Italian Baroque Art

Italian Baroque Art PDF Author: Susan M. Dixon
Publisher: Wiley-Blackwell
ISBN:
Category : Art
Languages : en
Pages : 412

Book Description
This anthology presents classic and recent scholarship on Italian art from 1600-1750, highlighting the key debates with which art historians continue to grapple. Explores themes including: style or the visuality of art; artistic practices and production; artistic communication as projected and experienced; and artists’ interactions with the ancient world and with the new sciences Examines the work of key painters, architects and sculptors from this period, including Caravaggio, Bernini, Guarini and Poussin Published in the expanding Blackwell Anthologies in Art History series

Art Appreciation

Art Appreciation PDF Author: Deborah Gustlin
Publisher: Cognella Academic Publishing
ISBN: 9781516503438
Category :
Languages : en
Pages :

Book Description
Creative Art: Methods and Materials educates readers about a variety of art methods and the ways different civilizations have used them in artistic expression. Each of the fourteen chapters is designed around a specific art method and material, and includes examples of art works and the artists who created them. Students learn about bronze casting, stone carving, clay sculpture, woodcuts and posters, glass work, and installation art. Each method is matched to artists both ancient and modern. Rather than adhering to a standard approach that focuses on white, male, European artists, the book broadens the student's perspective by including often overlooked female artists. Global in approach and comprehensive in coverage of arts forms, representations, and styles throughout history, Creative Art has been developed for sixteen-week courses in art appreciation, or introductory survey courses in art history.

Italian Baroque Sculpture

Italian Baroque Sculpture PDF Author: Bruce Boucher
Publisher: Thames & Hudson
ISBN: 9780500203071
Category : Art
Languages : en
Pages : 224

Book Description
Italian baroque sculpture often has been criticized for portraying a sham world, distracting the spectator from its spiritual poverty by dazzling technical displays. Bruce Boucher offers a fresh view of this rich and varied subject, published to coincide with the 400th anniversary of the births of 17th-century artists Bernini and Algardi. 200 illustrations. 35 in color.

Artemisia Gentileschi

Artemisia Gentileschi PDF Author: Mary D. Garrard
Publisher:
ISBN: 9780691040509
Category : Art
Languages : en
Pages : 607

Book Description
Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes.

Faith, Gender and the Senses in Italian Renaissance and Baroque Art

Faith, Gender and the Senses in Italian Renaissance and Baroque Art PDF Author: Professor Lisa M Rafanelli
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472444736
Category : Art
Languages : en
Pages : 305

Book Description
Taking the Noli me tangere and Doubting Thomas episodes as a focal point, this study examines how visual representations of two of the most compelling and related Christian stories engaged with changing devotional and cultural ideals in Renaissance and Baroque Italy. By reuniting their visual examples with important, often little-known textual sources, the authors reveal a complex relationship between visual imagery, the senses, contemporary attitudes toward gender, and the shaping of belief.

Art and Architecture in Italy, 1600 to 1750

Art and Architecture in Italy, 1600 to 1750 PDF Author: Rudolf Wittkower
Publisher: Puffin Books
ISBN:
Category : Architecture
Languages : en
Pages : 672

Book Description


The Origins of Baroque Art in Rome

The Origins of Baroque Art in Rome PDF Author: Alois Riegl
Publisher: Getty Publications
ISBN: 1606060414
Category : Architecture
Languages : en
Pages : 294

Book Description
Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.

Patrons and Painters

Patrons and Painters PDF Author: Francis Haskell
Publisher: Yale University Press
ISBN: 9780300025408
Category : Art
Languages : en
Pages : 564

Book Description
Fusing the social and economic history with the cultural and artistic achievements of seventeenth and eighteenth century Italy, this book presents a unique and invaluable perspective on the period.

Italian Baroque and Rococo Architecture

Italian Baroque and Rococo Architecture PDF Author: John L. Varriano
Publisher: Oxford University Press, USA
ISBN: 9780195035483
Category : Architecture
Languages : en
Pages : 329

Book Description
Examines the designs of Italian buildings in the baroque and rococo architectural styles and discusses the careers of architects such as Gianlorenzo Bernini, Francesco Borromini, and Pietra da Cortona

Baroque Naples and the Industry of Painting

Baroque Naples and the Industry of Painting PDF Author: Christopher R. Marshall
Publisher:
ISBN: 9780300174502
Category : Art
Languages : en
Pages : 0

Book Description
The second largest city in 17th-century Europe, Naples constituted a vital Mediterranean center in which the Spanish Habsburgs, the clergy, and Neapolitan aristocracy, together with the resident merchants, and other members of the growing professional classes jostled for space and prestige. Their competing programs of building and patronage created a booming art market and spurred painters such as Jusepe de Ribera, Massimo Stanzione, Salvator Rosa, and Luca Giordano as well as foreign artists such as Caravaggio, Domenichino, Artemisia Gentileschi, and Giovanni Lanfranco to extraordinary heights of achievement. This new reading of 17th-century Italian Baroque art explores the social, material, and economic history of painting, revealing how artists, agents, and the owners of artworks interacted to form a complex and mutually sustaining art world. Through such topics as artistic rivalry and anti-foreign labor agitation, art dealing and forgery, cultural diplomacy, and the rise of the independently arranged art exhibition, Christopher R. Marshall illuminates the rich interconnections between artistic practice and patronage, business considerations, and the spirit of entrepreneurialism in Baroque Italy.