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Jazz Composition and Arranging in the Digital Age

Jazz Composition and Arranging in the Digital Age PDF Author: Richard Sussman
Publisher: Oxford University Press, USA
ISBN: 0195380991
Category : Music
Languages : en
Pages : 533

Book Description
This is a comprehensive instructional text and reference guidebook on the art and craft of jazz composition and arranging for small and large ensembles. It is written from the perspective of doing the work using music notation software, and contains many practical and valuable tips to that end for the modern jazz composer/arranger.

Jazz Composition and Arranging in the Digital Age

Jazz Composition and Arranging in the Digital Age PDF Author: Richard Sussman
Publisher: Oxford University Press, USA
ISBN: 0195380991
Category : Music
Languages : en
Pages : 533

Book Description
This is a comprehensive instructional text and reference guidebook on the art and craft of jazz composition and arranging for small and large ensembles. It is written from the perspective of doing the work using music notation software, and contains many practical and valuable tips to that end for the modern jazz composer/arranger.

Jazz Composition and Arranging in the Digital Age

Jazz Composition and Arranging in the Digital Age PDF Author: Richard Sussman
Publisher:
ISBN: 9780199701162
Category : MUSIC
Languages : en
Pages : 532

Book Description
This is a comprehensive instructional text and reference guidebook on the art and craft of jazz composition and arranging for small and large ensembles. It is written from the perspective of doing the work using music notation software, and contains many practical and valuable tips to that end for the modern jazz composer/arranger.

History and Tradition of Jazz

History and Tradition of Jazz PDF Author: Thomas E. Larson
Publisher: Kendall Hunt
ISBN: 9780787275747
Category : Music
Languages : en
Pages : 252

Book Description


Listening to Jazz

Listening to Jazz PDF Author: Jerry Coker
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 168

Book Description


Beyond Sound

Beyond Sound PDF Author: Scott L. Phillips
Publisher: Oxford University Press
ISBN: 019983766X
Category : Education
Languages : en
Pages : 241

Book Description
Beyond Sound is a must-read for anyone who loves music technology and wants to build a career in this competitive, fast-paced world. Author Scott L. Phillips draws on his seventeen-year career as a technology trainer and educator, and his extensive network of music technology professionals, to present an intimate view of the exciting world of music technology. The book offers an in-depth consideration of music technology education, including looks at specific programs and a clear explanation of different types of degrees. Moreover, it provides practical guidance on career preparation, including how to get a great internship, how to land that first job, and how to make connections and move up in a variety of businesses from recording to television and film to video games. And Phillips brings stories from successful professionals, who share their experiences, advice, and suggestions.

The Music Teaching Artist's Bible

The Music Teaching Artist's Bible PDF Author: Eric Booth
Publisher: Oxford University Press
ISBN: 0199709548
Category : Music
Languages : en
Pages : 304

Book Description
When the artist moves into the classroom or community to educate and inspire students and audience members, this is Teaching Artistry. It is a proven means for practicing professional musicians to create a successful career in music, providing not only necessary income but deep and lasting satisfaction through engaging people in learning experiences about the arts. Filled with practical advice on the most critical issues facing the music teaching artist today--from economic and time-management issues of being a musician and teacher to communicating effectively with students--The Music Teaching Artist's Bible uncovers the essentials that every musician needs in order to thrive in this role. Author Eric Booth offers both inspiration and how-to, step-by-step guidance in this truly comprehensive manual that music teaching artists will turn to again and again. The book also includes critical information on becoming a mentor, succeeding in school environments, partnering with other teaching artists, advocating for music and arts education, and teaching private lessons. The Music Teaching Artist's Bible helps practicing and aspiring teaching artists gain the skills they need to build new audiences, improve the presence of music in schools, expand the possibilities of traditional and educational performances, and ultimately make their lives as an artists even more satisfying and fulfilling.

Jazz and Recording in the Digital Age

Jazz and Recording in the Digital Age PDF Author: Dean S. Reynolds
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


A Guide to Jazz Composition & Arranging

A Guide to Jazz Composition & Arranging PDF Author: Jerry Coker
Publisher:
ISBN:
Category : Arrangement (Music)
Languages : en
Pages : 92

Book Description
This book evolved from 40 years of teaching jazz composition and arranging plus 50 years of personal writing experience in the professional field. It is, therefore, a comprehensive study, covering preparatory activities, philosophical perspectives, listening lists, choice tune lists, all elements of composing melodies and chord progressions, arranging for small and large ensembles, enhanced use of rhythm sections, a sensitive approach to instrumental ranges, textural options, form, and more. Though a self-contained study, the book has the unique feature of leading the reader to other excellent books on the subject.

