Author: Sukh Dev Singh Charak
Publisher: Abhinav Publications
ISBN: 9788170173557
Category : Art
Languages : en
Pages : 156
Book Description
Ragamala Paintings Have A Special Significance In The World Of Art, Which Has Not So Far Been Fully Realised. They Not Only Display Their Own Technique And Art Of Colour And Line But Also Express, Interpret And Exhibit The Soul/Spirit And Beauty Of Another Art, The Art Of Music, The Art Of Svara-Laya And Cultivated/Cultured Voice. Music Was Considered To Be Of Divine Origin And Was Supposed To Possess The Property Of Evoking An Ecstatic State Of Mind Or Mood, Called Rasa-Anubhuti, In The Musician As Well As The Listerner. This Conception Of Rasa Is The Basis Of All Art In India. The Sadhakas (Practitioners) Devised Some Formulas In Order To Capture And Comprehend The Divine Quality Of Music And To Evoke Rasa Or Brahmananda. These Were Formulated In The Form Of Prayers In Which The Conceptual Form, Dhyana-Murti, Of The Raga Was Described. Thus The Ragas Were Personified Or Deified. This Fact Provided A Rich And Expressive Theme To Indian Painters And It Has Considerably Enriched The Art Treasure Of India. Whether The Dhyana-Theory Of Ragas Is Scientific Or Otherwise It Certainly Furnished A Rich Source Of Theme For The Indian Artists Who Painted Some Of The Most Charming And Inspiring Pictures Representing The Ragas (Melodies). The Two Ragamala Mss Discovered In A Manuscripts Collection At Jammu Are A Part Of The Extensive Art Treasure Created All Over India During The Period From 16Th To 19Th Centuries. The Jammu Ragamala Paintings Were Done Expressly With The Usual Object Of Depicting Their Dhyana-Murtis Or Icons In Order To Create The Relevant Rasa Situation In Those Looking At Them.
Jammu Rāgamālā Paintings
Author: Sukh Dev Singh Charak
Publisher: Abhinav Publications
ISBN: 9788170173557
Category : Art
Languages : en
Pages : 156
Book Description
Ragamala Paintings Have A Special Significance In The World Of Art, Which Has Not So Far Been Fully Realised. They Not Only Display Their Own Technique And Art Of Colour And Line But Also Express, Interpret And Exhibit The Soul/Spirit And Beauty Of Another Art, The Art Of Music, The Art Of Svara-Laya And Cultivated/Cultured Voice. Music Was Considered To Be Of Divine Origin And Was Supposed To Possess The Property Of Evoking An Ecstatic State Of Mind Or Mood, Called Rasa-Anubhuti, In The Musician As Well As The Listerner. This Conception Of Rasa Is The Basis Of All Art In India. The Sadhakas (Practitioners) Devised Some Formulas In Order To Capture And Comprehend The Divine Quality Of Music And To Evoke Rasa Or Brahmananda. These Were Formulated In The Form Of Prayers In Which The Conceptual Form, Dhyana-Murti, Of The Raga Was Described. Thus The Ragas Were Personified Or Deified. This Fact Provided A Rich And Expressive Theme To Indian Painters And It Has Considerably Enriched The Art Treasure Of India. Whether The Dhyana-Theory Of Ragas Is Scientific Or Otherwise It Certainly Furnished A Rich Source Of Theme For The Indian Artists Who Painted Some Of The Most Charming And Inspiring Pictures Representing The Ragas (Melodies). The Two Ragamala Mss Discovered In A Manuscripts Collection At Jammu Are A Part Of The Extensive Art Treasure Created All Over India During The Period From 16Th To 19Th Centuries. The Jammu Ragamala Paintings Were Done Expressly With The Usual Object Of Depicting Their Dhyana-Murtis Or Icons In Order To Create The Relevant Rasa Situation In Those Looking At Them.
