The Jazz Fiction Anthology PDF Download

Author: Sascha Feinstein
Publisher: Indiana University Press
ISBN: 0253221374
Category : Fiction
Languages : en
Pages : 529

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Book Description
What sounds throughout these stories is the universal voice of humanity that is the essence of the music.

Author: David Rife
Publisher: Scarecrow Press
ISBN: 9780810859074
Category : Literary Collections
Languages : en
Pages : 296

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Book Description
Broad in scope, meticulously researched, and including titles that have long been inaccessible, this resource is an overview of the history of the genre from its beginning to the present."--BOOK JACKET.

Author: Richard N. Albert
Publisher: Bloomsbury Publishing USA
ISBN: 0313064873
Category : Literary Criticism
Languages : en
Pages : 134

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Book Description
Albert provides a survey of the impact of jazz on both American and foreign fiction, along with an annotated listing of almost 400 short stories, novels, plays, and jazz fiction criticism. Access is augmented by an index of novels, plays, and short stories and by a general index. Albert examines the strong impact jazz and the blues have had on fiction. The annotated listing of 400 novels, short stories, and jazz fiction criticism will serve as a resource for those doing research in both music and literature, as well as serving as a reading guide for jazz devotees who are looking for literature with a jazz motif. Access is augmented by an index of novels, plays, and short stories and by a general index.

Author: Ralph Ellison
Publisher: Modern Library
ISBN: 0375760237
Category : Music
Languages : en
Pages : 338

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Book Description
Before Ralph Ellison became one of America’s greatest writers, he was a musician and a student of jazz, writing widely on his favorite music for more than fifty years. Now, jazz authority Robert O’Meally has collected the very best of Ellison’s inspired, exuberant jazz writings in this unique anthology.

Author: Eddie S. Meadows
Publisher: Routledge
ISBN: 1136776028
Category : Music
Languages : en
Pages : 782

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Book Description
Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.

Author: Edward Berger
Publisher: Scarecrow Press
ISBN: 9780810845350
Category : Music
Languages : en
Pages : 314

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Book Description
Continuing the rich tradition, this latest Annual is particularly impressive. The articles in this volume present important technical analyses of four major figures: Booker Little, Charlie Christian, Herbie Hancock, and Miles Davis.

Author: Marcela Breton
Publisher: Plume Books
ISBN:
Category : Fiction
Languages : en
Pages : 356

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Book Description
Jazz--the music, the look, and the attitude--has fascinated people for most of this century. Hot and Cool takes readers deep into the world of "cool" people and "hot" music with contemporary short stories by some of the world's most celebrated writers exploring the jazz aesthetic.

Author: Alfonso Wilson Hawkins
Publisher: Scarecrow Press
ISBN: 9780810861268
Category : Literary Criticism
Languages : en
Pages : 276

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Book Description
The Jazz Trope takes a look at the African American lifestyle through the lens of jazz, blues, and spirituals. Through the pioneering efforts of Albert Murray, Ralph Ellison, Houston Baker, Henry Louis Gates, Jr., Ishmael Reed, Amiri Baraka, and other notable scholars who have related jazz, spirituals, and blues to African American life and culture, The Jazz Trope offers an opportunity to add scholarship to the perception of African American identity as a creative attempt to survive a unique history and struggle. Transcending structure and the perimeters that it limits, African American musical statements were produced out of a human need to be free. Using jazz as a metaphor for escaping slavery, jazz can be seen as a creative attempt to exceed restriction through the act of improvisation; jazz takes a known melody and changes it to create a personal identity. The literary genre of African American life reflects this melding of musical milieu. It tells through tropes of the folktale, novel, self-script, slave narrative, myth, and legend a unique American experience and history. This book also explores motives and schemes that were hidden behind musical codes, illustrating that jazz (interrelated with its foundation in blues and spirituals) existed as a pre-musical statement and, then, manifested as it is more popularly known: as a musical statement. The Jazz Trope allows students to grasp the jazz song structure within this work and liken it to the tropes that it emits: a true American identity.

Author: Krin Gabbard
Publisher: Duke University Press
ISBN: 9780822315940
Category : Music
Languages : en
Pages : 332

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Book Description
Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo' Better Blues, Cabin in the Sky, and Jammin' the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn's extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans. Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

Author: Krin Gabbard
Publisher: Duke University Press
ISBN: 9780822315964
Category : Music
Languages : en
Pages : 308

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Book Description
Employing modes of criticism and theory that have transformed study in the humanities, this title addresses questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art?