Jackson City Directories PDF Download

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Category : Battle Creek (Mich.)
Languages : en
Pages : 922

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Category : Columbus (Ohio)
Languages : en
Pages : 2010

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Category : Hillsdale (Mich.)
Languages : en
Pages : 346

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Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
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Category : Copyright
Languages : en
Pages : 1216

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Author: Ennis Davis
Publisher: Arcadia Publishing
ISBN: 1614238251
Category : History
Languages : en
Pages : 169

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The city of Jacksonville has hundreds of buildings that have withstood the test of time. Yet these lasting landmarks tell only a portion of Jacksonville's history. Dozens of other buildings have been abandoned and left to wither, turning into shadows of their former grandeur. Each place has a rich and storied history that belies modern appearances, like the Annie Lytle Elementary School, now known as the most haunted landmark in the city, and the Jacksonville Brewing Company, which had to come up with a creative way to stay afloat (think ice cream) when Prohibition hit. Join local writers Ennis Davis and Robert Mann as they go behind the scenes of fourteen crumbling but ethereally beautiful structures to reveal their true pasts. Enhanced with stunning color photography, Reclaiming Jacksonville is a must-have for every resident of the River City.

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Category : American literature
Languages : en
Pages : 1136

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Category : Allegan County (Mich.)
Languages : en
Pages : 398

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Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866

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Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.

Author: Paul Ortiz
Publisher: Univ of California Press
ISBN: 9780520239463
Category : History
Languages : en
Pages : 502

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"Paul Ortiz's lyrical and closely argued study introduces us to unknown generations of freedom fighters for whom organizing democratically became in every sense a way of life. Ortiz changes the very ways we think of Southern history as he shows in marvelous detail how Black Floridians came together to defend themselves in the face of terror, to bury their dead, to challenge Jim Crow, to vote, and to dream."—David R. Roediger, author of Colored White: Transcending the Racial Past “Emancipation Betrayed is a remarkable piece of work, a tightly argued, meticulously researched examination of the first statewide movement by African Americans for civil rights, a movement which since has been effectively erased from our collective memory. The book poses a profound challenge to our understanding of the limits and possibilities of African American resistance in the early twentieth century. This analysis of how a politically and economically marginalized community nurtures the capacity for struggle speaks as much to our time as to 1919.”—Charles Payne, author of I’ve Got the Light of Freedom

Author: Library of Congress. Copyright Office
Publisher:
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Category : American literature
Languages : en
Pages : 1138

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