Publisher: Abhinav Publications
ISBN: 9788170173557
Category : Art
Languages : en
Pages : 156
Book Description
Ragamala Paintings Have A Special Significance In The World Of Art, Which Has Not So Far Been Fully Realised. They Not Only Display Their Own Technique And Art Of Colour And Line But Also Express, Interpret And Exhibit The Soul/Spirit And Beauty Of Another Art, The Art Of Music, The Art Of Svara-Laya And Cultivated/Cultured Voice. Music Was Considered To Be Of Divine Origin And Was Supposed To Possess The Property Of Evoking An Ecstatic State Of Mind Or Mood, Called Rasa-Anubhuti, In The Musician As Well As The Listerner. This Conception Of Rasa Is The Basis Of All Art In India. The Sadhakas (Practitioners) Devised Some Formulas In Order To Capture And Comprehend The Divine Quality Of Music And To Evoke Rasa Or Brahmananda. These Were Formulated In The Form Of Prayers In Which The Conceptual Form, Dhyana-Murti, Of The Raga Was Described. Thus The Ragas Were Personified Or Deified. This Fact Provided A Rich And Expressive Theme To Indian Painters And It Has Considerably Enriched The Art Treasure Of India. Whether The Dhyana-Theory Of Ragas Is Scientific Or Otherwise It Certainly Furnished A Rich Source Of Theme For The Indian Artists Who Painted Some Of The Most Charming And Inspiring Pictures Representing The Ragas (Melodies). The Two Ragamala Mss Discovered In A Manuscripts Collection At Jammu Are A Part Of The Extensive Art Treasure Created All Over India During The Period From 16Th To 19Th Centuries. The Jammu Ragamala Paintings Were Done Expressly With The Usual Object Of Depicting Their Dhyana-Murtis Or Icons In Order To Create The Relevant Rasa Situation In Those Looking At Them.
Paintings and Lifestyles of Jammu Region
Author: Raj Kumar
Publisher:
ISBN: 9788178355771
Category : Decorative arts
Languages : en
Pages : 573
Book Description
1. Painter, Theme and Area Painter' Theme' Ragamala Nayaka and Nayika Radha-Krishna Shiva Vishnu Bhagawat-Purana The Krishna Legend The Mahabharata The Ramayana The Seasons' Battle-Scenes' Social and Cultural Theme Marriage Ritual Sati System The Animals and Birds of Mythology Area' Basohli Jit Pal (1736-57) Amrit Pal (1757-76) Vijay Pal (1776-1806) Mehendra Pal (1806-13) Bhuperidra Pal (1813-34) Kalyan Pal (1845-57) Jammu Mankot Ramnagar Poonch Purmandal Mansar Bhurj Sui-Simble Purani Mandi Miran Sahib. 2. Dresses Male-Dresses' Head-Dresses' Turbans' Caps or 'Topi' Uppper-Garments (Uttariya) Kurta Jama (Angarakha) Chogha (Choga) Jacket (Fathuhi) Kamarband (Girdle) Chadar (Scarf) Achkan Gown Coat Patta Animal Skin Shawls Kambala or Patoo (Blanket) Lower Garments (Adhovastra) Pyjama (Paijama, Paejama, Pyjamah) Dhoti' Lungi (Loin-cloth) Animals Skin' Langota or Kaccha (Loin-cloth) Pant Footwear' Female Dresses' Head-Dress' Dupatta (Chadaru) Caps (Topi) Upper Garments (Uttariya) Choli (Kanjari, Kanchali, Kanchuki, Kanjuri) . Kurta (Koorta) Peswaj (Peshwaz, Pishwaj, Peswaj) Kamarband Lower-Garment (Adhovastara) Sari or Dhoti Ghagra (Ghaghra, Ghaghru) Suthana (Paijama, Pyjamah, Paejama) Salwar (Shalwar, lzar, Sulwar) Footwear.
