Author: David Brown
Publisher: U of Minnesota Press
ISBN: 0816643512
Category : Music
Languages : en
Pages : 193
Book Description
In this lively book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise—an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. Noise Orders identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design’s seeming potential. By exploring overlapping moments between modernism and the cultural dimensions of jazz, Noise Orders suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz—including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)—Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments. Interdisciplinary in its approach, innovative in its methodology, and unexpected in its conclusions, Noise Orders argues for a deeper understanding of the infinite potential inherent in both music and architecture. David P. Brown is associate professor of architecture at the University of Illinois at Chicago.
Noise Orders
Author: David Brown
Publisher: U of Minnesota Press
ISBN: 0816643512
Category : Music
Languages : en
Pages : 193
Book Description
In this lively book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise—an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. Noise Orders identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design’s seeming potential. By exploring overlapping moments between modernism and the cultural dimensions of jazz, Noise Orders suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz—including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)—Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments. Interdisciplinary in its approach, innovative in its methodology, and unexpected in its conclusions, Noise Orders argues for a deeper understanding of the infinite potential inherent in both music and architecture. David P. Brown is associate professor of architecture at the University of Illinois at Chicago.
Publisher: U of Minnesota Press
ISBN: 0816643512
Category : Music
Languages : en
Pages : 193
Book Description
In this lively book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise—an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. Noise Orders identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design’s seeming potential. By exploring overlapping moments between modernism and the cultural dimensions of jazz, Noise Orders suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz—including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)—Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments. Interdisciplinary in its approach, innovative in its methodology, and unexpected in its conclusions, Noise Orders argues for a deeper understanding of the infinite potential inherent in both music and architecture. David P. Brown is associate professor of architecture at the University of Illinois at Chicago.
Essays on the Intersection of Music and Architecture
Author: Mikesch W. Muecke
Publisher: Lulu.com
ISBN: 1847283373
Category : History
Languages : en
Pages : 318
Book Description
"Essays on the Intersection of Music and Architecture" is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary conference Architecture Music Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of the relations between music and architecture via translations of architectural spaces into music to analytical case studies of architectural spaces for musical performance. The book includes illustrations, author biographies, and an index.
Publisher: Lulu.com
ISBN: 1847283373
Category : History
Languages : en
Pages : 318
Book Description
"Essays on the Intersection of Music and Architecture" is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary conference Architecture Music Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of the relations between music and architecture via translations of architectural spaces into music to analytical case studies of architectural spaces for musical performance. The book includes illustrations, author biographies, and an index.
Jazz Bass
Author: james stinnett
Publisher:
ISBN: 9781939806246
Category :
Languages : en
Pages :
Book Description
music bass book
Publisher:
ISBN: 9781939806246
Category :
Languages : en
Pages :
Book Description
music bass book
Grand Hotels of the Jazz Age
Author: Marianne Lamonaca
Publisher: Princeton Architectural Press
ISBN: 156898555X
Category : Architecture
Languages : en
Pages : 256
Book Description
The Breakers, the Waldorf, the Biltmore, the Sherry, the Pierrethese landmark hotels are synonymous with grand luxury and style. When they were built, in the 1920s, their refined elegance and grandeur set the bar for hotels and resorts the world over. Responsible for creating these and countless other hotels throughout the United States, were the partners of a single architectural firm: Schultze & Weaver. Together, this duoan architect and an engineervirtually invented the glamorous lifestyle made famous in films like Grand Hotel. Catering to the social elite of which they were themselves a part, Schultze & Weaver synthesized the Old World style of Renaissance Italy, Moorish Spain, and Georgian England with all of the modern amenities that made hotel living luxurious. This book presents portfolios of fifteen of the firms most spectacular hotels, culminating in the Art Moderne masterpiece of the Waldorf-Astoria. Over two hundred period photographs and hand-colored architectural renderings chart the ascent of the American hotel in all its glory and glamour, before the Great Depression forever changed the lifestyles of America's rich and famous. Essays address the cultural and technological developments that underpin the creation of resort and residential hotels, including the elemental role played by Schultze & Weaver. This book is published in conjunction with an exhibition at the Wolfsonian-Florida International University, Miami, held in celebration of their tenth anniversary.
