Author: Juliet McMaster
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228015529
Category : Art
Languages : en
Pages : 260
Book Description
Though his father had faced bankruptcy, James Clarke Hook (1819–1907) nevertheless managed to paint himself into country-gentlemanhood, becoming famous for his landscapes of British coastal scenes and his ability to evoke not just the sights but also the sounds and even the smell of the sea. James Clarke Hook, Juliet McMaster’s lively biography of the brilliant but underappreciated Victorian painter, brings the reader through Hook’s rigorous training at the Royal Academy Schools, his travelling studentship in Florence and Venice, and his work as a historical painter, to the discovery of his métier as a painter of contemporary rural and coastal scenes. Part of the secret of Hook’s success was his resolution to paint the final large canvas of his seascapes onsite, braving wind and weather – for which he invented an easel that was adaptable to uneven terrain. McMaster’s research led her to retrace the painter’s footsteps to the rocky headlands and sheltered bays where, over a hundred years ago, Hook had set up his easel to capture the tang of sea. McMaster connects Hook, an academician for half a century, with the major figures and movements of Victorian art – including the Pre-Raphaelites John Everett Millais and Holman Hunt, the etcher Samuel Palmer, and the painter and sculptor G.F. Watts. James Clarke Hook worked alongside the fishermen and rural families who populate and enliven his canvases; this book reinvigorates our understanding of his artistic process and unique sense of place.
James Clarke Hook
Author: Juliet McMaster
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228015529
Category : Art
Languages : en
Pages : 260
Book Description
Though his father had faced bankruptcy, James Clarke Hook (1819–1907) nevertheless managed to paint himself into country-gentlemanhood, becoming famous for his landscapes of British coastal scenes and his ability to evoke not just the sights but also the sounds and even the smell of the sea. James Clarke Hook, Juliet McMaster’s lively biography of the brilliant but underappreciated Victorian painter, brings the reader through Hook’s rigorous training at the Royal Academy Schools, his travelling studentship in Florence and Venice, and his work as a historical painter, to the discovery of his métier as a painter of contemporary rural and coastal scenes. Part of the secret of Hook’s success was his resolution to paint the final large canvas of his seascapes onsite, braving wind and weather – for which he invented an easel that was adaptable to uneven terrain. McMaster’s research led her to retrace the painter’s footsteps to the rocky headlands and sheltered bays where, over a hundred years ago, Hook had set up his easel to capture the tang of sea. McMaster connects Hook, an academician for half a century, with the major figures and movements of Victorian art – including the Pre-Raphaelites John Everett Millais and Holman Hunt, the etcher Samuel Palmer, and the painter and sculptor G.F. Watts. James Clarke Hook worked alongside the fishermen and rural families who populate and enliven his canvases; this book reinvigorates our understanding of his artistic process and unique sense of place.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228015529
Category : Art
Languages : en
Pages : 260
Book Description
Though his father had faced bankruptcy, James Clarke Hook (1819–1907) nevertheless managed to paint himself into country-gentlemanhood, becoming famous for his landscapes of British coastal scenes and his ability to evoke not just the sights but also the sounds and even the smell of the sea. James Clarke Hook, Juliet McMaster’s lively biography of the brilliant but underappreciated Victorian painter, brings the reader through Hook’s rigorous training at the Royal Academy Schools, his travelling studentship in Florence and Venice, and his work as a historical painter, to the discovery of his métier as a painter of contemporary rural and coastal scenes. Part of the secret of Hook’s success was his resolution to paint the final large canvas of his seascapes onsite, braving wind and weather – for which he invented an easel that was adaptable to uneven terrain. McMaster’s research led her to retrace the painter’s footsteps to the rocky headlands and sheltered bays where, over a hundred years ago, Hook had set up his easel to capture the tang of sea. McMaster connects Hook, an academician for half a century, with the major figures and movements of Victorian art – including the Pre-Raphaelites John Everett Millais and Holman Hunt, the etcher Samuel Palmer, and the painter and sculptor G.F. Watts. James Clarke Hook worked alongside the fishermen and rural families who populate and enliven his canvases; this book reinvigorates our understanding of his artistic process and unique sense of place.
James Clarke Hook, R.A.
