Author: Publisher:
ISBN:
Category : Art, English
Languages : en
Pages : 28
Book Description
IX Bienal de São Paulo
Author: The World Goes Pop
Author: Elsa CoustouPublisher: Yale University Press
ISBN: 0300216998
Category : Art
Languages : en
Pages : 267
Book Description
A global survey of Pop art that reassesses its roots, impact, and legacy This groundbreaking book surveys the concurrent engagements with the spirit of Pop throughout the world, from the frequently studied activity in the United States, England, and France to less well-known developments in Central and Eastern Europe, Latin America, Asia, Africa, and the Middle East. One of the first publications to examine Pop art with this global scope, The World Goes Pop explores the wide-ranging movements that developed on different continents, such as Nouveau Réalisme, Neo Dada, New Figuration, and Spiritual Pop. This unique presentation offers the opportunity to compare how Pop art around the world differed due to geography, local traditions, and different cultures' social and political underpinnings. Fascinating essays touch upon key themes that factored into various Pop movements, including feminism, political representation, sexual politics, and seriality. A bold design and 200 striking illustrations showcase pieces by more than 60 artists, many of whose works have never been exhibited outside their home nations. The book also features a combined interview with a number of the living artists featured within, giving important insight into the thoughts and processes of Pop's international practitioners.
Brazilian Art Under Dictatorship
Author: Claudia CalirmanPublisher: Duke University Press
ISBN: 0822351536
Category : Art
Languages : en
Pages : 247
Book Description
Non la biennale de Sao Paulo -- Antonio Manuel: experimental exercise of freedom? -- Artur Barrio: a visual aesthetics for the third world -- Cildo Meireles: an explosive art -- Conclusion: Opening the wounds : longing for closure.
Sâo Paulo 9
Author: William Chapin SeitzPublisher:
ISBN:
Category : Art, American
Languages : en
Pages : 200
Book Description
São Paulo 9, United States of America
Author: Bienal de São Paulo
Author: Fundação Bienal de São PauloPublisher:
ISBN:
Category : Art, Brazilian
Languages : pt-BR
Pages : 480
Book Description
Abstraction in Reverse
Author: Alexander AlberroPublisher: University of Chicago Press
ISBN: 022639395X
Category : Art
Languages : en
Pages : 320
Book Description
Introduction: spectatorship after abstract art -- Concrete art, and invention -- Time-objects -- Subjective instability -- The instituting subject -- Conclusion
Latin American Paintings and Drawings from the Collection of John and Barbara Duncan
Author: Center for Inter-American Relations. Art GalleryPublisher:
ISBN:
Category : Art, Latin American
Languages : en
Pages : 40
Book Description
The Great Migrator
Author: Hiroko IkegamiPublisher: MIT Press
ISBN: 0262014254
Category : Art
Languages : en
Pages : 292
Book Description
Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world---prefiguring the globalization of art before the era of globalization. --
David Lamelas
Author: María José HerreraPublisher: Getty Publications
ISBN: 1606065432
Category : Art
Languages : en
Pages : 266
Book Description
Published by the University Art Museum, California State University, Long Beach in association with Getty Publications The renowned Argentine conceptual artist David Lamelas (born 1946) has an expansive oeuvre of sensory, restive, and evocative work. This book, published to coincide with the first monographic exhibition of the artist’s work in the United States, offers an incisive look into Lamelas’s art. The guiding analytic theme is the artist’s adaptability to place and circumstance, which invariably influences his creative production. Lamelas left Argentina in the mid-1960s to study at Saint Martin’s in London. Since then, he has divided his time among various cities. While the typical narrative invoked about artists like Lamelas is one of “internationalism,” his nomadic movement from one place or conceptual framework to the next has always been more “postnational” than “international.”