Art and War in Japan and Its Empire, 1931-1960 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Art and War in Japan and Its Empire, 1931-1960 PDF full book. Access full book title Art and War in Japan and Its Empire, 1931-1960 by Asato Ikeda. Download full books in PDF and EPUB format.
Author: Asato Ikeda Publisher: ISBN: 9789004229006 Category : Art and state Languages : en Pages : 0
Book Description
Art and War in Japan and its Empire: 1931-1960 features twenty essays that critically study artistic response to the Fifteen-Year War (1931-1945) in Japan, Taiwan, Korea, Manchuria, and China in the wartime and postwar period.
Author: Asato Ikeda Publisher: ISBN: 9789004229006 Category : Art and state Languages : en Pages : 0
Book Description
Art and War in Japan and its Empire: 1931-1960 features twenty essays that critically study artistic response to the Fifteen-Year War (1931-1945) in Japan, Taiwan, Korea, Manchuria, and China in the wartime and postwar period.
Author: Nobuo Tsuji Publisher: ISBN: 9780231193412 Category : Art Languages : en Pages : 632
Book Description
In this book the leading authority on Japanese art history sheds light on how Japan has nurtured distinctive aesthetics, prominent artists, and movements that have achieved global influence and popularity. The History of Art in Japan discusses works ranging from earthenware figurines in 13,000 BCE to manga, anime, and modern subcultures.
Author: Asato Ikeda Publisher: University of Hawaii Press ISBN: 0824872126 Category : Art Languages : en Pages : 165
Book Description
This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic. Yokoyama Taikan produced countless paintings of Mount Fuji as the embodiment of Japan’s “national body” and spirituality, in contrast to the modern West’s individualism and materialism. Yasuda Yukihiko located Japan in the Minamoto warriors of the medieval period, depicting them in the yamato-e style, which is defined as classically Japanese. Uemura Shōen sought to paint the quintessential Japanese woman, drawing on the Edo-period bijin-ga (beautiful women) genre while alluding to noh aesthetics and wartime gender expectations. For his subjects, Fujita Tsuguharu looked to the rural snow country, where, it was believed, authentic Japanese traditions could still be found. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Throughout Ikeda takes into account the changing relationships between visual iconography/artistic style and its significance by carefully situating artworks within their specific historical and cultural moments. She reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy. The Politics of Painting will be welcomed by those interested in modern Japanese art and visual culture, and war art and fascism. Its analysis of painters and painting within larger currents in intellectual history will attract scholars of modern Japanese and East Asian studies.
Author: Siegfried Wichmann Publisher: ISBN: Category : Art Languages : en Pages : 436
Book Description
Japan's door to the outside world was opened in 1858, ending a 200-year period of total isolation. The wealth of superb Japanese traditions of ceramics, metalwork and architecture, as well as printmaking and painting, reached the West and brought with it electrifying new ideas of composition, colour and design. In this book, Siegfried Wichmann, the internationally renowned expert on Japonisme, accompanies his breathtaking illustrations with a text that marshals a wealth of detail and opens up new lines of enquiry.
Author: David Young Publisher: Tuttle Publishing ISBN: 1462906575 Category : Photography Languages : en Pages : 188
Book Description
The Art of Japanese Architecture presents a complete overview of Japanese architecture in its historical and cultural context. The book begins with a discussion of early prehistoric dwellings and concludes with a description of works by important modern Japanese architects. Along the way it discusses the iconic buildings and architectural styles for which Japan is so justly famous--from elegant Shinden and Sukiya aristocratic villas like the Kinkakuji "Golden Pavilion" in Kyoto, to imposing Samurai castles like Himeji and Matsumoto, and tranquil Zen Buddhist gardens and tea houses to rural Minka thatched-roof farmhouses and Shinto shrines. Each period in the development of Japan's architecture is described in detail and the most important structures are shown and discussed--including dozens of UNESCO World Heritage Sites. The aesthetic trends in each period are presented within the context of Japanese society at the time, providing a unique in-depth understanding of the way Japanese architectural styles and buildings have developed over time and the great variety that is visible today. The book is profusely illustrated with hundreds of hand-drawn 3D watercolor illustrations and color photos as well as prints, maps and diagrams. The new edition features dozens of new photographs and a handy hardcover format that is perfect for travelers.
Author: Lyke de Vries Publisher: BRILL ISBN: 9004249397 Category : History Languages : en Pages : 444
Book Description
At the centre of the Rosicrucian manifestos was a call for ‘general reformation’. In Reformation, Revolution, Renovation, the first book-length study of this topic, Lyke de Vries demonstrates the unique position of the Rosicrucian call for reform in the transformative context of the early seventeenth century. The manifestos, commonly interpreted as either Lutheran or esoteric, are here portrayed as revolutionary mission statements which broke dramatically with Luther’s reform ideals. Their call for reform instead resembles a variety of late medieval and early modern dissenting traditions as well as the heterodox movement of Paracelsianism. Emphasising the universal character of the Rosicrucian proposal for change, this new genealogy of the core idea sheds fresh light on the vexed question of the manifestos’ authorship and helps explain their tumultuous reception by both those who welcomed and those who deplored them.
Author: Carol Finley Publisher: Lerner Publications ISBN: 9780822520771 Category : Juvenile Nonfiction Languages : en Pages : 66
Book Description
Focuses on Japanese wood block prints of the Edo period (1600-1868) by explaining the subject matter as well as the technique used in making them.
Author: Reiko Tomii Publisher: National Geographic Books ISBN: 0262535319 Category : Art Languages : en Pages : 0
Book Description
Innovative artists in 1960s Japan who made art in the “wilderness”—away from Tokyo, outside traditional norms, and with little institutional support—with global resonances. 1960s Japan was one of the world's major frontiers of vanguard art. As Japanese artists developed diverse practices parallel to, and sometimes antecedent to, their Western counterparts, they found themselves in a new reality of “international contemporaneity” (kokusaiteki dōjisei). In this book Reiko Tomii examines three key figures in Japanese art of the 1960s who made radical and inventive art in the “wilderness”—away from Tokyo, outside traditional norms, and with little institutional support. These practitioners are the conceptualist Matsuzawa Yutaka, known for the principle of “vanishing of matter” and the practice of “meditative visualization” (kannen); The Play, a collective of “Happeners”; and the local collective GUN (Group Ultra Niigata). The innovative work of these artists included a visionary exhibition in Central Japan of “formless emissions” organized by Matsuzwa; the launching of a huge fiberglass egg—“an image of liberation”—from the southernmost tip of Japan's main island by The Play; and gorgeous color field abstractions painted by GUN on accumulating snow on the riverbeds of the Shinano River. Pioneers in conceptualism, performance art, land art, mail art, and political art, these artists delved into the local and achieved global relevance. Making “connections” and finding “resonances” between these three practitioners and artists elsewhere, Tomii links their local practices to the global narrative and illuminates the fundamentally “similar yet dissimilar” characteristics of their work. In her reading, Japan becomes a paradigmatic site of world art history, on the periphery but asserting its place through hard-won international contemporaneity.
Author: Asato Ikeda
Author: Asato Ikeda
Author: Nobuo Tsuji
Author: Asato Ikeda
Author: Siegfried Wichmann
Author: David Young
Author: Lyke de Vries
Author: Carol Finley
Author: Christopher Dresser
Author: Robert T. Singer
Author: Reiko Tomii