Japonisme in Western Painting from Whistler to Matisse PDF Download

Author: Klaus Berger
Publisher: Cambridge University Press
ISBN: 9780521373210
Category : Art
Languages : en
Pages : 415

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Author: Roger Priddy
Publisher: Macmillan
ISBN: 0312508174
Category : Juvenile Nonfiction
Languages : en
Pages : 23

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"Girls can develop counting and sorting skills as they search for the hundreds of hidden things in this engaging, bright and busy Treasure Hunt book."--Page 4 of cover

Author: Ayako Ono
Publisher: Routledge
ISBN: 1136625100
Category : History
Languages : en
Pages : 302

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Book Description
Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme. This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.

Author: Catherine C. Bock Weiss
Publisher: Routledge
ISBN: 1317947754
Category : Music
Languages : en
Pages : 796

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First published in 1996. The art of the extraordinary French artist, Henri Matisse (1869- 1954), has provided visual pleasures and intellectual challenges to its viewers for the last hundred years. This is collection of gathered, summarized, and evaluated major literature on the artist primarily from France, the United States, Germany, and the Scandinavian countries, where major Matisse collections bear witness to early and intense interest in the artist's work.

Author: Siegfried Wichmann
Publisher:
ISBN: 9785557938655
Category :
Languages : en
Pages : 432

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The impact of Japan on Western art was as immediate and almost as cataclysmic as the influence of the West on Japanese life. After Commodore Perry opened Japan's door to the outside world in 1858--ending a 200-year period of total isolation--a wealth of visual information from the superb Japanese traditions of ceramics, metalwork, architecture, printmaking, and painting reached the West and brought with it electrifying new ideas of composition, color, and design. One has only to see a celebrated painting by Monet, Degas, Whistler, or van Gogh, a print by Toulouse-Lautrec, an Art Nouveau glass vase, or a lacquered hair comb side by side with its Japanese source to see how these ideas have inspired European artists. Nor is the influence a superficial one: Japanese conventions of symbolism underlie the use of decorative motifs in European Symbolism and Art Nouveau, and the Zen idea of spontaneity is the ultimate source of both the apparently capricious shapes of Art Nouveau objects and the development of an abstract "calligraphy" in Abstract Expressionism.

Author: Francis X. Winters
Publisher: Routledge
ISBN: 1351904515
Category : Political Science
Languages : en
Pages : 379

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Taking the example of the nuclear bombing of Hiroshima as a case in point, Francis Winters analyzes the ethics of warfare, demonstrating how the examples of World War II hold relevance to the contemporary world. The volume examines the ethics of Japan's refusal to surrender and seeks to balance the verdict of responsibility for Hiroshima by extending the analysis to the ethics of the end of the war. It also illustrates how two displays of American naval and munitions power had an impact on Japan comparable to the September 11, 2001 assaults on America. Linking his study with two contemporary films on Iwo Jima, the author illustrates how the 1940s were an era of costly triumph that can still inspire national pride in American citizens. Unique in concept and approach, this volume will have relevance to scholars interested in both historical and contemporary politics, US-Japan relations as well as foreign policy and the ethics of warfare.

Author: Pamela A. Genova
Publisher: Northwestern University Press
ISBN: 0810132206
Category : Literary Criticism
Languages : en
Pages : 545

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In her book, Pamela Genova suggests that as critics move in general from a literal to a more metaphoric understanding and presentation of Japonisme, the mutability of the phenomenon is highlighted in a rich and illuminating manner. By exploring the conditions of the creation of these works, accenting the original aims of the artists, the manipulations carried out by art dealers, gallery owners, and boutique managers, as well as the gestures of explanation, interpretation, and judgment offered by the professional and amateur critics, Japonisme takes on an even more versatile nature. Further, a complex web of correspondence germinates among these artists—both French and Japanese—and their many critics. It is in this light that the truly rich character of Japonisme comes forth, since the undesirability, even the impossibility of the attempt to reduce it to a single genre, style, era, or cultural cadre attests to its elusiveness and its Protean nature. Japonisme does not correspond to a single dictionary definition, no matter how subtle or self-aware that definition might be. By situating the dynamics of Japonisme as a response on the part of French culture to the culture of Japan, we gain a keener sense of the multiplicity of modern French sensibility itself, of how the awareness of a nation’s language, history, and art forms can be creatively reflected in the images of a culture seemingly radically different from its own.

Author: Ayako Ono
Publisher: Routledge
ISBN: 1136625038
Category : History
Languages : en
Pages : 273

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Book Description
Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme. This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.

Author: W. Anthony Sheppard
Publisher: Oxford University Press
ISBN: 0190072725
Category : Music
Languages : en
Pages : 608

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Book Description
To what extent can music be employed to shape one culture's understanding of another? In the American imagination, Japan has represented the "most alien" nation for over 150 years. This perceived difference has inspired fantasies--of both desire and repulsion--through which Japanese culture has profoundly impacted the arts and industry of the U.S. While the influence of Japan on American and European painting, architecture, design, theater, and literature has been celebrated in numerous books and exhibitions, the role of music has been virtually ignored until now. W. Anthony Sheppard's Extreme Exoticism offers a detailed documentation and wide-ranging investigation of music's role in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life. Presenting numerous American encounters with and representations of Japanese music and Japan, this book reveals how music functions in exotic representation across a variety of genres and media, and how Japanese music has at various times served as a sign of modernist experimentation, a sounding board for defining American music, and a tool for reshaping conceptions of race and gender. From the Tin Pan Alley songs of the Russo-Japanese war period to Weezer's Pinkerton album, music has continued to inscribe Japan as the land of extreme exoticism.

Author: Astradur Eysteinsson
Publisher: John Benjamins Publishing
ISBN: 9027292043
Category : Literary Criticism
Languages : en
Pages : 1059

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Book Description
The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, ­all of which have an urgent bearing on the poetics of modernity.