Publisher:
ISBN: 9788178355771
Category : Decorative arts
Languages : en
Pages : 573
Book Description
1. Painter, Theme and Area Painter' Theme' Ragamala Nayaka and Nayika Radha-Krishna Shiva Vishnu Bhagawat-Purana The Krishna Legend The Mahabharata The Ramayana The Seasons' Battle-Scenes' Social and Cultural Theme Marriage Ritual Sati System The Animals and Birds of Mythology Area' Basohli Jit Pal (1736-57) Amrit Pal (1757-76) Vijay Pal (1776-1806) Mehendra Pal (1806-13) Bhuperidra Pal (1813-34) Kalyan Pal (1845-57) Jammu Mankot Ramnagar Poonch Purmandal Mansar Bhurj Sui-Simble Purani Mandi Miran Sahib. 2. Dresses Male-Dresses' Head-Dresses' Turbans' Caps or 'Topi' Uppper-Garments (Uttariya) Kurta Jama (Angarakha) Chogha (Choga) Jacket (Fathuhi) Kamarband (Girdle) Chadar (Scarf) Achkan Gown Coat Patta Animal Skin Shawls Kambala or Patoo (Blanket) Lower Garments (Adhovastra) Pyjama (Paijama, Paejama, Pyjamah) Dhoti' Lungi (Loin-cloth) Animals Skin' Langota or Kaccha (Loin-cloth) Pant Footwear' Female Dresses' Head-Dress' Dupatta (Chadaru) Caps (Topi) Upper Garments (Uttariya) Choli (Kanjari, Kanchali, Kanchuki, Kanjuri) . Kurta (Koorta) Peswaj (Peshwaz, Pishwaj, Peswaj) Kamarband Lower-Garment (Adhovastara) Sari or Dhoti Ghagra (Ghaghra, Ghaghru) Suthana (Paijama, Pyjamah, Paejama) Salwar (Shalwar, lzar, Sulwar) Footwear.
Ragamala Painting
Author: Klaus Ebeling
Publisher:
ISBN:
Category : Miniature painting, Indic
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category : Miniature painting, Indic
Languages : en
Pages : 316
Book Description
Ragamala Painting
Author: Raṇajīta Siṃha Gila
Publisher:
ISBN: 9788181500168
Category : Rāgamālā painting
Languages : en
Pages : 171
Book Description
Publisher:
ISBN: 9788181500168
Category : Rāgamālā painting
Languages : en
Pages : 171
Book Description
Religious Art in Jammu Hills
Author: Anita K. Billawaria
Publisher:
ISBN:
Category : Art, Hindu
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category : Art, Hindu
Languages : en
Pages : 208
Book Description
Ragamala
Author: Anna L. Dallapiccola
Publisher: Philip Wilson Publishers
ISBN: 9780856676987
Category : Art
Languages : en
Pages : 96
Book Description
Ragamala, literally a garland of ragas, is a unique form of Indian miniature painting developed by combining a variety of sources including musical codes and accomanying poetry to indicate the time of day, or season, in which the melody should be performed. These miniatures were executed in India from 1400 and by the late 1700s had died out. This new book, and the exhibition it accompanies, presents a fine and rare collection of twenty-four ragamala from the collection of Claudio Moscatelli, a painting conservator based in London. Over fifteen years he has amassed one of the finest collections of ragamala in Britain comprising three different groups, Pahari, Rajasthani and Deccani, displaying regional variations.
Publisher: Philip Wilson Publishers
ISBN: 9780856676987
Category : Art
Languages : en
Pages : 96
Book Description
Ragamala, literally a garland of ragas, is a unique form of Indian miniature painting developed by combining a variety of sources including musical codes and accomanying poetry to indicate the time of day, or season, in which the melody should be performed. These miniatures were executed in India from 1400 and by the late 1700s had died out. This new book, and the exhibition it accompanies, presents a fine and rare collection of twenty-four ragamala from the collection of Claudio Moscatelli, a painting conservator based in London. Over fifteen years he has amassed one of the finest collections of ragamala in Britain comprising three different groups, Pahari, Rajasthani and Deccani, displaying regional variations.
Ragamala Paintings in the Museum of Fine Arts
Historiography on Jammu
Author: Sukh Dev Singh Charak
Publisher:
ISBN:
Category : Jammu and Kashmir (India)
Languages : en
Pages : 166
Book Description
On the erstwhile kingdom of Jammu.
Publisher:
ISBN:
Category : Jammu and Kashmir (India)
Languages : en
Pages : 166
Book Description
On the erstwhile kingdom of Jammu.
Dogra Wall Paintings in Jammu and Kashmir
Author: Mira Seth
Publisher:
ISBN:
Category : Dogras (Indic people)
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : Dogras (Indic people)
Languages : en
Pages : 216
Book Description
Ragamala Paintings
Author: Pratapaditya Pal
Publisher:
ISBN: 9780878461448
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780878461448
Category :
Languages : en
Pages :
Book Description