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Author: Melania G. Mazzucco Publisher: Farrar, Straus and Giroux ISBN: 0374709904 Category : Fiction Languages : en Pages : 385
Book Description
A moving but unsentimental examination of one woman's life as she navigates life after war It's Christmas Eve and twenty-seven-year-old Manuela Paris is returning home to a seaside town outside Rome. Years ago, she left to become a soldier. Then, Manuela was fleeing an unhappy, rebellious adolescence; with anger, determination, and sacrifice she painstakingly built the life she dreamed of as a platoon commander in the Afghan desert. Now, she's fleeing something else entirely: the memory of a bloody attack that left her seriously injured. Her wounds have plunged her into in a very different and no less insidious war: against flashbacks, disillusionment, pain, and victimhood. Numb and adrift, she is startled to life by an encounter with a mysterious stranger, a man without a past who is, like her, suspended in his own private limbo of expectation and hope. Their relationship—confusing, invigorating—forces her to confront her past and the secrets she, and those closest to her, are hiding. In chapters that toggle between Manuela at home, grappling with her new life, and Manuela in Afghanistan, coming to terms with her role as a leader of fighting men and a peacemaker in a country that doesn't seem to want her help, Melania G. Mazzucco limns a story of love and loss, death and resistance in terms both surprising and cathartic. Limbo asks its readers, no less than its protagonist, what it means to be a daughter, a sister, a woman, a citizen, a soldier—or, more simply, a human.
Author: Melania G. Mazzucco Publisher: Farrar, Straus and Giroux ISBN: 0374709904 Category : Fiction Languages : en Pages : 385
Book Description
A moving but unsentimental examination of one woman's life as she navigates life after war It's Christmas Eve and twenty-seven-year-old Manuela Paris is returning home to a seaside town outside Rome. Years ago, she left to become a soldier. Then, Manuela was fleeing an unhappy, rebellious adolescence; with anger, determination, and sacrifice she painstakingly built the life she dreamed of as a platoon commander in the Afghan desert. Now, she's fleeing something else entirely: the memory of a bloody attack that left her seriously injured. Her wounds have plunged her into in a very different and no less insidious war: against flashbacks, disillusionment, pain, and victimhood. Numb and adrift, she is startled to life by an encounter with a mysterious stranger, a man without a past who is, like her, suspended in his own private limbo of expectation and hope. Their relationship—confusing, invigorating—forces her to confront her past and the secrets she, and those closest to her, are hiding. In chapters that toggle between Manuela at home, grappling with her new life, and Manuela in Afghanistan, coming to terms with her role as a leader of fighting men and a peacemaker in a country that doesn't seem to want her help, Melania G. Mazzucco limns a story of love and loss, death and resistance in terms both surprising and cathartic. Limbo asks its readers, no less than its protagonist, what it means to be a daughter, a sister, a woman, a citizen, a soldier—or, more simply, a human.
Author: Elena Ferrante Publisher: Text Publishing ISBN: 1922253278 Category : Fiction Languages : en Pages : 473
Book Description
The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
Author: Benjamin Gust Publisher: Springer Nature ISBN: 3658299991 Category : Business & Economics Languages : en Pages : 178
Book Description
Public Relations is fundamentally concerned with communication –– but social networking sites such as Facebook have influenced the way people communicate with one another and interpret text-based communication online. PR people who have grown up using traditional media often struggle with the new, digital world and its unfamiliar techniques and language. An increasing number of users, on the other hand, expect a different form of organisational communication. Benjamin Gust presents the new theory of user-oriented appropriateness, which is helping to communicate well in this new world of digital communication via social media.
Author: Laura E. Richards Publisher: BoD - Books on Demand ISBN: Category : Fiction Languages : en Pages : 96
Book Description
" Immerse yourself in a captivating coming-of-age story filled with love, determination, and personal growth in "Rita" by Laura E. Richards, where a young protagonist navigates the complexities of life, discovers her true passions, and finds her place in the world. In "Rita," readers will follow the journey of a spirited and ambitious young girl named Rita as she embarks on a path of self-discovery. Laura E. Richards' storytelling captures the essence of Rita's experiences, offering a heartfelt narrative that explores the depths of her emotions and aspirations. Join Rita as she encounters life's triumphs and tribulations, confronts societal expectations, and embraces her unique talents and passions. Through her challenges and victories, readers will witness Rita's personal growth, determination, and unwavering spirit. Within the pages of this book, readers will witness the vibrant world of Rita, filled with vividly portrayed characters, poignant moments, and themes of love, identity, and the pursuit of dreams. From her intimate relationships to her personal achievements, Rita's story will resonate with readers as they reflect on their own journeys of self-discovery. Join Rita on her extraordinary path of personal growth and self-realization, where love, determination, and authenticity pave the way to a fulfilled and meaningful life in the touching tale of "Rita.""
