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Author: James Hogg Publisher: Edinburgh University Press ISBN: 1474469213 Category : Fiction Languages : en Pages : 192
Book Description
With an Essay on Hogg's Literary Friendships by Janette Currie and an Appendix on the Popular Context by Suzanne GilbertScottish popular tradition includes a group of stories about a King who has adventures - amorous and otherwise - as he wanders in disguise among his people. Many of these stories focus on James V and in Walter Scott's long narrative poem The Lady of the Lake (1810) the King encounters a mysterious lady while he is wandering alone and unrecognised in the Highlands. At first sight Scott's heroine seems to be a simple country girl, but she turns out to be a daughter of the great aristocratic house of Douglas, living for the time being in a rural exile.Scott's romantic and aristocratic version of the old 'wandering King' stories was hugely popular in its day, but Hogg subverts and questions this tale in Mador of the Moor (1816). The name 'Mador' suggests 'made o'er', 'made over', and Mador of the Moor is in effect a makeover of The Lady of the Lake. Hogg's poem, like Scott's, tells how a deer-hunt in the Highlands leads a disguised King of Scots into a love-adventure with a young woman. However Hogg's heroine, Ila Moore, is not a chaste aristocrat but a girl of low social standing who is made pregnant by the wandering King. Ila's inherent resourcefulness and strength of character suggest that a peasant girl pregnant out of wedlock can be a heroine fully worthy of respect, and Mador (rejected as shocking and ridiculous by its original readership), now re-emerges as a flowing and immensely readable narrative that eloquently challenges the deeply-ingrained class and gender prejudices of Hogg's society.
Author: James Hogg Publisher: Edinburgh University Press ISBN: 1474469213 Category : Fiction Languages : en Pages : 192
Book Description
With an Essay on Hogg's Literary Friendships by Janette Currie and an Appendix on the Popular Context by Suzanne GilbertScottish popular tradition includes a group of stories about a King who has adventures - amorous and otherwise - as he wanders in disguise among his people. Many of these stories focus on James V and in Walter Scott's long narrative poem The Lady of the Lake (1810) the King encounters a mysterious lady while he is wandering alone and unrecognised in the Highlands. At first sight Scott's heroine seems to be a simple country girl, but she turns out to be a daughter of the great aristocratic house of Douglas, living for the time being in a rural exile.Scott's romantic and aristocratic version of the old 'wandering King' stories was hugely popular in its day, but Hogg subverts and questions this tale in Mador of the Moor (1816). The name 'Mador' suggests 'made o'er', 'made over', and Mador of the Moor is in effect a makeover of The Lady of the Lake. Hogg's poem, like Scott's, tells how a deer-hunt in the Highlands leads a disguised King of Scots into a love-adventure with a young woman. However Hogg's heroine, Ila Moore, is not a chaste aristocrat but a girl of low social standing who is made pregnant by the wandering King. Ila's inherent resourcefulness and strength of character suggest that a peasant girl pregnant out of wedlock can be a heroine fully worthy of respect, and Mador (rejected as shocking and ridiculous by its original readership), now re-emerges as a flowing and immensely readable narrative that eloquently challenges the deeply-ingrained class and gender prejudices of Hogg's society.
Author: Ian Duncan Publisher: Princeton University Press ISBN: 0691144265 Category : Literary Criticism Languages : en Pages : 407
Book Description
Scott's Shadow is the first comprehensive account of the flowering of Scottish fiction between 1802 and 1832, when post-Enlightenment Edinburgh rivaled London as a center for literary and cultural innovation. Ian Duncan shows how Walter Scott became the central figure in these developments, and how he helped redefine the novel as the principal modern genre for the representation of national historical life. Duncan traces the rise of a cultural nationalist ideology and the ascendancy of Scott's Waverley novels in the years after Waterloo. He argues that the key to Scott's achievement and its unprecedented impact was the actualization of a realist aesthetic of fiction, one that offered a socializing model of the imagination as first theorized by Scottish philosopher and historian David Hume. This aesthetic, Duncan contends, provides a powerful novelistic alternative to the Kantian-Coleridgean account of the imagination that has been taken as normative for British Romanticism since the early twentieth century. Duncan goes on to examine in detail how other Scottish writers inspired by Scott's innovations--James Hogg and John Galt in particular--produced in their own novels and tales rival accounts of regional, national, and imperial history. Scott's Shadow illuminates a major but neglected episode of British Romanticism as well as a pivotal moment in the history and development of the novel.
Author: James Hogg Publisher: ISBN: Category : Country life Languages : en Pages : 600
Book Description
"Hogg left a written record of three of his many journeys to the Highlands, those of 1802, 1803 and 1804, and in Highland Journeys he offers a thoughtful and deeply-felt response to the Highland Clearances. He gives vivid pictures of his experiences, including a narrow escape from a Navy press-gang, and a Sacrament day with one minister preaching in English and another in Gaelic. Hogg also explains aspects of Gaelic culture such as the waulking songs, and he describes the trade in kelp, lucrative to the landowners but back-breaking and ill-paid for the workers. Highland Journeys makes a refreshing contribution to our understanding of early nineteenth-century travel writing"--Publisher description.
Author: James Hogg Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 490
Book Description
"Hogg left a written record of three of his many journeys to the Highlands, those of 1802, 1803 and 1804, and in Highland Journeys he offers a thoughtful and deeply-felt response to the Highland Clearances. He gives vivid pictures of his experiences, including a narrow escape from a Navy press-gang, and a Sacrament day with one minister preaching in English and another in Gaelic. Hogg also explains aspects of Gaelic culture such as the waulking songs, and he describes the trade in kelp, lucrative to the landowners but back-breaking and ill-paid for the workers. Highland Journeys makes a refreshing contribution to our understanding of early nineteenth-century travel writing"--Publisher description.
Author: William Jessup Cleaver Publisher: Franklin Classics Trade Press ISBN: 9780353290846 Category : History Languages : en Pages : 358
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: James Hogg
Author: James Hogg
Author: James Hogg
Author: Ian Duncan
Author: James Hogg
Author: James Hogg
Author: James Hogg
Author: James Hogg
Author: Robert Chambers
Author: William Jessup Cleaver
Author: John Smith (of Edinburgh.)