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Author: Franklin Rosemont Publisher: Charles Kerr ISBN: Category : Art Languages : en Pages : 408
Book Description
The decade that gave the world Krazy Kat, Rube Goldberg, and Buster Keaton also marked the emergence of Jacques Vache. A bold jaywalker at the crossroads of history, and an ardent exemplar of freedom and revolt, Vache challenged all prevailing values, from church and state to white supremacy, and was especially gifted at the fine art of ridiculing the dominant ethics and aesthetics of the emerging age of imperialism. Conscripted into the French Army in World War One, he soon became not only the unsurpassed champion of "Desertion from Within," but also the master of "Disservice with Diligence." His post-humous slim book, "War Letters" (1919)--included in the present volume--is a classic of surrealiste anti-militarism and subversion. Renowned as the Inventor of Umour (Humour without the H), Vache was--along with Isidore Ducasse, Comte de Lautramont--the major inspirer of Andre Breton and the surrealist revolution. The first of its kind in English, this book chronicles Vaches boundless originality, creative nonconformity, revolutionary morality (or umoral-ity), and his all-out turn-the-world-upside-down hilarity.
Author: Franklin Rosemont Publisher: Charles Kerr ISBN: Category : Art Languages : en Pages : 408
Book Description
The decade that gave the world Krazy Kat, Rube Goldberg, and Buster Keaton also marked the emergence of Jacques Vache. A bold jaywalker at the crossroads of history, and an ardent exemplar of freedom and revolt, Vache challenged all prevailing values, from church and state to white supremacy, and was especially gifted at the fine art of ridiculing the dominant ethics and aesthetics of the emerging age of imperialism. Conscripted into the French Army in World War One, he soon became not only the unsurpassed champion of "Desertion from Within," but also the master of "Disservice with Diligence." His post-humous slim book, "War Letters" (1919)--included in the present volume--is a classic of surrealiste anti-militarism and subversion. Renowned as the Inventor of Umour (Humour without the H), Vache was--along with Isidore Ducasse, Comte de Lautramont--the major inspirer of Andre Breton and the surrealist revolution. The first of its kind in English, this book chronicles Vaches boundless originality, creative nonconformity, revolutionary morality (or umoral-ity), and his all-out turn-the-world-upside-down hilarity.
Author: Franklin Rosemont Publisher: University of Texas Press ISBN: 0292719973 Category : Literary Collections Languages : en Pages : 416
Book Description
This collection documents the extensive participation of people of African descent in the international surrealist movement over the past 75 years.
Author: Abigail Susik Publisher: ISBN: 9781526169501 Category : Languages : en Pages : 0
Book Description
Surrealist sabotage and the war on work is an art historical study devoted to international surrealism's critique of wage labour between 1920 and 1980. Topics such as automatism, artworks across media, radical publications and social interventions are examined in relation to the movement's ongoing demand for non-alienated work.
Author: David Hopkins Publisher: John Wiley & Sons ISBN: 1119238226 Category : Art Languages : en Pages : 500
Book Description
This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender. This book provides an excellent overview of new research on Dada and Surrealism from some of the finest established and up-and-coming scholars in the field Offers historical coverage as well as in–depth discussion of thematic areas ranging from criminality to gender One of the first studies to produce global coverage of the two movements, it also includes a section dealing with the critical and cultural aftermath of Dada and Surrealism in the later twentieth century Dada and Surrealism are arguably the most popular areas of modern art, both in the academic and public spheres
Author: Kevin Jackson Publisher: Macmillan + ORM ISBN: 0374710333 Category : History Languages : en Pages : 419
Book Description
Ezra Pound referred to 1922 as Year One of a new era. It was the year that began with the publication of James Joyce's Ulysses and ended with the publication of T. S. Eliot's The Waste Land, two works that were arguably "the sun and moon" of modernist literature, some would say of modernity itself. In Constellation of Genius, Kevin Jackson puts the titanic achievements of Joyce and Eliot in the context of the world in which their works first appeared. As Jackson writes in his introduction, "On all sides, and in every field, there was a frenzy of innovation." It is in 1922 that Hitchcock directs his first feature; Kandinsky and Klee join the Bauhaus; the first AM radio station is launched; Walt Disney releases his first animated shorts; and Louis Armstrong takes a train from New Orleans to Chicago, heralding the age of modern jazz. On other fronts, Einstein wins the Nobel Prize in Physics, insulin is introduced to treat diabetes, and the tomb of Tutankhamun is discovered. As Jackson writes, the sky was "blazing with a ‘constellation of genius' of a kind that had never been known before, and has never since been rivaled." Constellation of Genius traces an unforgettable journey through the diaries of the actors, anthropologists, artists, dancers, designers, filmmakers, philosophers, playwrights, politicians, and scientists whose lives and works—over the course of twelve months—brought a seismic shift in the way we think, splitting the cultural world in two. Was this a matter of inevitability or of coincidence? That is for the reader of this romp, this hugely entertaining chronicle, to decide.
Author: Paul Hammond Publisher: City Lights Books ISBN: 9780872863767 Category : Art Languages : en Pages : 238
Book Description
The Shadow and Its Shadow is a classic collection of writings by the Surrealists on their mad love of moviegoing. The forty-odd theoretical, polemical, and poetical re-visions of the seventh art in this anthology document Surrealism's scandalous and nonreductive take on film. Writing between 1918 and 1977, the essayists include such names as Andréeacute; Breton, Louis Aragon, Robert Desnos, Salvador Dalíiacute;, Luis Buñntilde;uel, and man Ray, as well as many of the less famous though equally fascinating figures of the movement. Paul Hammond's introduction limns the history of Surrealist cinemania, highlighting how these revolutionary poets, artists, and philosophers sifted the silt of commercial-often Hollywood-cinema for the odd fleck of gold, the windfall movie that, somehow slipping past the censor, questioned the dominant order. Such prospecting pivoted around the notion of lyrical behavior-as depicted on the screen and as lived in the movie house. The representation of such behavior led the Surrealists to valorize the manifest content of such denigrated genres as silent and sound comedy, romantic melodrama, film noir, horror movies. As to lived experience, moviegoing Surrealists looked to the spectacle's latent meaning, reading films as the unwitting providers of redemptive sequences that could be mentally clipped out of their narrative context and inserted into daily life-there, to provoke new adventures. "Hammond's book is a reminder of the wealth and range of surrealist writings on the cinema. . . . [T]he work represented here is still challenging and genuinely eccentric, locating itself in an 'ethic' of love, reverie and revolt." --Sight & Sound "Hammond, who is the author of the invaluable anthology The Shadow and its Shadow: Surrealist Writing on the Cinema (1978), writes about cinema independently of the changing academic and cultural fashions of film theory and abhors the dogmas of contemporary border-patrol thought. His magnetically appealing free-wheeling form of erudite film-critical writing is recognisable for its iconoclastic humour, non-authoritarian verve and playful witty discursivity." --John Conomos, Senses of Cinema Paul Hammond is a writer, editor, and translator living in Barcelona. He is the author of Constellations of Miróoacute;, Breton which was published by City Lights.
Author: Abigail Susik Publisher: Manchester University Press ISBN: 1526155001 Category : Art Languages : en Pages : 351
Book Description
In Surrealist sabotage and the war on work, art historian Abigail Susik uncovers the expansive parameters of the international surrealist movement’s ongoing engagement with an aesthetics of sabotage between the 1920s and the 1970s, demonstrating how surrealists unceasingly sought to transform the work of art into a form of unmanageable anti-work. In four case studies devoted to surrealism’s transatlantic war on work, Susik analyses how artworks and texts by Man Ray, André Breton, Simone Breton, André Thirion, Óscar Domínguez, Konrad Klapheck, and the Chicago surrealists, among others, were pivotally impacted by the intransigent surrealist concepts of principled work refusal, permanent strike, and autonomous pleasure. Underscoring surrealism’s profound relevance for readers engaged in ongoing debates about gendered labour and the wage gap, endemic over-work and exploitation, and the vicissitudes of knowledge work and the gig economy, Surrealist sabotage and the war on work reveals that surrealism’s creative work refusal retains immense relevance in our wired world.
Author: David Hopkins Publisher: John Wiley & Sons ISBN: 1118476182 Category : Art Languages : en Pages : 496
Book Description
This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender. This book provides an excellent overview of new research on Dada and Surrealism from some of the finest established and up-and-coming scholars in the field Offers historical coverage as well as in–depth discussion of thematic areas ranging from criminality to gender One of the first studies to produce global coverage of the two movements, it also includes a section dealing with the critical and cultural aftermath of Dada and Surrealism in the later twentieth century Dada and Surrealism are arguably the most popular areas of modern art, both in the academic and public spheres
Author: Franklin Rosemont
Author: Franklin Rosemont
Author: Maurice Nadeau
Author: Franklin Rosemont
Author: Jacques Vaché
Author: Abigail Susik
Author: David Hopkins
Author: Kevin Jackson
Author: Paul Hammond
Author: Abigail Susik
Author: David Hopkins