Author: Frederic George STEPHENS
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Book Description
Woman Behind the Painter
Author: Rosalie Hook
Publisher: University of Alberta
ISBN: 9780888644374
Category : Art
Languages : en
Pages : 360
Book Description
"Rosalie Hook's diaries of her doings at home and abroad with her painter husband provide a fascinating window on the Victorian art world. James Clarke Hook, a brilliant and successful painter whose "Hookscapes" uniquely acquainted the British public with the beauties of their shores, first took his young bride to Italy on a traveling studentship awarded by the Royal Academy; and Rosalie eagerly records her response to the art treasures around her, to the ceremonies surrounding the Pope at Easter, to Vesuvius in eruption, and then to the political upheavals of the Risorgimento. Her Italy Diary vividly documents a sympathetic English response to the volatile southern culture. The son of a bankrupt, James Clarke Hook (1819-1907) managed, at a time of unprecedented prestige for the artist, to paint himself into country-gentlemanhood.
Publisher: University of Alberta
ISBN: 9780888644374
Category : Art
Languages : en
Pages : 360
Book Description
"Rosalie Hook's diaries of her doings at home and abroad with her painter husband provide a fascinating window on the Victorian art world. James Clarke Hook, a brilliant and successful painter whose "Hookscapes" uniquely acquainted the British public with the beauties of their shores, first took his young bride to Italy on a traveling studentship awarded by the Royal Academy; and Rosalie eagerly records her response to the art treasures around her, to the ceremonies surrounding the Pope at Easter, to Vesuvius in eruption, and then to the political upheavals of the Risorgimento. Her Italy Diary vividly documents a sympathetic English response to the volatile southern culture. The son of a bankrupt, James Clarke Hook (1819-1907) managed, at a time of unprecedented prestige for the artist, to paint himself into country-gentlemanhood.
Artists of the Nineteenth Century and Their Works
Author: Clara Erskine Clement Waters
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 532
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 532
Book Description
Life Writing
Author: Meg Jensen
Publisher: Cambridge Scholars Publishing
ISBN: 1443808601
Category : Biography & Autobiography
Languages : en
Pages : 280
Book Description
In our age, self-publishing, self-broadcasting, and telling stories about our own lives and the lives of others are all-pervasive. This is also the age of the witness, the age of testimony in which first-hand accounts, personal experience, life change and evolution are valued, for good or ill, over distanced reflection. What are we to make of all this telling of lives? The essays collected in Life Writing: The Spirit of the Age and the State of the Art from writers and academics associated with the Centre for Life Narrative Studies at Kingston University in London, begin to address this very question, and in doing so demonstrate the fluidity and diversity of life writing itself. The remit of the Centre for Life Narratives is to rise to the challenge poised to writers, teachers and researchers alike by this very fluidity and diversity in our discipline and is exemplified here with contributions from academics, curators, editors and biographers, including Neal Ascherson,Victoria Glendinning, Professor Kathryn Hughes, Hanif Kureishi, Blake Morrison, and Lawrence Goldman, editor of the Oxford Dictionary of National Biography. This collection of essays from CLN offers the reader our founding contribution to the debates that surround this era-defining genre and as such presents both the state of the art and the spirit of our age.
Publisher: Cambridge Scholars Publishing
ISBN: 1443808601
Category : Biography & Autobiography
Languages : en
Pages : 280
Book Description
In our age, self-publishing, self-broadcasting, and telling stories about our own lives and the lives of others are all-pervasive. This is also the age of the witness, the age of testimony in which first-hand accounts, personal experience, life change and evolution are valued, for good or ill, over distanced reflection. What are we to make of all this telling of lives? The essays collected in Life Writing: The Spirit of the Age and the State of the Art from writers and academics associated with the Centre for Life Narrative Studies at Kingston University in London, begin to address this very question, and in doing so demonstrate the fluidity and diversity of life writing itself. The remit of the Centre for Life Narratives is to rise to the challenge poised to writers, teachers and researchers alike by this very fluidity and diversity in our discipline and is exemplified here with contributions from academics, curators, editors and biographers, including Neal Ascherson,Victoria Glendinning, Professor Kathryn Hughes, Hanif Kureishi, Blake Morrison, and Lawrence Goldman, editor of the Oxford Dictionary of National Biography. This collection of essays from CLN offers the reader our founding contribution to the debates that surround this era-defining genre and as such presents both the state of the art and the spirit of our age.
