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Author: Edward Berger Publisher: Scarecrow Press ISBN: 9780810824782 Category : Jazz Languages : en Pages : 286
Book Description
Articles: DIETRICH, Kurt- Joe "Tricky" Nanton": Duke Ellington's master of the plunger trombone; WIEDEMANN, Erik - Duke Ellington: the composer; WIEDEMANN, Erik - Duke in Denmark: a discographical excursus; CARNER, Gary - The agony and the agony: James Lincoln Collier's jazz writing; PELOTE, Vincent - An annotated bibliography of British Periodicals (1930-1940); HAYWOOD, Mark S - The harmonic role of melody in vertical and horizontal jazz; BERGER, Edward - George Duvivier: arranger and composer; DEMSEY, David - Chromatic third relations in the music of John Coltrane; A Joe Wilder photo gallery. Book reviews.
Author: Edward Berger Publisher: Scarecrow Press ISBN: 9780810824782 Category : Jazz Languages : en Pages : 286
Book Description
Articles: DIETRICH, Kurt- Joe "Tricky" Nanton": Duke Ellington's master of the plunger trombone; WIEDEMANN, Erik - Duke Ellington: the composer; WIEDEMANN, Erik - Duke in Denmark: a discographical excursus; CARNER, Gary - The agony and the agony: James Lincoln Collier's jazz writing; PELOTE, Vincent - An annotated bibliography of British Periodicals (1930-1940); HAYWOOD, Mark S - The harmonic role of melody in vertical and horizontal jazz; BERGER, Edward - George Duvivier: arranger and composer; DEMSEY, David - Chromatic third relations in the music of John Coltrane; A Joe Wilder photo gallery. Book reviews.
Author: Paul F. Berliner Publisher: University of Chicago Press ISBN: 0226044521 Category : Music Languages : en Pages : 904
Book Description
A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.
Author: Jeffrey Magee Publisher: Oxford University Press ISBN: 0195090225 Category : Biography & Autobiography Languages : en Pages : 353
Book Description
If Benny Goodman was the "King of Swing," then Fletcher Henderson was the power behind the throne. Not only did Henderson arrange the music that powered Goodman's meteoric rise, he also helped launch the careers of Louis Armstrong and Coleman Hawkins, among others. Now Jeffrey Magee offers a fascinating account of this pivotal bandleader, throwing new light on the emergence of modern jazz and the world that created it.Drawing on an unprecedented combination of sources, including sound recordings, obscure stock arrangements, and hundreds of scores that have been available only since Goodman's death, Magee illuminates Henderson's musical output, from his early work as a New York bandleader, to his pivotal role in building the Kingdom of Swing. He shows how Henderson, standing at the forefront of the New York jazz scene during the 1920s and '30s, assembled the era's best musicians, simultaneously preserving jazz's distinctiveness and performing popular dance music that reached a wide audience. Magee reveals how, in Henderson's largely segregated musical world, black and white musicians worked together to establish jazz, how Henderson's style rose out of collaborations with many key players, how these players deftly combined improvised and written music, and how their work negotiated artistic and commercial impulses. And we see how, in the depths of the Depression, record producer John Hammond brought together Henderson and Goodman, a fortuitous collaboration that changed the face of American music.Whether placing Henderson's life in the context of the Great Migration or the Harlem Renaissance or describing how the savvy use of network radio made the Henderson-Goodman style a national standard, Jeffrey Magee brings to life a monumental musician who helped to shape an era.
Author: Dariusz Terefenko Publisher: Routledge ISBN: 1135043019 Category : Music Languages : en Pages : 491
Book Description
Jazz Theory: From Basic to Advanced Study is a comprehensive textbook ideal for Jazz Theory courses or as a self-study guide for amateur and professional musicians. Written with the goal of bridging theory and practice, it provides a strong theoretical foundation beginning with music fundamentals through post-tonal theory, while integrating ear training, keyboard skills, and improvisation. It includes a DVD with 46 Play Along audio tracks and a companion website, which hosts the workbook, ear training exercises, and audio tracks of the musical examples featured in the book.
Author: Stan BH Tan-Tangbau Publisher: Univ. Press of Mississippi ISBN: 1496836359 Category : Music Languages : en Pages : 220
Book Description
Shortlisted for the EuroSEAS Humanities Book Prize 2022 Quyền Văn Minh (b. 1954) is not only a jazz saxophonist and lecturer at the prestigious Vietnam National Academy of Music, but he is also one of the most preeminent jazz musicians in Vietnam. Considered a pioneer in the country, Minh is often publicly recognized as the “godfather of Vietnamese jazz.” Playing Jazz in Socialist Vietnam tells the story of the music as it intertwined with Minh’s own narrative. Stan BH Tan-Tangbau details Minh’s life story, telling how Minh pioneered jazz as an original genre even while navigating the trials and tribulations of a fervent socialist revolution, of the ideological battle that was the Cold War, of Vietnam’s war against the United States, and of the political changes during the Đổi Mới period between the mid-1980s and the 1990s. Minh worked tirelessly and delivered two breakthrough solo recitals in 1988 and 1989, marking the first time jazz was performed in the public sphere in the socialist state. To gain jazz acceptance as a mainstream musical art form, Minh founded Minh Jazz Club. With the release of his debut album of original compositions in 2000, Minh shaped the nascent genre of Vietnamese jazz. Minh’s endeavors kickstarted the momentum, from his performing jazz in public, teaching jazz both formally and informally, and contributing to the shaping of an original Vietnamese voice to stand out among the many styles in the jazz world. Most importantly, Minh generated a public space for musicians to play and for the Vietnamese to listen. His work eventually helped to gain jazz the credibility necessary at the national conservatoire to offer instruction in a professional music education program.
