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Author: REBECCA. NESVET Publisher: Routledge ISBN: 9781032431598 Category : Literary Criticism Languages : en Pages : 0
Book Description
James Malcolm Rymer, Penny Fiction, and the Family is the first monograph focusing on Sweeney Todd and Varney the Vampyre's creator James Malcolm Rymer (1814-84) and an essential contribution to Victorian, Gothic, and working-class literary studies. It argues that Rymer wrote his so-called 'penny bloods' and 'dreadfuls' for and about British urban working families. In the 1840s, the notion of the family acquired unprecedented prominence and radical potential. Raised in an artisanal artistic-literary family, Rymer responded by writing for and about urban working families. Editing family magazines early in that genre's history, he deployed Chartist domesticity to liberal ends and collaborated with cheap publisher Edward Lloyd to define and popularise the domestic romance genre. In 1850s-60s penny serials published by George W.M. Reynolds, John Dicks, and Lloyd, Rymer showed how families might sustain Empire and advocated for patriarchal family dynamics in response to literary and political challenges to patriarchy. During the fin-de-siècle, Rymer's penny fiction was demonised as hyper-masculine 'bloods' and 'dreadfuls', a reputation it retains today. Reading Victorian penny fiction's most indicative author's works as a corpus and with attention to their original textual, cultural, and political contexts reveals it as the family-oriented phenomenon it in fact was.
Author: REBECCA. NESVET Publisher: Routledge ISBN: 9781032431598 Category : Literary Criticism Languages : en Pages : 0
Book Description
James Malcolm Rymer, Penny Fiction, and the Family is the first monograph focusing on Sweeney Todd and Varney the Vampyre's creator James Malcolm Rymer (1814-84) and an essential contribution to Victorian, Gothic, and working-class literary studies. It argues that Rymer wrote his so-called 'penny bloods' and 'dreadfuls' for and about British urban working families. In the 1840s, the notion of the family acquired unprecedented prominence and radical potential. Raised in an artisanal artistic-literary family, Rymer responded by writing for and about urban working families. Editing family magazines early in that genre's history, he deployed Chartist domesticity to liberal ends and collaborated with cheap publisher Edward Lloyd to define and popularise the domestic romance genre. In 1850s-60s penny serials published by George W.M. Reynolds, John Dicks, and Lloyd, Rymer showed how families might sustain Empire and advocated for patriarchal family dynamics in response to literary and political challenges to patriarchy. During the fin-de-siècle, Rymer's penny fiction was demonised as hyper-masculine 'bloods' and 'dreadfuls', a reputation it retains today. Reading Victorian penny fiction's most indicative author's works as a corpus and with attention to their original textual, cultural, and political contexts reveals it as the family-oriented phenomenon it in fact was.
Author: Rebecca Nesvet Publisher: Taylor & Francis ISBN: 104009371X Category : Literary Criticism Languages : en Pages : 207
Book Description
James Malcolm Rymer, Penny Fiction, and the Family is the first monograph focusing on Sweeney Todd and Varney the Vampyre’s creator James Malcolm Rymer (1814–1884). It argues that Rymer wrote his so-called ‘penny bloods’ and ‘dreadfuls’ for and about British urban working families. In the 1840s, the notion of the family acquired unprecedented prominence and radical potential. Raised in an artisanal artistic-literary family, Rymer wrote for and edited family magazines early in that genre’s history, deployed Chartist domesticity to liberal ends, and collaborated with cheap publisher Edward Lloyd to define and popularise the domestic romance genre. In 1850s–1860s penny serials published by George W.M. Reynolds, John Dicks, and Lloyd, Rymer showed how families might sustain Empire and advocated for patriarchal family dynamics in response to literary and political change. During the fin-de-siècle, Rymer’s penny fiction was demonised as hyper-masculine ‘bloods’ and ‘dreadfuls’, a reputation it retains today. Reading Victorian penny fiction’s most indicative author’s works as a corpus and with attention to their original textual, cultural, and political contexts reveals it as the family-oriented phenomenon it in fact was.
