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Author: Barbara Hatley Publisher: ISBN: Category : Drama Languages : en Pages : 362
Book Description
During the dramatic economic and social transformation of late twentieth-century Indonesia, theatre in Central Java featured a familiar cast of rulers, nobles, clown servants and ordinary people. However these performances were not a repetition of age-old cultural "traditions." Instead, by stretching the framework of Javanese theatre convention, theatre troupes challenged dominant cultural and political values. As political pressures intensified in the final months of the New Order regime, these witty, critical performances drew enthusiastic, oppositionist crowds. The dismantling of repressive state control after the fall of Suharto in 1998 diminished interest in political critiques from the stage, and growing economic weakness caused patronage and sponsorship to dry up. By 2003–2004, however, a revival was underway as performers engaged with the politics of regional autonomy and democratization, and actors responded to the devastating Yogyakarta earthquake of 2006 by staging shows in the worst-affected areas to help sustain community spirit and pride in local culture. Barbara Hatley’s account of more than thirty years of theatre activities and social change shows how performers and audiences have adapted, resisted, incorporated and survived. As Indonesian society evolves, Javanese performances continue to engage with ever-changing social contexts, expressing the dynamic resilience and sense of identity of those who stage and watch them.
Author: Barbara Hatley Publisher: ISBN: Category : Drama Languages : en Pages : 362
Book Description
During the dramatic economic and social transformation of late twentieth-century Indonesia, theatre in Central Java featured a familiar cast of rulers, nobles, clown servants and ordinary people. However these performances were not a repetition of age-old cultural "traditions." Instead, by stretching the framework of Javanese theatre convention, theatre troupes challenged dominant cultural and political values. As political pressures intensified in the final months of the New Order regime, these witty, critical performances drew enthusiastic, oppositionist crowds. The dismantling of repressive state control after the fall of Suharto in 1998 diminished interest in political critiques from the stage, and growing economic weakness caused patronage and sponsorship to dry up. By 2003–2004, however, a revival was underway as performers engaged with the politics of regional autonomy and democratization, and actors responded to the devastating Yogyakarta earthquake of 2006 by staging shows in the worst-affected areas to help sustain community spirit and pride in local culture. Barbara Hatley’s account of more than thirty years of theatre activities and social change shows how performers and audiences have adapted, resisted, incorporated and survived. As Indonesian society evolves, Javanese performances continue to engage with ever-changing social contexts, expressing the dynamic resilience and sense of identity of those who stage and watch them.
Author: Publisher: BRILL ISBN: 9004284931 Category : Performing Arts Languages : en Pages : 281
Book Description
Performance events have long had a central place in Indonesian societies in displaying power, affirming social relations, celebrating shared values, and at times conveying potent political critique. How have they responded to the momentous social and political changes of recent years - the dismantling of the centralised, authoritarian Suharto regime and its replacement with a more open, regionally-focused political system, the rapid expansion of global cultural influence? Investigations of diverse performance genres from different regions illustrate the way general socio-political processes play out locally, and how particular groups are responding. Exploring performed understandings of identity and community, such studies expand knowledge of a complex, contested period of change in Indonesia and the workings of contemporary performance in giving it expression. With contributions by Chua Beng Huat, Alexandra Crosby, Barbara Hatley, Ariel Heryanto, Brett Hough, Rachmah Ida, Reza Idria, Edwin Jurriens, Yoshi Fajar Kresno Murti, Neneng Yanti K Lahpan, Ugoran Prasad, Wawan Sofwan, Aline Scott-Maxwell, Fridus Steijlen, Alia Swastika, Denise Varney.
Author: Ellen Rafferty Publisher: Center for Southeast Asian Studies 1 ISBN: Category : Literary Criticism Languages : en Pages : 188
Book Description
This is a tribute to one of the foremost writers and directors in Indonesia, with essays on his work, a script of his play Geez!, and various reflections by his peers. Distributed for the Center for Southeast Asian Studies, University of Wisconsin–Madison
Author: Jörgen Hellman Publisher: NIAS Press ISBN: 9788791114090 Category : Art Languages : en Pages : 220
Book Description
In sharp contrast to today's disorder was the apparent cohesion and stability of Indonesia during much of the New Order period (1965-1998). While Suharto's authoritarian rule was significant, the regime's cultural policies also played their part in demonstrating that his regime created order throughout Indonesia not just through coercive means. Ethnic, religious, and regional sentiments were to be channelled into art, which was used to help develop a national Indonesian identity. This theme is explored by this study, which focuses on the efforts of a group of young art students based at the Bandung Academy of Performing Arts to revitalize traditional Longser theater.
Author: B. Arps Publisher: Routledge ISBN: 1135752036 Category : Performing Arts Languages : en Pages : 260
Book Description
The studies in this book examine traditional performance genres in the Indonesian islands of Java and Bali. They cover puppet and human theatre, dance, sung narrative, narrative temple reliefs, and vocal and instrumental music, span a period of more than a thousand years, and range over four cultural complexes: Sundanese in western Java, Javanese in central and eastern Java, Chinese in eastern Java, and Balinese in Bali.
Author: D. Varney Publisher: Springer ISBN: 113736789X Category : Performing Arts Languages : en Pages : 248
Book Description
Theatre and Performance in the Asia-Pacific is an innovative study of contemporary theatre and performance within the framework of modernity in the Asia-Pacific. It is an analysis of the theatrical imaginative as it manifests in theatre and performance in Australia, Indonesia, Japan and Singapore.
Author: David Hanan Publisher: Springer Nature ISBN: 3030726134 Category : Performing Arts Languages : en Pages : 371
Book Description
This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It begins by exploring early 1950s ‘Indonesian neorealist films’ of the Perfini group, which depict the ethos and emerging moral issues of the period of struggle for independence (1945–49). It continues by discussing four audacious political allegories produced in four discrete political eras—including the Sukarno, Suharto and Reformasi periods. It also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. One chapter celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S, which dramatize the experience of the poor in ‘modernizing’ Jakarta. Another examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. The concluding chapter highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999–2020), including films by an unprecedented generation of women writer-directors
Author: Michael H. Bodden Publisher: Ohio University Press ISBN: 0896804690 Category : History Languages : en Pages : 405
Book Description
Resistance on the National Stage analyzes the ways in which, between 1985 and 1998, modern theater pracxadtitioners in Indonesia contributed to a rising movement of social protest against the long-governing New Order regime of President Suharto. It examines the work of an array of theater groups and networks from Jakarta, Bandung, and Yogyakarta that pioneered new forms of theater-making and new themes that were often presented more directly and critically than previous groups had dared to do. Michael H. Bodden looks at a wide range of case studies to show how theater contributed to and helped build the opposition. He also looks at how specific combinations of social groups created tensions and gave modern theater a special role in bridging social gaps and creating social networks that expanded the reach of the prodemocracy movement. Theater workers constructed new social networks by involving peasants, Muslim youth, industrial workers, and lower-middle-class slum dwellers in theater productions about their own lives. Such networking and resistance established theater as one significant arena in which the groundwork for the ouster of Suharto in May 1998, and the succeeding Reform era, was laid. Resistance on the National Stage will have broad appeal, not only for scholars of contemporary Indonesian culture and theater, but also for those interested in Indonesian history and politics, as well as scholars of postcolonial theater and culture.
Author: Siyuan Liu Publisher: Routledge ISBN: 1317278860 Category : Performing Arts Languages : en Pages : 603
Book Description
Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.