Author: Publisher: Odile Jacob
ISBN: 2738183212
Category :
Languages : en
Pages : 243
Book Description
Author: Publisher: Odile Jacob
ISBN: 2738183212
Category :
Languages : en
Pages : 243
Book Description
La voix
Author: Jean PerrierPublisher:
ISBN: 9782725623382
Category :
Languages : fr
Pages : 125
Book Description
" Articule, je ne comprends pas ce que tu dis ! ", " Tu manges tes mots ! ", " Répète, je n'ai rien compris ! ". Les enseignants comme les parents se plaignent souvent de la mauvaise prononciation des enfants, tout en ne sachant pas bien comment l'améliorer. On peut, bine sûr, leur demander de mieux articuler pour se faire entendre. Mais cela n'est pas suffisant : une langue dont les mots seuls suffiraient à porter le sens serait bien pauvre. Il faut y rajouter l'intonation, le timbre te la hauteur de la voix, les inflexions et modulations diverses, qui ont aussi leur importance dans la voix chantée.
Noels
Author: Jean-François DandrieuPublisher: Alfred Music
ISBN: 9781457473661
Category : Music
Languages : en
Pages : 60
Book Description
A collection of Christmas solos, for Organ, composed by Jean-François Dandrieu.
Jeux de voix
Author: Le Guide Musical
Author: Italy
Author: Ephraim PeabodyPublisher:
ISBN:
Category : Italy
Languages : en
Pages : 310
Book Description
The Organ
Author: Publisher:
ISBN:
Category : Organ (Musical instrument)
Languages : en
Pages : 348
Book Description
French Organ Music in the Reign of Louis XIV
Author: David PonsfordPublisher: Cambridge University Press
ISBN: 0521887704
Category : History
Languages : en
Pages : 341
Book Description
A radical new approach to French Baroque organ music in which developments in musical style are coupled to performance practice.
The Language of the Classical French Organ
Author: Fenner DouglassPublisher: Yale University Press
ISBN: 9780300064261
Category : Music
Languages : en
Pages : 286
Book Description
The seventeenth and eighteenth centuries witnessed the growth of a unique relationship between the French organ and the music written for it. Until recently, however, the roots of this precise musical tradition lay hidden in the sixteenth century. Illuminating these mysteries for the modern audience, Mr. Douglass has traced the development of the French organ from the sixteenth century through the Classical Period (1655-1770).For the first time in English, an explanation is given of the role of mixtures in the plenum of the French instrument of the Classical Period. Because the plenum determines the very character of the organ, and because the mixtures exert the strongest influence upon its sonority, the reader will be able to understand why French composers were writing music for the plenum sharply different from that of their contemporaries in northern Europe. Especially useful is the first complete compilation of known sources of information about French classical organ restriction. Having assimilated the historical facts about the instrument, the reader will be ready to interpret the music of this period on a modern organ.Mr. Douglass is professor organ at the Oberlin College Conservatory of Music. This authoritative study of the French classical organ is a major source for the interpretation of early French organ music. For this new edition, the author has added a chapter on touch in early French organs and its importance for practice. The bibliography has also been extensively revised. Reviews of the previous edition: "The extensive and valuable materials assembled in this study will make it indispensable to both the performer and the scholar of French organ literature."—Almonte C. Howell, Jr., Notes "The only work of its kind in English. . . . Bringing together all of the sources into one volume was alone a task of considerable proportions, and the many conclusions drawn from a careful study of the sources make it a necessary reference for any further study. It should be not only on the shelves but also in the mind of every organ devotee."—Rudolph Kremer, Journal of the American Musicological Society "Douglass has shown us the way that organ studies ought to develop over the next few decades."—Music and Letters
Voice-over Translation
Author: Eliana FrancoPublisher: Peter Lang
ISBN: 9783034303934
Category : Dubbing of motion pictures
Languages : en
Pages : 252
Book Description
This book presents the first study of voice-over from a wide approach, including not only academic issues but also a description of the practice of voice-over around the globe. The authors define the concept of voice-over in Film Studies and Translation Studies and clarify the relationship between voice-over and other audiovisual transfer modes. They also describe the translation process in voice-over both for production and postproduction, for fiction and non-fiction. The book also features course models on voice-over which can be used as a source of inspiration by trainers willing to include this transfer mode in their courses. A global survey on voice-over in which both practitioners and academics express their opinions and a commented bibliography on voice-over complete this study. Each chapter includes exercises which both lecturers and students can find useful.