Author: Thomas Peckett Prest Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 1695
Book Description
Varney the Vampire; or, the Feast of Blood is a Victorian era serialized gothic horror story variously attributed to James Malcolm Rymer and Thomas PeckettPrest. It first appeared in 1845–1847 as a series of weekly cheap pamphlets of the kind then known as "penny dreadfuls". The author was paid by the typeset line, so when the story was published in book form in 1847, it was of epic length: the original edition ran to 876 double-columned pages and 232 chapters. Altogether it totals nearly 667,000 words. It is the tale of the vampire Sir Francis Varney, and introduced many of the tropes present in vampire fiction recognizable to modern audiences. It was the first story to refer to sharpened teeth for a vampire, noting "With a plunge he seizes her neck in his fang-like teeth." While ostensibly set in the early eighteenth century, there are references to the Napoleonic Wars and other indicators that the story is contemporary to the time of its writing in the mid-nineteenth century. Varney's adventures also occur in various locations including London, Bath, Winchester, Naples and Venice. Scholars like A. AsbjørnJøn have noted that Varney was a major influence on later vampire fiction, including the renowned novel Dracula (1897) by Bram Stoker.
Author: James Malcolm Rymer Publisher: Mint Editions ISBN: 9781513291659 Category : Languages : en Pages : 864
Book Description
Varney the Vampire (1847) is a penny dreadful novel by British writers James Malcolm Rymer and Thomas Peckett Prest. Originally serialized in cheap volumes, the novel introduced some of the most recognizable tropes of vampire fiction still used today, including the depiction of fangs and the use of a Gothic setting. Set during the Napoleonic Wars, Varney the Vampire is a story of tragedy, damnation, and revenge that pioneered many of the themes common to horror and pulp fiction today. Sir Francis Varney was condemned to an eternity of vampiric life following his actions during the reign of Oliver Cromwell. Having betrayed a royalist and killed his own son in a fit of rage, Varney was forced to suffer death and resurrection countless times over on his insatiable quest for human blood. In the nineteenth century, he targets the Bannerworths, a once-noble family fallen on hard times in their crumbling estate. Gruesome and tragic, the story manages to humanize the vampire without softening his terrifying actions or features, laying the groundwork for an action-packed romp through such legendary cities as London, Naples, and Venice. Varney the Vampire is a grisly penny dreadful novel, a quick-witted work of horror that has inspired generations of storytellers and readers alike. With a beautifully designed cover and professionally typeset manuscript, this edition of Varney the Vampire by James Malcolm Rymer and Thomas Peckett Prest is a classic of British horror fiction reimagined for modern readers.
Author: Thomas Peckett Prest Publisher: DigiCat ISBN: Category : Fiction Languages : en Pages : 1014
Book Description
Varney the Vampire Or the Feast of Blood is a horror story by Thomas Peckett Prest. Structured in different episodes, these are classic tales of blood sucking horrors at midnights, for fans of the genre.
Author: Amy Dunham Strand Publisher: Taylor & Francis ISBN: 1040127223 Category : Literary Criticism Languages : en Pages : 204
Book Description
Political Prayer in Nineteenth-Century American Literature explores how American women writers such as Catharine Maria Sedgwick, Harriet Beecher Stowe, Rebecca Harding Davis, and Emily Dickinson translated petitioning – a political form for redress of grievances with religious resonance, or what Strand calls “political prayer” – in their literary works. At a time when petitioning was historically transforming governments, mobilizing masses, and democratizing North America, these White women writers wrote “literary petitions” to advocate for others in social justice causes such as antiremoval, antislavery, and labor reform, to transform American literature and culture, and to articulate an ambivalent political agency. Political Prayer in Nineteenth-Century American Literature introduces historic petitioning into literary study as an overlooked but important new lens for reading nineteenth-century fiction and poetry. Understanding petitions in these literary works – and these literary works as petitions – also helps us to understand women’s political agency before their enfranchisement, to explain why scholars have long debated and inconsistently interpreted the works of well-anthologized women writers, and to see more clearly the multidimensional, coexisting, and often competing religious and political aspects of their writings.