Creative Jazz Composing and Arranging

Creative Jazz Composing and Arranging PDF Author: David Berger
Publisher:
ISBN: 9780692557129
Category :
Languages : en
Pages : 128

Book Description
This book is for anyone who writes, plays or listens to jazz. It explains the writing process and the construction of jazz pieces. I've attempted to answer many of the questions that arrangers and composers ask themselves when they are writing. Players who read this book will better understand the arrangements that they play and will get more from their listening which will make them better at interpreting the music they perform. Listeners will get into the creators' heads and appreciate the jazz experience to a greater degree. What The Experts Are Saying: "I love David Berger's new book, Creative Jazz Composing and Arranging. His vivid description of his own musical development from childhood on imparts many valuable insights. The discussion of the musical content is clear and concise, while a respect and passion for the music and the creative process is evident throughout. The big band scores are brilliant pieces of music that are steeped in the rich tradition of jazz, but also convey the unique musical character that is David Berger. It is a joy to be able to get inside the head of one of my favorite jazz writers and bandleaders. Beside the wealth of information, understanding and encouragement contained in these pages, the anecdotes related to Duke Ellington and the musicians who performed in his orchestra are just one more reason to get this book in your hands." - Bill Dobbins - Professor of Jazz Composition and Arranging, Eastman School of Music "Among the musicians I know who pay attention to the broad concepts and fine details of composing and arranging jazz music, no one pays more attention than Dave Berger. He thinks about everything: formal ideas, textural contrasts, emotional expression, instrumental color and variety, motivic development, expectation and surprise, - more things than I can think of to enumerate. And he produces music that achieves an artistically satisfying balance in its elements - all the while maintaining continuity with the spirit that brought him to jazz in the first place. That alone is a remarkable achievement. That he has had the patience and focus to dissect his creative thought processes meticulously, down to the level of the finest details, and lay those thoughts bare so that others might learn from them is even more remarkable. If someone has thought about it, David has described it. I don't know anywhere anyone interested in this could learn more or learn it any more directly." - Chuck Israels - Bassist, Composer, Arranger, Author "When I first started playing with the National Jazz Ensemble in the late 70's, Dave Berger's work as chief composer and arranger made quite an impression on me. I marveled at what seemed to me a magical, mysterious ability to create and arrange music for big band. In his Creative Jazz Composing and Arranging, Berger demystifies this ability for the reader by clearly demonstrating - in a voice that is personal, humorous, as well as instructive - the techniques needed to become a master arranger. Creative Jazz Composing and Arranging is an important addition to the teaching canon and wonderful tool for any artist, whether they are just learning how the magic of this music is made or refining their existing style." - Ted Nash - Saxophonist/Arranger JALCO, BMI Jazz Composers Workshop "A student today has several choices of arranging books. But a book is like a tool; there is a certain one for a particular task. David Berger's book is designed for the intermediate to advanced student who has decided to become a professional jazz arranger along with the realization that a solid understanding of the tradition is essential. Mr. Berger provides an in-depth analysis of his music and thought process. More importantly, his 50-years of professional experience (and candid recounting of his own journey as a young student) provides invaluable and practical wisdom that is not readily found in written form." - Rich DeRosa - University of North Texas

Black Music Matters

Black Music Matters PDF Author: Ed Sarath
Publisher: Rowman & Littlefield
ISBN: 1538111713
Category : Music
Languages : en
Pages : 257

Book Description
Black Music Matters: Jazz and the Transformation of Music Studies is one of the first books to promote the reform of music studies with a centralized presence of jazz and black music to ground American musicians in a core facet of their true cultural heritage. Ed Sarath applies an emergent consciousness-based worldview called Integral Theory to music studies while drawing upon overarching conversations on diversity and race and a rich body of literature on the seminal place of black music in American culture. Combining a visionary perspective with an activist tone, Sarath installs jazz and black music in as a foundation for a new paradigm of twenty-first-century musical training that will yield an unprecedented skill set for transcultural navigation among musicians. Sarath analyzes prevalent patterns in music studies change discourse, including an in-depth critique of multiculturalism, and proposes new curricular and organizational systems along with a new model of music inquiry called Integral Musicology. This jazz/black music paradigm further develops into a revolutionary catalyst for development of creativity and consciousness in education and society at large. Sarath’s work engages all those who share an interest in black-white race dynamics and its musical ramifications, spirituality and consciousness, and the promotion of creativity throughout all forms of intellectual and personal expression.