Author: Enrique Anderson-Imbert Publisher: University of Texas Press ISBN: 0292753217 Category : Fiction Languages : en Pages : 201
Book Description
Argentinian scholar and writer Enrique Anderson-Imbert is familiar to many North American students for his La Literatura de América Latina I and II, which are widely used in college Spanish courses. But Anderson-Imbert is also a noted creative writer, whose use of "magical realism" helped pave the way for such writers as Borges, Cortázar, Sábato, and Ocampo. In this anthology, Carleton Vail and Pamela Edwards-Mondragón have chosen stories from the period 1965 to 1985 to introduce English-speaking readers to the creative work of Enrique Anderson-Imbert. Representative stories from the collections The Cheshire Cat, The Swindler Retires, Madness Plays at Chess, Klein's Bottle, Two Women and One Julián, and The Size of the Witches illustrate Anderson-Imbert's unique style and world view. Many are "short short" stories, which Anderson-Imbert calls casos (instances). The range of subjects and points of view varies widely, challenging such "realities" as time and space, right and wrong, science and religion. In a prologue, Anderson-Imbert tells an imaginary reader, "Each one of my stories is a closed entity, brief because it has caught a single spasm of life in a single leap of fantasy. Only a reading of all my stories will reveal my world-view." The reader asks, "And are you sure that it is worth the trouble?" Anderson-Imbert replies, "No." The unexpected, ironic ending is one of the great pleasures of reading Enrique Anderson-Imbert.
Author: Robert G. Morris Publisher: Xlibris Corporation ISBN: 1456823272 Category : Fiction Languages : en Pages : 135
Book Description
Retired foreign officer John Pauley, on a freighter headed for South America, encounters a ship that has been seized by pirates, and watches them change its name to Flying Dutchman. The Russian navy captures the pirates, but the ship suffers a second takeover. Crack journalist Manuela Alvarez and John locate the ship with its captive crew, many of whom are sick. Manuela learns the ships destination but must weigh writing a great story against endangering the crew, whether she should sacrifice her story for their sake, just as a womans sacrifice released the legendary Dutchman from sailing forever. Robert G. Morris is from Des Moines and has a Ph.D. degree in physics from Iowa State University. After teaching and doing research, he joined the U.S. foreign service in 1974 and worked on nuclear nonproliferation, science cooperation and environmental protection issues in Washington, Paris, Bonn , Buenos Aires and Madrid. He retired in 1992 and lives with his wife in Oregon.
Author: Rebecca Pawel Publisher: Soho Press ISBN: 1569473447 Category : Fiction Languages : en Pages : 226
Book Description
Madrid 1939. Carlos Tejada Alonso y León is a Sergeant in the Guardia Civil, a rank rare for a man not yet thirty, but Tejada is an unusual recruit. The bitter civil war between the Nationalists and the Republicans has interrupted his legal studies in Salamanca. Second son of a conservative Southern family of landowners, he is an enthusiast for the Catholic Franquista cause, a dedicated, and now triumphant, Nationalist. This war has drawn international attention. In a dress rehearsal for World War II, fascists support the Nationalists, while communists have come to the aid of the Republicans. Atrocities have devastated both sides. It is at this moment, when the Republicans have surrendered, and the Guardia Civil has begun to impose order in the ruins of Madrid, that Tejada finds the body of his best friend, a hero of the siege of Toledo, shot to death on a street named Amor de Dios. Naturally, a Red is suspected. And it is easy for Tejada to assume that the woman caught kneeling over the body is the killer. But when his doubts are aroused, he cannot help seeking justice.
Author: Melania G. Mazzucco
Author: Melania G. Mazzucco
Author: James Phillip McAuley
Author: Elena Ferrante
Author: Benjamin Gust
Author: Laura E. Richards
Author: 
Author: Enrique Anderson-Imbert
Author: Robert G. Morris
Author: Gregorio Martínez Sierra
Author: Rebecca Pawel