Author: Jane Ford Publisher: Taylor & Francis ISBN: 1040097855 Category : Literary Criticism Languages : en Pages : 130
Book Description
Metaphors of Economic Exploitation in Literature, 1885–1914 explores the complex network of metaphors that emerged around late nineteenth-century conceptions of economic self-interest – metaphors that dramatised the predatory, conflictual, and exploitative basis of relations between nations, institutions, sexes, and people in a fin-de-siècle economy that was perceived by many as outwardly belligerent. More specifically, this book is about the vampire, cannibal, and related genera of economic metaphor that penetrate the major discourses of the period in ways that have yet to be understood. In chapters that examine socialist fiction and newspapers; the imperial quest romance; the decadent and supernatural tales of Henry James and Vernon Lee; and the Catholic novels of Lucas Malet, Ford assesses the breadth and variety of these metaphors, and considers how they filter the long-standing philosophical ideas about self-interest and the conflictual ‘economic man’. This volume is essential reading for students and scholars of fin-de-siècle literature and culture as well as those with an interest in the relationship between literature, economics, and anti-capitalist movements.
Author: Andrew McInnes Publisher: Taylor & Francis ISBN: 104009886X Category : Literary Criticism Languages : en Pages : 175
Book Description
Reading The Romantic Ridiculous aims to take Romantic Studies from the sublime to the ridiculous. Building on recent work that decentres the myth of the solitary genius, this duograph theorises the ridiculous as an alternative affect to the sublime, privileging collective laughter above solitude and selfishness and reflecting on these ideals through the practice of joint authorship. Tracing the history of the ridiculous through Romantic and post-Romantic debates about sublimity, from the rediscovery of Longinus and the aesthetic theories of Burke and Kant to contemporary queer and postcolonial theory interested in silliness, lowness, and vulnerability, Reading the Romantic Ridiculous explores Romanticism's surprising commitments to ridiculousness in canonical material by writers such as Samuel Taylor Coleridge, Jane Austen, and Charles Lamb as well as lesser-known material from joke books to children's literature. In theory and practice, this duograph also considers the legacies of Romanticism – and ridiculousness – today, analysing their influence on independent film, sitcoms, and young adult fiction, as well as their place in higher education now.
Author: Anne Longmuir Publisher: Taylor & Francis ISBN: 1040104061 Category : Fiction Languages : en Pages : 201
Book Description
John Ruskin and the Victorian Woman Writer addresses the little-considered personal and literary relationships of John Ruskin and four major Victorian women writers: Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Christina Rossetti. Drawing on new archival, primary research, the book provides detailed biographical contexts for each of these relationships before considering the interplay of each woman’s writing with Ruskin’s. Focusing on literature, art, economics, and gender, it offers close readings of a selection of each woman’s oeuvre alongside Ruskin’s prose to demonstrate the affinities and the moments of disagreement between Ruskin and these writers. Though primarily aimed at an academic audience, the book will also be of interest to general readers with a developed interest in nineteenth-century culture. It advances readers’ understandings of the complex web of influence that existed between Ruskin and women writers in the 1850s and 1860s, establishing the opportunities that Ruskin’s art theory offered women writers engaged with social questions and the apparent influence of these writers on Ruskin’s own emerging political economy. By analysing women writers’ responses to Ruskin’s work—and his response to theirs—this book complicates and challenges assumptions about Ruskin’s supposedly troubled relationship with women.
Author: REBECCA. NESVET
Author: REBECCA. NESVET
Author: Rebecca Nesvet
Author: Thomas Peckett Prest
Author: James Malcolm Rymer
Author: Thomas Peckett Prest
Author: Amy Dunham Strand
Author: Jane Ford
Author: George Payne Rainsford James
Author: Andrew McInnes
Author: Anne Longmuir