Author: Jindrich Styrsky Publisher: Image to Word ISBN: 9788086264387 Category : Art, Czech Languages : en Pages : 0
Book Description
Published posthumously as Dreams, Styrský's dream journal spanning the interwar years comprises prose, sketches, collages, and paintings. The present volume includes the complete series based on Styrský's layout for its publication, his sole volume of poetry (also published posthumously), as well as a selection of his essays, lectures, manifestos, and other text fragments. This edition presents in English for the first time the broad range of Styrský's contribution to the interwar avant-garde and Surrealism.
Author: Jindřich Štyrský Publisher: TORST ISBN: Category : Photography Languages : en Pages : 184
Book Description
Associated with the Surrealists, painter, poet, writer ,and photographer Jindrich Styrsky first exhibited his photographs at the Group of Surrealists exhibition in Prague in 1935. His photographs, chiefly of shop windows, circuses, shooting galleries and funereal objects, resonates with the Surrealist poetry of the early 1930s, but are also rooted directly in his own unique imagination.
Author: Jindrich Styrský Publisher: ISBN: 9788086264110 Category : Languages : en Pages : 0
Book Description
Launched in 1931 by Jindřich Styrský, Edition 69 consisted of six volumes of erotic literature and illustration that followed the path marked out by Louis Aragon's Irene's Cunt and Georges Bataille's Story of the Eye. Including the first Czech translation of Marquis de Sade's Justine and Pietro Aretino (both illustrated by Toyen), three volumes were from contemporary Czech avant-garde artists, and these were all illustrated by Styrský himself, who also contributed the text for the last volume of the series. Bringing together original English translations of the three Czech contributions to the Edition 69 series, this volume comprises Nezval's "Sexual Nocturne"; Halas's erotic poetry collection "Thyrsos"; and Styrský's "Emilie Comes to Me in a Dream," including the original essay from psychoanalyst and fellow Surrealist Bohuslav Brouk, all complemented by Styrský's artwork, ranging from pen and ink drawings to graphic collages to pornographic photomontages. Influenced by Max Ernst's collage-novels, Andre Masson's illustrations, and the book as object, Styrský's overall conception for the Edition 69 series rank it among the notable achievements of European Surrealism, representing as well a sustained attempt by the interwar Czech avant-garde to investigate the taboos of bourgeois culture.
Author: Karla Huebner Publisher: Russian and East European Stud ISBN: 9780822946472 Category : Art Languages : en Pages : 0
Book Description
Part art book and part biography, Magnetic Woman examines the life and work of the artist Toyen (Marie Čermínová, 1902-80), a founding member of the Prague surrealist group, and focuses on her construction of gender and eroticism. Toyen's early life in Prague enabled her to become a force in three avant-garde groups--Devětsil, Prague surrealism, and Paris surrealism--yet, unusually for a female artist of her generation, Toyen presented both her gender and sexuality as ambiguous and often emphasized erotic themes in her work. Despite her importance and ground-breaking work, Toyen has been notoriously difficult to study. Using primary sources gathered from disparate disciplines and studies of the artist's own work, Magnetic Woman is organized both chronologically and thematically, moving through Toyen's career with attention to specific historical circumstances and intellectual developments approximately as they entered her life. Karla Huebner offers a re-evaluation of surrealism, the Central European contribution to modernism, and the role of female artists in the avant-garde, along with a complex and nuanced view of women's roles in and treatment by the surrealist movement.
Author: Jindřich Toman Publisher: Modern Czech Book ISBN: Category : Design Languages : en Pages : 384
Book Description
Photomontage was pioneered as a technique in central Europe in the 1910s, where it flourished as an art form through the end of World War II. While German artists such as John Heartfield, Max Ernst and Hannah Höch used the medium to respond to the atrocities of war, other areas of Europe were simultaneously experiencing a newfound political autonomy as the Austro-Hungarian Empire collapsed. For these artists, namely Polish and Czech, photomontage manifested itself in a Surrealist approach to cut-and-paste imagery that emphasized its potential for visual poetry. Photo/Montage in Print traces the explosion of photomontage art in book cover design and illustrated magazines in the interwar period. Documenting the remarkable contributions of Czech artists in the creation of the visual language of modern print media, the publication includes some of the leading artists of the Czech avant garde such as Karel Teige, Jindrich Styrsky, Toyen, Ladislav Sutnar and Frantisek Muzika.
Author: Omar Kholeif Publisher: MIT Press ISBN: 1907071806 Category : Art Languages : en Pages : 428
Book Description
Artists and writers examine the bombardment of information, misinformation, emotion, deception, and secrecy in online and offline life in the post-digital age. Every day we are bombarded by information, misinformation, emotion, deception, and secrecy in our online and offline lives. How does the never-ending flow of data affect our powers of perception and decision making? This richly illustrated and boldly designed collection of essays and artworks investigates visual culture in the post-digital age. The essays, by such leading cultural thinkers as Douglas Coupland and W. J. T. Mitchell, consider topics that range from the future of money to the role of art in a post-COVID-19 world; from mental health in the digital age to online grieving; and from the mediation of visual culture to the thickening of the digital sphere. Accompanying an ambitious exhibition conceived by the Sharjah Art Foundation and volume editor and curator Omar Kholeif, the book is a work of art and a labor of love, emulating the labyrinthine corridors of the exhibition itself. Created by a group of writers, artists, designers, photographers, and publishers, Art in the Age of Anxiety calls upon us to consider what our collective future will be and how humanity will adapt to it.
Author: Anselm Franke Publisher: Diaphanes ISBN: 9783035801064 Category : Art, European Languages : en Pages : 0
Book Description
Neolithic Childhood examines how in the interwar years the artistic avant-gardes in Europe and beyond reacted to the "crisis" of almost everything, from the barbarism of technological mass war to the hypocrisies of colonial discourse. The perceived need to re-establish European civilization after the disaster of the First World War led to an interminable reconstruction of origins and beginnings - making ground zero the limiting function of modernity. Based on the writings of the anti-academic art historian Carl Einstein (1885-1940), the exhibition is devoted to despair over the present and the pressing interest in altering humanity, as manifested from the 1920s to the 1940s in the artistic avant-gardes and the sciences. Exhibition: Haus der Kulturen der Welt, Berlin, Germany (13.04.-09.07.2018).
Author: Derek Sayer Publisher: Princeton University Press ISBN: 0691043809 Category : Architecture Languages : en Pages : 621
Book Description
Asserts that Prague could well be seen as the capital of the twentieth century, describing how the city has experienced and suffered more ways of being modern than perhaps any other metropolis.
Author: Mitra Abbaspour Publisher: Museum of Modern Art, New York ISBN: 9780870709418 Category : Photography Languages : en Pages : 400
Book Description
OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography.
Author: Jindrich Styrsky
Author: Jindřich Štyrský
Author: Jindrich Styrský
Author: Karla Huebner
Author: Karel Srp
Author: Jindřich Toman
Author: Omar Kholeif
Author: Anselm Franke
Author: Derek Sayer
Author: Mitra Abbaspour