Publisher: Princeton Architectural Press
ISBN: 156898555X
Category : Architecture
Languages : en
Pages : 256
Book Description
The Breakers, the Waldorf, the Biltmore, the Sherry, the Pierrethese landmark hotels are synonymous with grand luxury and style. When they were built, in the 1920s, their refined elegance and grandeur set the bar for hotels and resorts the world over. Responsible for creating these and countless other hotels throughout the United States, were the partners of a single architectural firm: Schultze & Weaver. Together, this duoan architect and an engineervirtually invented the glamorous lifestyle made famous in films like Grand Hotel. Catering to the social elite of which they were themselves a part, Schultze & Weaver synthesized the Old World style of Renaissance Italy, Moorish Spain, and Georgian England with all of the modern amenities that made hotel living luxurious. This book presents portfolios of fifteen of the firms most spectacular hotels, culminating in the Art Moderne masterpiece of the Waldorf-Astoria. Over two hundred period photographs and hand-colored architectural renderings chart the ascent of the American hotel in all its glory and glamour, before the Great Depression forever changed the lifestyles of America's rich and famous. Essays address the cultural and technological developments that underpin the creation of resort and residential hotels, including the elemental role played by Schultze & Weaver. This book is published in conjunction with an exhibition at the Wolfsonian-Florida International University, Miami, held in celebration of their tenth anniversary.
New York Art Deco
Author: Anthony W. Robins
Publisher: State University of New York Press
ISBN: 1438463987
Category : Travel
Languages : en
Pages : 306
Book Description
Winner of a 2017–2018 New York City Book Award presented by the New York Society Library Of all the world's great cities, perhaps none is so defined by its Art Deco architecture as New York. Lively and informative, New York Art Deco leads readers step-by-step past the monuments of the 1920s and '30s that recast New York as the world's modern metropolis. Anthony W. Robins, New York's best-known Art Deco guide, includes an introductory essay describing the Art Deco phenomenon, followed by eleven walking tour itineraries in Manhattan—each accompanied by a map designed by legendary New York cartographer John Tauranac—and a survey of Deco sites across the four other boroughs. Also included is a photo gallery of sixteen color plates by nationally acclaimed Art Deco photographer Randy Juster. In New York Art Deco, Robins has distilled thirty years' worth of experience into a guidebook for all to enjoy at their own pace.
Publisher: State University of New York Press
ISBN: 1438463987
Category : Travel
Languages : en
Pages : 306
Book Description
Winner of a 2017–2018 New York City Book Award presented by the New York Society Library Of all the world's great cities, perhaps none is so defined by its Art Deco architecture as New York. Lively and informative, New York Art Deco leads readers step-by-step past the monuments of the 1920s and '30s that recast New York as the world's modern metropolis. Anthony W. Robins, New York's best-known Art Deco guide, includes an introductory essay describing the Art Deco phenomenon, followed by eleven walking tour itineraries in Manhattan—each accompanied by a map designed by legendary New York cartographer John Tauranac—and a survey of Deco sites across the four other boroughs. Also included is a photo gallery of sixteen color plates by nationally acclaimed Art Deco photographer Randy Juster. In New York Art Deco, Robins has distilled thirty years' worth of experience into a guidebook for all to enjoy at their own pace.
Blues & Jazz Landscape Improvisations
Author: Walter Hood
Publisher:
ISBN:
Category : Durant Park (Oakland, Calif.)
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Durant Park (Oakland, Calif.)
Languages : en
Pages : 48
Book Description
The Art of Jazz
Author: Alyn Shipton
Publisher: Charlesbridge Publishing
ISBN: 1632892332
Category : Music
Languages : en
Pages : 259
Book Description
The Art of Jazz explores how the expressionism and spontaneity of jazz spilled onto its album art, posters, and promotional photography, and even inspired standalone works of fine art. Everyone knows jazz is on the cutting edge of music, but how much do you know about its influence in the visual arts? With album covers that took inspiration from the avant-garde, jazz's primarily African American musicians and their producers sought to challenge and inspire listeners both musically and visually. Arranged chronologically, each chapter covers a key period in jazz history, from the earliest days of the twentieth century to today's postmodern jazz. Chapters begin with substantive introductions and present the evolution of jazz imagery in all its forms, mirroring the shifting nature of the music itself. With two authoritative features per chapter and over 300 images, The Art of Jazz is a significant contribution to the literature of this intrepid art form.