Author: David Kastin Publisher: W. W. Norton & Company ISBN: 0393082318 Category : Biography & Autobiography Languages : en Pages : 432
Book Description
The first biography of the legendary Rothschild heiress who reigned as New York’s “Jazz Baroness.” It’s a misty night in 1950s New York. A silver Rolls-Royce screeches to a stop at the neon-lit doorway of a 52nd Street jazz club. Behind the wheel is a glamorous brunette, a chinchilla stole draped over her shoulder and a long cigarette holder clinched in her teeth. After taking a pull from a small silver flask, she glides past the bouncer into the murky depths of the Three Deuces. The Jazz Baroness has arrived. Raised in fairy-tale splendor, Kathleen Annie Pannonica Rothschild de Koenigswarter (known as “Nica”) piloted her own plane across the English Channel, married a French baron, fought in the French Resistance, and had five children. Then she heard a recording of Thelonious Monk’s “Round Midnight.” Inspired by the liberating spirit of jazz, Nica left her family, moved to Manhattan, and began haunting the city’s nightclubs. The tabloids first splashed her name across the headlines after Charlie Parker died in her hotel suite—a scandal that cast a dark shadow over the rest of her life. She retreated from the public eye, but through her ongoing ministrations to Monk and dozens of other musicians she became a legend. Nearly a score of jazz compositions have been written in her honor, including two of the most beloved classics of the genre: Horace Silver’s “Nica’s Dream” and Monk’s “Pannonica.” Nica’s Dream traces the story of a fascinating woman across her thirty-year reign as the Jazz Baroness, but it also explores a transformative era in twentieth-century American culture. Based on interviews with musicians, family members, historians, and artists, David Kastin’s probing biography unwraps the life of this enigmatic figure and evokes the vibrancy of New York during the birth of bebop, the first stirrings of the Beat Generation, and the advent of abstract expressionism.
Author: Edward Berger Publisher: Scarecrow Press ISBN: 9780810845350 Category : Music Languages : en Pages : 314
Book Description
Continuing the rich tradition, this latest Annual is particularly impressive. The articles in this volume present important technical analyses of four major figures: Booker Little, Charlie Christian, Herbie Hancock, and Miles Davis.
Author: Henry Martin Publisher: Rowman & Littlefield ISBN: 081083121X Category : Improvisation (Music) Languages : en Pages : 170
Book Description
Martin provides a new overall assessment of the importance of Charlie Parker through an analysis of his improvisations in a variety of genres. Earlier studies of Parker argue that his style is based on an extensive network of melodic formulas that are combined to create solos. Because the same formulas appear throughout his improvisations regardless of the theme, these studies concluded that the solos do not usually relate to the original melodies. Charlie Parker and Thematic Improvisation provides a much-needed reassessment by showing that Parker's solos are often related to the original themes in unexpected and sometimes ingenious ways. Numerous transcriptions are provided. This groundbreaking technical study will be of interest to musicologists and serious students of jazz.
Author: Nicholas Gebhardt Publisher: Routledge ISBN: 1315315785 Category : Music Languages : en Pages : 645
Book Description
The Routledge Companion to Jazz Studies presents over forty articles from internationally renowned scholars and highlights the strengths of current jazz scholarship in a cross-disciplinary field of enquiry. Each chapter reflects on developments within jazz studies over the last twenty-five years, offering surveys and new insights into the major perspectives and approaches to jazz research. The collection provides an essential research resource for students, scholars, and enthusiasts, and will serve as the definitive survey of current jazz scholarship in the Anglophone world to-date. It extends the critical debates about jazz that were set in motion by formative texts in the 1990s, and sets the agenda for the future scholarship by focusing on key issues and providing a framework for new lines of enquiry. It is organized around six themes: I. Historical Perspectives, II. Methodologies, III. Core Issues and Topics, IV. Individuals, Collectives and Communities, V. Politics, Discourse and Ideology and VI. New Directions and Debates.
Author: Edward Berger
Author: Edward Berger
Author: Paul F. Berliner
Author: Jeffrey Magee
Author: Dariusz Terefenko
Author: Stan BH Tan-Tangbau
Author: David Kastin
Author: Edward Berger
Author: Eddie S. Meadows
Author: Henry Martin
Author: Nicholas Gebhardt