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Author: G. Bois Publisher: ISBN: 9781536889086 Category : Languages : en Pages : 68
Book Description
A singular creative exploration in images and words of traditions from the folklore of the island of Jersey, with a section describing these traditions. This book is also available in an extended edition, with project development notes, sketches and additional etchings. This edition lacks that additional material and is for those who would prefer not to be distracted from the poetry and their accompanying etchings and stories.The Island of Jersey lies 15 miles from France, in an angle between the Norman and Breton coasts called the 'Gulf of St. Malo'. It is an autonomous 'peculiar' of the British Crown and with the other Channel Islands, is the only surviving residue of the old Norman state that conquered England in 1066. It is the 'original' Jersey that gave its name to its various namesakes around the world (including those in the United States). The native language was Jèrriais, an ancient Norman dialect of the langue d'oil, but English is almost exclusively spoken now and has been the majority language since the 1920s and in the countryside since the early 1950s. The deep oral traditions of the Island developed over at least 1000 years in a deeply superstitious rural and seafaring community (with limited mercantile and industrial elements) and started to die out in the late 19th century, although a few folk tales are still known today in a handful of neighbourhoods. These etchings and poems explore the deeper psychological elements of these almost extinct traditions and the impact they might have had on earlier minds and on the implications for the undercurrents that pass through modern minds.
Author: G. Bois Publisher: ISBN: 9781536889086 Category : Languages : en Pages : 68
Book Description
A singular creative exploration in images and words of traditions from the folklore of the island of Jersey, with a section describing these traditions. This book is also available in an extended edition, with project development notes, sketches and additional etchings. This edition lacks that additional material and is for those who would prefer not to be distracted from the poetry and their accompanying etchings and stories.The Island of Jersey lies 15 miles from France, in an angle between the Norman and Breton coasts called the 'Gulf of St. Malo'. It is an autonomous 'peculiar' of the British Crown and with the other Channel Islands, is the only surviving residue of the old Norman state that conquered England in 1066. It is the 'original' Jersey that gave its name to its various namesakes around the world (including those in the United States). The native language was Jèrriais, an ancient Norman dialect of the langue d'oil, but English is almost exclusively spoken now and has been the majority language since the 1920s and in the countryside since the early 1950s. The deep oral traditions of the Island developed over at least 1000 years in a deeply superstitious rural and seafaring community (with limited mercantile and industrial elements) and started to die out in the late 19th century, although a few folk tales are still known today in a handful of neighbourhoods. These etchings and poems explore the deeper psychological elements of these almost extinct traditions and the impact they might have had on earlier minds and on the implications for the undercurrents that pass through modern minds.
Author: G. Bois Publisher: ISBN: 9781537036496 Category : Languages : en Pages : 140
Book Description
A creative interpretation in images and words of traditions from Jersey folklore with explanatory notes on the source folk tales. This extended edition includes project development notes, sketches & additional etchings. For those who would prefer not to have this additional material, the standard 2nd Edition is available.The Island of Jersey lies 15 miles from France, in an angle between the Norman and Breton coasts called the 'Gulf of St. Malo'. It is an autonomous 'peculiar' of the British Crown and with the other Channel Islands, is the only surviving residue of the old Norman state that conquered England in 1066. It is the 'original' Jersey that gave its name to its various namesakes around the world (including those in the United States). The native language was Jèrriais, an ancient Norman dialect of the langue d'oil, but English is almost exclusively spoken now and has been the majority language since the 1920s and in the countryside since the early 1950s. The deep oral traditions of the Island developed over at least 1000 years in a deeply superstitious rural and seafaring community (with limited mercantile and industrial elements) and started to die out in the late 19th century, although a few folk tales are still known today in a handful of neighbourhoods. These etchings and poems explore the deeper psychological elements of these almost extinct traditions and the impact they might have had on earlier minds and on the implications for the undercurrents that pass through modern minds.
Author: James Hearst Publisher: ISBN: Category : Poetry Languages : en Pages : 576
Book Description
Part of the regionalist movement that included Grant Wood, Paul Engle, Hamlin Garland, and Jay G. Sigmund, James Hearst helped create what Iowa novelist Ruth Suckow called a poetry of place. A lifelong Iowa farner, Hearst began writing poetry at age nineteen and eventually wrote thirteen books of poems, a novel, short stories, cantatas, and essays, which gained him a devoted following Many of his poems were published in the regionalist periodicals of the time, including the Midland, and by the great regional presses, including Carroll Coleman's Prairie Press. Drawing on his experiences as a farmer, Hearst wrote with a distinct voice of rural life and its joys and conflicts, of his own battles with physical and emotional pain (he was partially paralyzed in a farm accident), and of his own place in the world. His clear eye offered a vision of the midwestern agrarian life that was sympathetic but not sentimental - a people and an art rooted in place.
Author: Linda Civitello Publisher: John Wiley & Sons ISBN: 0470403713 Category : Cooking Languages : en Pages : 448
Book Description
Cuisine and Culture presents a multicultural and multiethnic approach that draws connections between major historical events and how and why these events affected and defined the culinary traditions of different societies. Witty and engaging, Civitello shows how history has shaped our diet--and how food has affected history. Prehistoric societies are explored all the way to present day issues such as genetically modified foods and the rise of celebrity chefs. Civitello's humorous tone and deep knowledge are the perfect antidote to the usual scholarly and academic treatment of this universally important subject.
Author: Marina Belozerskaya Publisher: Getty Publications ISBN: 0892367857 Category : Art Languages : en Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: G. Bois
Author: G. Bois
Author: G. Bois
Author: G. J. C. Bois
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Author: James Hearst
Author: Thomas Percy
Author: Arthur James Wells
Author: Linda Civitello
Author: Marina Belozerskaya
Author: