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Author: Stefano Gattei Publisher: Princeton University Press ISBN: 069117489X Category : Biography & Autobiography Languages : en Pages : 440
Book Description
The first collection and translation into English of the earliest biographical accounts of Galileo’s life This unique critical edition presents key early biographical accounts of the life and work of Galileo Galilei (1564–1642), written by his close contemporaries. Collected and translated into English for the first time and supplemented by an introduction and incisive annotations by Stefano Gattei, these documents paint an incomparable firsthand picture of Galileo and offer rare insights into the construction of his public image and the complex intertwining of science, religion, and politics in seventeenth-century Italy. Here in its entirety is Vincenzo Viviani’s Historical Account, an extensive and influential biography of Galileo written in 1654 by his last and most devoted pupil. Viviani’s text is accompanied by his “Letter to Prince Leopoldo de’ Medici on the Application of Pendulum to Clocks” (1659), his 1674 description of Galileo’s later works, and the long inscriptions on the façade of Viviani’s Florentine palace (1702). The collection also includes the “Adulatio perniciosa,” a Latin poem written in 1620 by Cardinal Maffeo Barberini—who, as Pope Urban VIII, would become Galileo’s prosecutor—as well as descriptive accounts that emerged from the Roman court and contemporary European biographers. Featuring the original texts in Italian, Latin, and French with their English translations on facing pages, this invaluable book shows how Galileo’s pupils, friends, and critics shaped the Galileo myth for centuries to come, and brings together in one volume the primary sources needed to understand the legendary scientist in his time.
Author: Stefano Gattei Publisher: Princeton University Press ISBN: 069117489X Category : Biography & Autobiography Languages : en Pages : 440
Book Description
The first collection and translation into English of the earliest biographical accounts of Galileo’s life This unique critical edition presents key early biographical accounts of the life and work of Galileo Galilei (1564–1642), written by his close contemporaries. Collected and translated into English for the first time and supplemented by an introduction and incisive annotations by Stefano Gattei, these documents paint an incomparable firsthand picture of Galileo and offer rare insights into the construction of his public image and the complex intertwining of science, religion, and politics in seventeenth-century Italy. Here in its entirety is Vincenzo Viviani’s Historical Account, an extensive and influential biography of Galileo written in 1654 by his last and most devoted pupil. Viviani’s text is accompanied by his “Letter to Prince Leopoldo de’ Medici on the Application of Pendulum to Clocks” (1659), his 1674 description of Galileo’s later works, and the long inscriptions on the façade of Viviani’s Florentine palace (1702). The collection also includes the “Adulatio perniciosa,” a Latin poem written in 1620 by Cardinal Maffeo Barberini—who, as Pope Urban VIII, would become Galileo’s prosecutor—as well as descriptive accounts that emerged from the Roman court and contemporary European biographers. Featuring the original texts in Italian, Latin, and French with their English translations on facing pages, this invaluable book shows how Galileo’s pupils, friends, and critics shaped the Galileo myth for centuries to come, and brings together in one volume the primary sources needed to understand the legendary scientist in his time.
Author: Publisher: BRILL ISBN: 9004290222 Category : Language Arts & Disciplines Languages : en Pages : 434
Book Description
Specialist Markets in the Early Modern Book World, edited by Richard Kirwan and Sophie Mullins, investigates an underexplored yet important facet of early modern book production. Bringing together 19 detailed case studies, this volume considers and reconstructs the characteristics of specialist book production in the early modern period. In particular it explores the motives that led to specialisation ranging from the desire for profit on the part of risk-taking, entrepreneurial individuals or family firms to the more propagandist or missionising aims of corporate groups who subsidised production, often without regard for profit. The book also explores the economic and personal pressures and perils that accompanied specialist production, which was often a risk-laden enterprise that could end in financial and social ruin.
Author: Walter S. Melion Publisher: University of Chicago Press ISBN: 0226519597 Category : Art Languages : en Pages : 481
Book Description
A treatise on Dutch art on par with Vasari's critical history of Italian art, Karel van Mander's Schilder-Boeck (or Book on Picturing) has long been recognized for its critical and historical influence--and yet, until now, no comprehensive account of the book's conception, aims, and impact has been available. In this in-depth analysis of the content and context of Van Mander's work, Walter S. Melion reveals the Schilder-Boeck's central importance to an understanding of northern Renaissance and Baroque art. By interpreting the terminology employed in the Schilder-Boeck, Melion establishes the text's relationship to past and contemporary art theory. Van Mander is seen here developing his critical categories and then applying them to Ancient, Italian, and Netherlandish artists in order to mark changes within a culture and to characterize excellence for each region. Thus Melion demonstrates how Van Mander revised both the structure and critical language of Vasari's Lives to refute the Italian's claims for the superiority of the Tuscan style, and to clarify northern artistic traditions and the concerns of Netherlandish artists. A much needed corrective to the view that Dutch art of the period was lacking in theory, Melion's work offers a compelling account of a sixteenth- and seventeenth-century theoretical and critical perspective and shows how this perspective suggests a rereading of northern art.
Author: Publisher: BRILL ISBN: 9004437894 Category : Literary Collections Languages : en Pages : 503
Book Description
This volume explores early modern recreations of myths from Ovid’s immensely popular Metamorphoses, focusing on the creative ingenium of artists and writers and on the peculiarities of the various media that were applied. The contributors try to tease out what (pictorial) devices, perspectives, and interpretative markers were used that do not occur in the original text of the Metamorphoses, what aspects were brought to the fore or emphasized, and how these are to be explained. Expounding the whatabouts of these differences, the contributors discuss the underlying literary and artistic problems, challenges, principles and techniques, the requirements of the various literary and artistic media, and the role of the cultural, ideological, religious, and gendered contexts in which these recreations were produced. Contributors are: Noam Andrews, Claudia Cieri Via, Daniel Dornhofer, Leonie Drees-Drylie, Karl A.E. Enenkel, Daniel Fulco, Barbara Hryszko, Gerlinde Huber-Rebenich, Jan L. de Jong, Andrea Lozano-Vásquez, Sabine Lütkemeyer, Morgan J. Macey, Kerstin Maria Pahl, Susanne Scholz, Robert Seidel, and Patricia Zalamea.
Author: Benedetta Borello Publisher: Taylor & Francis ISBN: 1000992020 Category : History Languages : en Pages : 269
Book Description
This book takes a long-term approach, spanning from the end of the 16th to the 19th century, to explore how men and women in Italy, France, and Spain collected, displayed, and passed down various types of papers. The contributors share a core interest in the relationship between social actors and their paper heritage. The collectors, who come from diverse cultural, social, and gender backgrounds, provide insights into the reasons and processes behind the accumulation, valorisation, and transmission of their paper heritage. Unlike most studies on collecting, this book shifts the focus away from collections and institutions to the owners of the collected objects and their desires for their accumulated papers. This volume covers three centuries and provides insights into the aspirations of collectors and the fate of their papers after transmission. It takes place against the backdrop of major social, political, and cultural changes affecting the Italian peninsula, the Spanish monarchy, and France. The cultural interests and the collector networks often extended beyond Europe, as noted by many of the essays in this volume. Paper Heritage in Italy, France, Spain and Beyond (16th to 19th Centuries) will interest scholars and students of Early Modern and Modern European History across various fields, including social and cultural history, intellectual history, gender history, history of collecting and patronage.
Author: Pamela H. Smith Publisher: University of Chicago Press ISBN: 0226764265 Category : Art Languages : en Pages : 402
Book Description
Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a "new" philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans' objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.
Author: Stefano Gattei
Author: Stefano Gattei
Author: Michael Bryan
Author: 
Author: Michael Bryan
Author: Walter S. Melion
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Author: Benedetta Borello
Author: Pamela H. Smith
Author: Friedrich Lippmann
Author: Michael Bryan