Author: John Thomas JAMES (Bishop of Calcutta.)Publisher:
ISBN:
Category :
Languages : en
Pages : 328
Book Description
The Italian Schools of Painting, with Observations on the Present State of the Art
Author: John Thomas JAMES (Bishop of Calcutta.)Publisher:
ISBN:
Category :
Languages : en
Pages : 328
Book Description
The Italian Schools of Painting
Author: John Thomas JamesPublisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 326
Book Description
An Inquiry Concerning the Invention of Printing
Author: William Young OttleyPublisher:
ISBN:
Category : Printing
Languages : en
Pages : 556
Book Description
The Development of the Italian Schools of Painting
Author: Raimond van MarlePublisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 660
Book Description
The Development of the Italian Schools of Painting: The local schools of north Italy of the 14th century
Author: Raimond van MarlePublisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 562
Book Description
Handbook of Painting, the Italian Schools
Author: Franz KuglerPublisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 626
Book Description
Handbook of Painting. The Italian Schools
Author: Charles EastlakePublisher: BoD – Books on Demand
ISBN: 3368829610
Category : Fiction
Languages : en
Pages : 454
Book Description
Reprint of the original, first published in 1874.
British Romanticism and the Reception of Italian Old Master Art, 1793-1840
Author: Maureen McCuePublisher: Routledge
ISBN: 1317171489
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
As a result of Napoleon’s campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism.
Author: Charles Rob Leslie
Author: