Ives Studies PDF Download

Author: Philip Lambert
Publisher: Cambridge University Press
ISBN: 9780521582773
Category : Music
Languages : en
Pages : 332

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Book Description
A collection of essays on the life and music of American composer Charles Ives.

Author: David C Paul
Publisher: University of Illinois Press
ISBN: 0252094697
Category : Music
Languages : en
Pages : 315

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Book Description
American composer Charles Ives (1874–1954) has gone from being a virtual unknown to become one of the most respected and lauded composers in American music. In this sweeping survey of intellectual and musical history, David C. Paul tells the new story of how Ives's music was shaped by shifting conceptions of American identity within and outside of musical culture, charting the changes in the reception of Ives across the twentieth century and into the twenty-first century. Paul focuses on the critics, composers, performers, and scholars whose contributions were most influential in shaping the critical discourse on Ives, many of them marquee names of American musical culture themselves, including Henry Cowell, Aaron Copland, Elliott Carter, and Leonard Bernstein. Paul explores both how Ives positioned his music amid changing philosophical and aesthetic currents and how others interpreted his contributions to American music. Although Ives's initial efforts to find a public in the early twenties attracted a few devotees, the resurgence of interest in the American literary past during the thirties made a concert staple of his "Concord" Sonata, a work dedicated to nineteenth-century transcendentalist writers. Paul shows how Ives was subsequently deployed as an icon of American freedom during the early Cold War period and how he came to be instigated at the head of a line of "American maverick" composers. Paul also examines why a recent cadre of scholars has beset the composer with Gilded Age social anxieties. By embedding Ives' reception within the changing developments of a wide range of fields including intellectual history, American studies, literature, musicology, and American politics and society in general, Charles Ives in the Mirror: American Histories of an Iconic Composer greatly advances our understanding of Ives and his influence on nearly a century of American culture.

Author: John T. Hill
Publisher:
ISBN: 9781576879771
Category :
Languages : en
Pages : 312

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Book Description
This first comprehensive account of a mid-century master covers the multi-faceted career of a fine artist, graphic designer, teacher, and publisher. It reflects Norman Ives's timeless relevance in the visual arts. Constructions & Reconstructions is an overview of Norman Ives's multifaceted career. Ives was a gifted artist better known for his graphic design. His talents extended well beyond the field of design. Much of this seamless transi- tion came from Ives's mastery of form, common to both endeavors. Ives's paintings and collages are collected by major museums: The 1967 Whitney Annual exhibition of American painting, the Guggenheim Museum, Yale University Art Gallery and various others. Norman Ives holds a secure place in the history of American Mid-Century Modern canon as one of a band of artists using letterforms as art. Ives's design and art appeared to be outliers of the percolating type-as-art movement popularized by Robert Indiana's LOVE sculptures. Type-related art has since become ubiquitous in painting and sculpture, as well as other massive architectural "type works." Ives's work fits squarely into this genre having roots in the early 20th-century Modern movement. Ives's was part of a period representing a high point in the teachings of graphic design. This began with Josef Albers's restructuring of the Yale University Art School. Ives was both a student of Albers and his teaching colleague, then later, his publisher. Taking Albers's lead, this curriculum helped reformulate graphic design in its evolution from commercial art. Norman Ives was a member of AGI, along with fellow faculty members Herbert Matter, Armin Hofmann, Paul Rand, and Bradbury Thompson.) Ives's recognition in two major fields of the visual arts makes him worthy of being called master, in any period. In the history of art, there are many examples of works that rise to the level rightfully called timeless: Corinthian helmets, Heraldry, Greek sculpture, Kurt Schwitters's collages, and the work of Josef Albers. The book itself is a work of art, a comprehensive account of the spirit and genius of Norman Ives. It has been long in the making. After studying with Ives, the book's author John T. Hill then taught with Ives at Yale's School of Fine Arts. This book introduces unseen master works, showcasing the brilliant variety and vitality of the work. It fully delineates his stock in trade--letterforms--which became "his lyrical strokes, their construction and reconstruction defining his work."

Author: Charles Ives
Publisher: Univ of California Press
ISBN: 0520932285
Category : Music
Languages : en
Pages : 413

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Book Description
This authoritative volume of 453 letters written by and to composer Charles Ives (1874-1954) provides unparalleled insight into one of the most extraordinary and paradoxical careers in American music history. The most comprehensive collection of Ives's correspondence in print, this book opens a direct window on Ives's complex personality and his creative process. Though Ives spent much of his career out of the mainstream of professional music-making, he corresponded with a surprisingly large group of musicians and critics, including John J. Becker, Henry Bellamann, Leonard Bernstein, John Cage, Aaron Copland, Henry Cowell, Ingolf Dahl, Walter Damrosch, Lehman Engel, Clifton J. Furness, Lou Harrison, Bernard Herrmann, John Kirkpatrick, Serge Koussevitzky, John Lomax, Francesco Malipiero, Radiana Pazmor, Paul Rosenfeld, Carl Ruggles, E. Robert Schmitz, Nicolas Slonimsky, and Peter Yates.

Author: Kyle Gann
Publisher: University of Illinois Press
ISBN: 0252099362
Category : Music
Languages : en
Pages : 457

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Book Description
In 1921, insurance executive Charles Ives sent out copies of a piano sonata to two hundred strangers. Laden with dissonant chords, complex rhythm, and a seemingly chaotic structure, the so-called Concord Sonata confounded the recipients, as did the accompanying book, Essays before a Sonata . Kyle Gann merges exhaustive research with his own experience as a composer to reveal the Concord Sonata and the essays in full. Diffracting the twinned works into their essential aspects, Gann lays out the historical context that produced Ives's masterpiece and illuminates the arguments Ives himself explored in the Essays . Gann also provides a movement-by-movement analysis of the work's harmonic structure and compositional technique; connects the sonata to Ives works that share parts of its material; and compares the 1921 version of the Concord with its 1947 revision to reveal important aspects of Ives's creative process. A tour de force of critical, theoretical, and historical thought, Charles Ives's Concord provides nothing less than the first comprehensive consideration of a work at the heart of twentieth century American music.

Author: Gayle Sherwood Magee
Publisher: Routledge
ISBN: 1135847150
Category : Music
Languages : en
Pages : 442

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Book Description
This research guide provides detailed information on over one thousand publications and websites concerning the American composer Charles Ives. With informative annotations and nearly two hundred new entries, this greatly expanded, updated, and revised guide offers a key survey of the field for interested readers and experienced researchers alike.

Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 972

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Book Description

Author: James Peter Burkholder
Publisher: Princeton University Press
ISBN: 9780691011639
Category : Music
Languages : en
Pages : 470

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Book Description
This volume shows Charles Ives in the context of his world in a number of revealing ways. Five new essays examine Ives's relationships to European music and to American music, politics, business, and landscape. J. Peter Burkholder shows Ives as a composer well versed in four distinctive musical traditions who blended them in his mature music. Leon Botstein explores the paradox of how, in the works of Ives and Mahler, musical modernism emerges from profoundly antimodern sensibilities. David Michael Hertz reveals unsuspected parallels between one of Ives's most famous pieces, the Concord Piano Sonata, and the piano sonatas of Liszt and Scriabin. Michael Broyles sheds new light on Ives's political orientation and on his career in the insurance business, and Mark Tucker shows the importance for Ives of his vacations in the Adirondacks and the representation of that landscape in his music. The remainder of the book presents documents that illuminate Ives's personal life. A selection of some sixty letters to and from Ives and his family, edited and annotated by Tom C. Owens, is the first substantial collection of Ives correspondence to be published. Two sections of reviews and longer profiles published during his lifetime highlight the important stages in the reception of Ives's music, from his early works through the premieres of his most important compositions to his elevation as an almost mythic figure with a reputation among some critics as America's greatest composer.

Author: Gayle Sherwood Magee
Publisher: University of Illinois Press
ISBN: 0252033264
Category : Biography & Autobiography
Languages : en
Pages : 258

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Book Description
An engaging new portrait of the seminal American composer

Author: Peter Ives
Publisher: Lexington Books
ISBN: 0739147854
Category : Philosophy
Languages : en
Pages : 340

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Book Description
This anthology brings together key articles translated into English for the first time from Italian debates concerning Antonio Gramsci's writings on language and translation as central to his entire social and political thought. It includes recent scholarship by Italian, German and English-speaking scholars providing important contributions to debates concerning culture, language, Marxism, post-Marxism, and identity as well as the many fields in which Gramsci's notion of hegemony has been influential. Given the growing literature on the role of language and so-called 'global English' within process of globalisation or cultural and economic imperialism, this is a timely collection. Franco Lo Piparo is often cited as the key source for how Gramsci's university studies in linguistics is at the core of his entire political theory, and yet none of this work has been translated into English nor have the debates that it spawned. Lo Piparo's specific thesis concerning the 'non-Marxist roots' of Gramsci's originality and the critical responses to it have been almost unknown to non-Italian readers. These debates paved the way for important recent Italian work on the role of the concept of 'translation' in Gramsci's thought. While translation has become a staple metaphor in discussions of multiculturalism, globalization, and the politics of recognition, until now, Gramsci's focus on it has been undeveloped. What is at stake in this literature is more than Gramsci's understanding of language as one of the many themes in his writings, but the core of his central ideas including hegemony, culture, the philosophy of praxis, and Marxism in general. This volume presents the most important arguments of these debates in English in conjunction with the latest research on these central aspects of Gramsci's thought. The essays this volume rectify lacunae concerning language and translation in Gramsci's writings. They open dialogue and connections between Gramscian approaches to the relationships among language, culture, political economy, and historical materialism with other Marxist and non-Marxist thinkers such as Walter Benjamin, Valentin Volosinov, Mikhail Bakhtin, Ludwig Wittgenstein, Jurgen Habermas, Pierre Bourdieu, Michel Foucault, and Jacques Derrida. It provides novel arguments concerning Gramsci's theories and the relationships among power, politics, language, consciousness, and capitalism.