Author: Else Mathilde Saleski
Publisher:
ISBN:
Category :
Languages : en
Pages : 608

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Book Description

Author: Else Mathilde Saleski
Publisher:
ISBN:
Category :
Languages : en
Pages : 558

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Book Description

Author: Vernon Lee
Publisher:
ISBN: 9781331922674
Category : Literary Collections
Languages : en
Pages : 314

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Book Description
Excerpt from Studies of the Eighteenth Century in Italy This book is at first sight heterogeneous and anomalous: heterogeneous, because it treats two subjects which are rarely treated by one individual, and never treated under one binding, literature and music; anomalous, because it is far from dealing with all that goes to make up the Italian Eighteenth Century, while it deals with not a few men and things belonging to the sixteenth and seventeenth centuries. Why not deal exclusively and completely with either music or literature? Why not study the satirist Parini by the side of the playwright Goldoni, rather than study the composer Jommelli, who seems to have no connection with him? Why examine the comedies of the time of Salvator Rosa and pass over the tragedies of Alfieri? Why linger over forgotten composers and singers while scientific and philosophic writers, whose works are still read and discussed, remain unmentioned? The book is seemingly most incoherent in subject, and most incomplete and digressive in treatment. But the apparent incoherence of subject is in reality unity of treatment; and the apparent incompleteness and irrelevance of treatment is in reality completeness and restriction of the subject. The book deals both with literature and with music, because the point of view of the writer is neither exclusively literary nor exclusively musical, but generally aesthetic; because the object of the writer has been to study not the special nature and history of any art in its isolation, but to study the constitution and evolution of the various arts compared with one another; and the arts whose constitution and evolution can be studied in a work on the Italian Eighteenth Century happen to be the drama and music, just as the arts which might be studied in a work on the Athenian fifth century B.C. would be the drama and sculpture. The writer of this book is neither a literary historian nor a musical critic, but an aesthetician; and both literature and music belong to the aesthetician's domain. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."

Author: Violet Paget
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Martha Feldman
Publisher: University of Chicago Press
ISBN: 0226044548
Category : Music
Languages : en
Pages : 574

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Book Description
Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.

Author: Spencer M Di Scala
Publisher: Westview Press
ISBN: 9780813341774
Category : History
Languages : en
Pages : 0

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Book Description
Italy: From Revolution to Republic, 1700 to the Present 3/e fills a serious gap in the field by synthesizing modern Italian history and placing it in a fully European context. In this new edition, Spencer Di Scala considers significant developments since the book's initial publication. Because the "Second Republic" has completed its first decade, it is now possible to assess the results of the "Bribesville" scandal, the reforms that followed it, the performance of the center-right government of Silvio Berlusconi, and the fate of the Left. Di Scala analyzes the successor organizations of the once-powerful Italian Communist Party and the Christian Democrats and considers their prospects. He also reexamines whether Italy's financial policies, designed to bring the country into the first tier of nations by fulfilling the Maastrict conditions for a single EU currency have been successful and whether, in light of the Albanian situation, Italy is moving toward an active foreign policy more in keeping with its economic clout as one of the world's largest producers. Presenting the history of modern Italy from the eighteenth century to the present, this book begins with a brief introduction to the legacy of the Renaissance and the seventeenth century. Di Scala also critically reexamines certain traditional historical interpretations and assumptions. The "European context" ranges from the Enlightenment to unity, to liberalism, to the South, to Fascism, and to the Republic. This new edition includes expanded examinations of contemporary Italy's economic, social, and cultural development while providing a picture of how ordinary Italians live. It emphasizes globalization, the country's transformation from a land of emigration to one of immigration, and the country's growing cultural importance in the contemporary era. Di Scala discusses the role of women and gives ample attention to the Italian South, not only in terms of the "problems" of that region but also in terms of its active participation in the historical and cultural life of the nation. Also new to this edition are biographical sketches in every chapter.Cast in a clear and lively style that will appeal to students, Italy: From Revolution to Republic makes a strong addition to the field by incorporating the most recent scholarly contributions in its analysis. The book includes a detailed, completely updated bibliographical essay that is designed to guide undergraduate and graduate students to further reading and research on the various topics under consideration.

Author: Chris R. Kyle
Publisher:
ISBN: 9780295988733
Category : Language Arts & Disciplines
Languages : en
Pages : 0

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Book Description
The first newspaper arrived in England in 1620 and sparked a huge demand for up-to-the minute reports on domestic and world events. Men and women in Renaissance England were addicted to news, whether from the battlefields of Europe, or the scandal-filled salons of its courtiers. Newspapers commented on politics, crime, omens, bad weather, natural disasters, and strange apparitions. Breaking News traces the development of the newspaper in England, from its origins in manuscript letters and imported corantos in ShakespeareÕs England, to the introduction of daily newspapers, regional journals, and specialist magazines around 1700, as well as the first stirrings of American journalism. The examples of early journalism illustrated here reveal the indelible mark the early English newspaper has left on modern news culture. Chris R. Kyle is associate professor of history at Syracuse University. Jason Peacey is lecturer in history at University College London.

Author: Joseph R. Hacker
Publisher: University of Pennsylvania Press
ISBN: 081220509X
Category : Religion
Languages : en
Pages : 334

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Book Description
The rise of printing had major effects on culture and society in the early modern period, and the presence of this new technology—and the relatively rapid embrace of it among early modern Jews—certainly had an effect on many aspects of Jewish culture. One major change that print seems to have brought to the Jewish communities of Christian Europe, particularly in Italy, was greater interaction between Jews and Christians in the production and dissemination of books. Starting in the early sixteenth century, the locus of production for Jewish books in many places in Italy was in Christian-owned print shops, with Jews and Christians collaborating on the editorial and technical processes of book production. As this Jewish-Christian collaboration often took place under conditions of control by Christians (for example, the involvement of Christian typesetters and printers, expurgation and censorship of Hebrew texts, and state control of Hebrew printing), its study opens up an important set of questions about the role that Christians played in shaping Jewish culture. Presenting new research by an international group of scholars, this book represents a step toward a fuller understanding of Jewish book history. Individual essays focus on a range of issues related to the production and dissemination of Hebrew books as well as their audiences. Topics include the activities of scribes and printers, the creation of new types of literature and the transformation of canonical works in the era of print, the external and internal censorship of Hebrew books, and the reading interests of Jews. An introduction summarizes the state of scholarship in the field and offers an overview of the transition from manuscript to print in this period.

Author: Cerimonia Daniela
Publisher: Routledge
ISBN: 135156031X
Category : Foreign Language Study
Languages : en
Pages : 248

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Book Description
Giacomo Leopardi (1798-1837) and Percy Bysshe Shelley (1792-1822) crossed paths during their lifetimes, and though they never met, the legacy of their work betrays a shared destiny. As prominent figures who challenged and contributed to the Romantic debate, Leopardi and Shelley hold important roles in the history of their respective national literatures, but paradoxically experienced a controversial and delayed reception outside their native lands. Cerimonia?s wide-ranging study brings together these two poets for the first time for an exploration of their afterlives, through a close reading of hitherto unstudied translations. This intriguing journey tells the story, from its origins, of the two poets? critical fortune, and examines their position in the cultural debates of the nineteenth century; in disputes regarding translation theories and practices; and shows the configuration of their identities as we understand their legacy today.

Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241

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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.