Jan Van Scorel and Pieter Coeck Von Aelst PDF Download

Author: Max J. Friedländer
Publisher:
ISBN:
Category :
Languages : en
Pages : 394

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Author: Tracey A. Sowerby
Publisher: Taylor & Francis
ISBN: 1000391868
Category : Architecture
Languages : en
Pages : 303

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In the sixteenth century, the Ottoman court in Constantinople emerged as the axial centre of early modern diplomacy in Eurasia. Diplomatic Cultures at the Ottoman Court, c.1500-1630 takes a unique approach to diplomatic relations by focusing on how diplomacy was conducted and diplomatic cultures forged at a single court: the Sublime Porte. It unites studies from the perspectives of European and non-European diplomats with analyses from the perspective of Ottoman officials involved in diplomatic practices. It focuses on a formative period for diplomatic procedure and Ottoman imperial culture by examining the introduction of resident embassies on the one hand, and on the other, changes in Ottoman policy and protocol that resulted from the territorial expansion and cultural transformations of the empire in the sixteenth century. The chapters in this volume approach the practices and processes of diplomacy at the Ottoman court with special attention to ceremonial protocol, diplomatic sociability, gift-giving, cultural exchange, information gathering, and the role of para-diplomatic actors.

Author: Hanno Brand
Publisher: Uitgeverij Verloren
ISBN: 9789065508812
Category : History
Languages : en
Pages : 254

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Commercial relations between the North Sea area and the Baltic contributed in a fundamental way to Holland's economic dominance in the seventeenth century. They were embedded in a region where numerous expressions of a common culture facilitated the mobility of people and commodities or the spreading of tastes and ideas. The German Hansa played a very important role in this process, but also after its decline, economic contacts between the North Sea region and the Baltic continued and with them a prolonged process of cultural interaction. This volume describes the interconnections of the various aspects of the common economic culture in the region between ca. 1350 and 1750.

Author: Gerhard Holland
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 344

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Author: Pierre Terjanian
Publisher: Metropolitan Museum of Art
ISBN: 1588396746
Category : Art
Languages : en
Pages : 345

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Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

Author: Monika Anne Schmitter
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 854

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Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 1032

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Includes entries for maps and atlases.

Author: Max J. Friedlander
Publisher: Springer
ISBN:
Category : Art
Languages : en
Pages : 392

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Author: Max J. Friedländer
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 396

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Author: Mariantonia Reinhard-Felice
Publisher: Schwabe
ISBN:
Category : Art
Languages : en
Pages : 720

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When Oskar Reinhart (1885-1965) bequeathed a significant part of his remarkable art collection - chiefly of French nineteenth-century painting but also containing a number of outstanding Old Masters - to the Swiss nation, he did so on condition that the works of art would never be loaned. As a consequence the many very important works in the collection have not been discussed in major exhibition catalogues and have not received the scholarly attention they deserve. This volume, with full entries on the entire collection of 207 works by 45 leading scholars in their field, both American and European, and superb plates carefully checked against the originals, sets out to rectify this state of affairs. Artists represented by several works in the collection that Reinhart made his monument include: Cezanne (11), Chardin (4), Corot (9), Courbet (10), Daumier (20), Delacroix (9), Gericault (2), Van Gogh (5), Maillol (8), Manet (4), Picasso (4), Pissarro (2), Renoir (15), Sisley (2). A well illustrated introduction explains the ideas and context behind Reinhart's collecting and affords insights into his character.