Negotiating Masculinities and Modernity in the Maritime World, 1815–1940
Author: Karen Downing
Publisher: Springer Nature
ISBN: 3030779467
Category : History
Languages : en
Pages : 318
Book Description
This book explores ideas of masculinity in the maritime world in the nineteenth and the first half of the twentieth century. During this time commerce, politics and technology supported male privilege, while simultaneously creating the polite, consumerist and sedentary lifestyles that were perceived as damaging the minds and bodies of men. This volume explores this paradox through the figure of the sailor, a working-class man whose representation fulfilled numerous political and social ends in this period. It begins with the enduring image of romantic, heroic veterans of the Napeolonic wars, takes the reader through the challenges to masculinities created by encounters with other races and ethnicities, and with technological change, shifting geopolitical and cultural contexts, and ends with the fragile portrayal of masculinity in the imagined Nelson. In doing so, this edited collection shows that maritime masculinities (ideals, representations and the seamen themselves) were highly visible and volatile sites for negotiating the tensions of masculinities with civilisation, race, technology, patriotism, citizenship, and respectability during the long nineteenth century.
Publisher: Springer Nature
ISBN: 3030779467
Category : History
Languages : en
Pages : 318
Book Description
This book explores ideas of masculinity in the maritime world in the nineteenth and the first half of the twentieth century. During this time commerce, politics and technology supported male privilege, while simultaneously creating the polite, consumerist and sedentary lifestyles that were perceived as damaging the minds and bodies of men. This volume explores this paradox through the figure of the sailor, a working-class man whose representation fulfilled numerous political and social ends in this period. It begins with the enduring image of romantic, heroic veterans of the Napeolonic wars, takes the reader through the challenges to masculinities created by encounters with other races and ethnicities, and with technological change, shifting geopolitical and cultural contexts, and ends with the fragile portrayal of masculinity in the imagined Nelson. In doing so, this edited collection shows that maritime masculinities (ideals, representations and the seamen themselves) were highly visible and volatile sites for negotiating the tensions of masculinities with civilisation, race, technology, patriotism, citizenship, and respectability during the long nineteenth century.
The History of Modern Painting
Author: Richard Muther
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 476
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 476
Book Description
T&T Clark Companion to Methodism
Author: Charles Yrigoyen Jr
Publisher: A&C Black
ISBN: 0567290778
Category : Religion
Languages : en
Pages : 616
Book Description
The first volume in the T&T Clark Companions series, this volume is a handbook on Methodism containing an introduction, dictionary of key terms, and concentrates on key themes, methodology and research problems for those interested in studying the origins and development of the history and theology of world Methodism. The literature describing the history and development of Methodism has been growing as scholars and general readers have become aware of its importance as a world church with approximately 40 million members in 300 Methodist denominations in 140 nations. The tercentenary celebrations of the births of its founders, John and Charles Wesley, in 2003 and 2007 provided an additional focus on the evolution of the movement which became a church. This book researches questions, problems, and resources for further study.
Publisher: A&C Black
ISBN: 0567290778
Category : Religion
Languages : en
Pages : 616
Book Description
The first volume in the T&T Clark Companions series, this volume is a handbook on Methodism containing an introduction, dictionary of key terms, and concentrates on key themes, methodology and research problems for those interested in studying the origins and development of the history and theology of world Methodism. The literature describing the history and development of Methodism has been growing as scholars and general readers have become aware of its importance as a world church with approximately 40 million members in 300 Methodist denominations in 140 nations. The tercentenary celebrations of the births of its founders, John and Charles Wesley, in 2003 and 2007 provided an additional focus on the evolution of the movement which became a church. This book researches questions, problems, and resources for further study.
The Art Journal
Samuel Palmer Revisited
Author: Simon Shaw-Miller
Publisher: Routledge
ISBN: 1351550152
Category : Art
Languages : en
Pages : 184
Book Description
Varied and deliberately diverse, this group of essays provides a reassessment of the life and work of the popular nineteenth-century artist Samuel Palmer. While scholarly publications have been published recently which reassess Palmer's achievement, those works primarily consider the artist in isolation. This volume examines his work in relation to a wider art world and analyses areas of his life and output that have until now received little attention, reinstating the study of Palmer's work within broader debates about landscape and cultural history. In Samuel Palmer Revisited, the contributors provide a fresh perspective on Palmer's work, its context and its influence.
Publisher: Routledge
ISBN: 1351550152
Category : Art
Languages : en
Pages : 184
Book Description
Varied and deliberately diverse, this group of essays provides a reassessment of the life and work of the popular nineteenth-century artist Samuel Palmer. While scholarly publications have been published recently which reassess Palmer's achievement, those works primarily consider the artist in isolation. This volume examines his work in relation to a wider art world and analyses areas of his life and output that have until now received little attention, reinstating the study of Palmer's work within broader debates about landscape and cultural history. In Samuel Palmer Revisited, the contributors provide a fresh perspective on Palmer's work, its context and its influence.