranky cat. At times, her new life in the South still feels strange...and that’s before the discovery of the dead body in the bookstore. After one of her friends becomes a suspect, Marvey sets out to solve the murder mystery. She even convinces Spence, the wealthy and charming newspaper owner, to help. With his ties to the community, her talents for research, and her fellow librarians’ knowledge, Marvey pursues the truth. But as she gets closer to it, could she be facing a deadly plot twist? This first in series cozy mystery includes a free Hallmark original recipe for Classic Peach Cobbler.