Publisher: Charlesbridge Publishing
ISBN: 1632892332
Category : Music
Languages : en
Pages : 259
Book Description
The Art of Jazz explores how the expressionism and spontaneity of jazz spilled onto its album art, posters, and promotional photography, and even inspired standalone works of fine art. Everyone knows jazz is on the cutting edge of music, but how much do you know about its influence in the visual arts? With album covers that took inspiration from the avant-garde, jazz's primarily African American musicians and their producers sought to challenge and inspire listeners both musically and visually. Arranged chronologically, each chapter covers a key period in jazz history, from the earliest days of the twentieth century to today's postmodern jazz. Chapters begin with substantive introductions and present the evolution of jazz imagery in all its forms, mirroring the shifting nature of the music itself. With two authoritative features per chapter and over 300 images, The Art of Jazz is a significant contribution to the literature of this intrepid art form.
Jazz and the Philosophy of Art
Author: Lee B. Brown
Publisher: Routledge
ISBN: 1315280590
Category : Music
Languages : en
Pages : 370
Book Description
Co-authored by three prominent philosophers of art, Jazz and the Philosophy of Art is the first book in English to be exclusively devoted to philosophical issues in jazz. It covers such diverse topics as minstrelsy, bebop, Voodoo, social and tap dancing, parades, phonography, musical forgeries, and jazz singing, as well as Goodman’s allographic/autographic distinction, Adorno’s critique of popular music, and what improvisation is and is not. The book is organized into three parts. Drawing on innovative strategies adopted to address challenges that arise for the project of defining art, Part I shows how historical definitions of art provide a blueprint for a historical definition of jazz. Part II extends the book’s commitment to social-historical contextualism by exploring distinctive ways that jazz has shaped, and been shaped by, American culture. It uses the lens of jazz vocals to provide perspective on racial issues previously unaddressed in the work. It then examines the broader premise that jazz was a socially progressive force in American popular culture. Part III concentrates on a topic that has entered into the arguments of each of the previous chapters: what is jazz improvisation? It outlines a pluralistic framework in which distinctive performance intentions distinguish distinctive kinds of jazz improvisation. This book is a comprehensive and valuable resource for any reader interested in the intersections between jazz and philosophy.
Publisher: Routledge
ISBN: 1315280590
Category : Music
Languages : en
Pages : 370
Book Description
Co-authored by three prominent philosophers of art, Jazz and the Philosophy of Art is the first book in English to be exclusively devoted to philosophical issues in jazz. It covers such diverse topics as minstrelsy, bebop, Voodoo, social and tap dancing, parades, phonography, musical forgeries, and jazz singing, as well as Goodman’s allographic/autographic distinction, Adorno’s critique of popular music, and what improvisation is and is not. The book is organized into three parts. Drawing on innovative strategies adopted to address challenges that arise for the project of defining art, Part I shows how historical definitions of art provide a blueprint for a historical definition of jazz. Part II extends the book’s commitment to social-historical contextualism by exploring distinctive ways that jazz has shaped, and been shaped by, American culture. It uses the lens of jazz vocals to provide perspective on racial issues previously unaddressed in the work. It then examines the broader premise that jazz was a socially progressive force in American popular culture. Part III concentrates on a topic that has entered into the arguments of each of the previous chapters: what is jazz improvisation? It outlines a pluralistic framework in which distinctive performance intentions distinguish distinctive kinds of jazz improvisation. This book is a comprehensive and valuable resource for any reader interested in the intersections between jazz and philosophy.
Expanding Architecture
Author: Bryan Bell
Publisher:
ISBN: 9781933045788
Category : Architecture
Languages : en
Pages : 0
Book Description
Questioning how design can improve daily lives, more than thirty essays by practicing architects and designers, urban and community planners, historians, landscape architects and environmental designers illuminate an emerging geography of architectural activism and suggest the many ways that design can address issues of social justice.
Publisher:
ISBN: 9781933045788
Category : Architecture
Languages : en
Pages : 0
Book Description
Questioning how design can improve daily lives, more than thirty essays by practicing architects and designers, urban and community planners, historians, landscape architects and environmental designers illuminate an emerging geography of architectural activism and suggest the many ways that design can address issues of social justice.
Henri Matisse
Author: Henri Matisse
Publisher:
ISBN: 9781858410517
Category : Painters
Languages : en
Pages : 128
Book Description
Publisher:
ISBN: 9781858410517
Category : Painters
Languages : en
Pages : 128
Book Description