Jean-Jacques Rousseau als Musiker PDF Download

Author: Albert Jansen
Publisher:
ISBN:
Category : Music
Languages : de
Pages : 506

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Author: Albert Jansen
Publisher: dearbooks
ISBN: 9783954553389
Category : Music
Languages : de
Pages : 496

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Book Description
Das besondere Verhältnis Rousseaus zur Musik wurde nicht ohne Grund zum Hauptthema dieses Buches. „Für die Musik muss ich sicherlich geboren sein, da ich sie von Kindheit an liebte, und da ich sie zu allen Zeiten beständig liebte.“ – behauptete Rousseau selber. Er schrieb sich eine besondere Rolle in der Musik zu: „Ich war für die Musik geboren, nicht jedoch um in ihrer Ausübung mein Leben zu vergeuden, sondern um ihre Fortschritte zu beschleunigen und um in ihr Entdeckungen zu machen.“ Dies ist ihm gelungen. Mit seinen zwei Stücken - das Intermezzo „Le Devin du village“ und das Melodram „Pygmalion“ - schuf Rousseau zwei der bedeutendsten „bürgerlichen“ Theatergattungen des 19. Jahrhunderts: die Opéra comique und das Theatermelodram. Sein Musiklexikon „Dictionnaire de musique“ machte ihn zu einem der bedeutendsten Ästhetiker des 18. Jahrhunderts. Nachdruck des Originals aus dem Jahre 1884.

Author: Albert Jansen
Publisher: Nabu Press
ISBN: 9781294520023
Category :
Languages : en
Pages : 504

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Author: John T. Scott
Publisher: Taylor & Francis
ISBN: 9780415350877
Category : Literary Criticism
Languages : en
Pages : 544

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Bringing together critical assessments of the broad range of Rousseau's thought, with a particular emphasis on his political theory, this systematic collection is an essential resource for both student and scholar.

Author: Michael O'Dea
Publisher: Springer
ISBN: 1349239305
Category : Philosophy
Languages : en
Pages : 292

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'...discusses virtually all the musical writings which figure in this tome of the Oeuvres completes and may even be read as a companion volume, providing a key to the understanding of its various texts...O'Dea's vividly textured and finely nuanced reading of Rousseau's musical imagination plainly does complement the Pleiade collection in two striking ways...it offers a general interpretation of the place of the philosophy of music in Rousseau's thought that is addressed to concepts which flit in and out of particular works, articulated in a voice whose clarity of tone is unmatched by a chorus of editors. Second, it pursues its case across a range of texts spread far beyond the limits of any collection of Rousseau's essays on music.' - Robert Wokler, French Literature This new study of Jean-Jacques Rousseau suggests that his early articles on music for the Encyclopidie give a unique insight into his thinking on aesthetics, affectivity and desire. Rousseau is shown as moving subsequently between two opposed tendencies. He celebrates the voice as the vehicle for the most intense moments of human experience but also frequently attacks the surrender to passion implicit in that celebration, denouncing the arts and arguing that women must be confined to the domestic sphere.

Author: Boston Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 14

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Author: Philip Robinson
Publisher: Peter Lang Group Ag, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 568

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This is the first book to set out comprehensively Rousseau's theoretical statements on the arts: music and opera, theatre, fiction, poetry, the visual arts and dance. These statements are seen in terms of the phases of his intellectual development: the early years, the social criticism of the 1750s, the future-orientated theory of Emile and other texts, and finally the increasing self-scrutiny. This approach, conscious at all times of the element of personal commitment in his thinking, permits a sympathetic understanding, if not a resolution, of the famous paradoxes. The chief of these, his simultaneous condemnation and practice of drama, music and literature, is seen less as a personal contradiction than as a pointer to the ills of society which outrage him. Despite the huge social, political and economic upheavals since his death in 1778, Rousseau emerges as a thinker who has much to teach those concerned for the health of the arts in a modern world and for the moral values which attend them.

Author: James Fleming Jones
Publisher: Librairie Droz
ISBN: 9782600036726
Category : Authors, French
Languages : en
Pages : 220

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Author: Edgar Istel
Publisher: Legare Street Press
ISBN: 9781018280615
Category : History
Languages : en
Pages : 0

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Julia Simon
Publisher: Penn State Press
ISBN: 027106272X
Category : Philosophy
Languages : en
Pages : 254

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Book Description
Renowned for his influence as a political philosopher, a writer, and an autobiographer, Jean-Jacques Rousseau is known also for his lifelong interest in music. He composed operas and other musical pieces, invented a system of numbered musical notation, engaged in public debates about music, and wrote at length about musical theory. Critical analysis of Rousseau’s work in music has been principally the domain of musicologists, rarely involving the work of scholars of political theory or literary studies. In Rousseau Among the Moderns, Julia Simon puts forth fresh interpretations of The Social Contract, the Discourse on the Origin of Inequality, and the Confessions, as well as other texts. She links Rousseau’s understanding of key concepts in music, such as tuning, harmony, melody, and form, to the crucial problem of the individual’s relationship to the social order. The choice of music as the privileged aesthetic object enables Rousseau to gain insight into the role of the aesthetic realm in relation to the social and political body in ways often associated with later thinkers. Simon argues that much of Rousseau’s “modernism” resides in the unique role that he assigns to music in forging communal relations.