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Author: Roderick Cavaliero Publisher: Bloomsbury Publishing ISBN: 0857713892 Category : Travel Languages : en Pages : 257
Book Description
Italia Romantica is a vivid history of the English Romantics' love affair with Italy and of the changing attitudes in pre-unification Italy. In the eyes of the English Romantics, Italy was not a nation but Italia, a place inhabited by the ancients. Theirs was a view shaped by the eighteenth century, the age of the Grand Tour, when no future nobleman's education was complete without a visit to Venice's carnival, the majestic ruins of the Forum in Rome, or the legendary Mount Vesuvius. The people of Italy, divided by language, region, and culture, did not share these artistic and historical ideals of Italia. After the Napoleonic wars all this was to change: Napoleon's march across Europe altered the map of Italy and brought an end to the Grand Tour in its previous form. Nationalism began to replace local loyalties and the land 'where the lemon trees blow' now attracted tourists. Through the eyes of Romantic travellers and poets such as Byron, Keats and Shelley, we see a fascinating picture of pre-unification Italy, struggling to recover after Napoleon and edging towards the Risorgimento. Here is the Italy of idealised antiquity, magnificent but crumbling, somewhat like a gigantic and rather run-down living museum. Roderick Cavaliero's compelling story is full of bandits, unreformed Catholicism, poets and improvisatory, shot through with vignettes of timeless urban and pastoral life, remarkable characters and anecdote, in this readable and strongly-etched cultural history.
Author: Roderick Cavaliero Publisher: Bloomsbury Publishing ISBN: 0857713892 Category : Travel Languages : en Pages : 257
Book Description
Italia Romantica is a vivid history of the English Romantics' love affair with Italy and of the changing attitudes in pre-unification Italy. In the eyes of the English Romantics, Italy was not a nation but Italia, a place inhabited by the ancients. Theirs was a view shaped by the eighteenth century, the age of the Grand Tour, when no future nobleman's education was complete without a visit to Venice's carnival, the majestic ruins of the Forum in Rome, or the legendary Mount Vesuvius. The people of Italy, divided by language, region, and culture, did not share these artistic and historical ideals of Italia. After the Napoleonic wars all this was to change: Napoleon's march across Europe altered the map of Italy and brought an end to the Grand Tour in its previous form. Nationalism began to replace local loyalties and the land 'where the lemon trees blow' now attracted tourists. Through the eyes of Romantic travellers and poets such as Byron, Keats and Shelley, we see a fascinating picture of pre-unification Italy, struggling to recover after Napoleon and edging towards the Risorgimento. Here is the Italy of idealised antiquity, magnificent but crumbling, somewhat like a gigantic and rather run-down living museum. Roderick Cavaliero's compelling story is full of bandits, unreformed Catholicism, poets and improvisatory, shot through with vignettes of timeless urban and pastoral life, remarkable characters and anecdote, in this readable and strongly-etched cultural history.
Author: Maureen McCue Publisher: Routledge ISBN: 1317171497 Category : Literary Criticism Languages : en Pages : 204
Book Description
As a result of Napoleon’s campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism.
Author: Patricia Cove Publisher: Edinburgh University Press ISBN: 1474447260 Category : Electronic books Languages : en Pages : 200
Book Description
This book examines the intersections among literary works by Elizabeth Barrett Browning, Mary Shelley and Wilkie Collins, journalism, parliamentary records and pamphlets, to establish Britain's imaginative investment in the seismic geopolitical realignment of Italian unification.
Author: Andrea Mariani Publisher: V&R Unipress ISBN: 384700655X Category : Science Languages : en Pages : 251
Book Description
The intersection between literature and music is a major feature in Anglo-American cultural history. The present volume analyzes the transatlantic migration of European opera and its appropriation by some of the most important literary figures of the United States. The presence of opera in literary texts is always "operative" and results in artistic outputs possessing more articulated and tense vectors of meaning. The comparative method applied confirms the musical sensitivity of masters such as Poe, Whitman, Melville, Dickinson, Wharton, Cather, reveals the intriguing contradictions in the poetics of Emerson, Thoreau and James and vindicates the role of some minor figures who, through their involvement in the world of musical theater, contributed to the intercultural context.
Author: Giulia Cardillo Publisher: Lexington Books ISBN: 1666919373 Category : Literary Criticism Languages : en Pages : 225
Book Description
Imagined Networks in Pre-Modern Italian Literature: Literary Mothers, Literary Sisters presents the untold stories of the literary mothers and sisters in pre-modern Italian literature and the vibrant intellectual networks they forged. The authors argue that these women writers became adoptive references for other authors, often as an alternative to an established canon of textual authority. The proposed concepts of literary motherhood and sisterhood focus on the agency of the writers in choosing a model, rather than adhering to hierarchical structures. The women showcased in this book defied conventions, and are aware of the generative power of their works and regard themselves as literary guiding lights for future authors. They built prolific communities through exchanges, correspondences, debates, oblique conversations, and sometimes subtle allusions that confer authority to each other. The six essays in this book bring to life the figures of Caterina da Siena, Isabella Andreini, Giulia Bigolina, Margherita Costa, Lucrezia Marinella, Arcangela Tarabotti, and the relationship between Gaspara Stampa and Luisa Bergalli, as well as that between Bianca Milesi Mojon and Maria Edgeworth.
Author: Jonathan Sachs Publisher: Oxford University Press ISBN: 0195376129 Category : History Languages : en Pages : 317
Book Description
This work argues that Rome is relevant to the Romantic period not as the continuation of an earlier neoclassicism, but rather as a concept that is simultaneously transformed and transformative: transformed in the sense that new models of historical thinking produced a changed understandings of historicity itself.
Author: R. Casillo Publisher: Springer ISBN: 1403983216 Category : Literary Criticism Languages : en Pages : 388
Book Description
This book places Germaine de Stael's influential novel, Corrine, or Italy (1807) in relation to preceding and subsequent stereotypes of Italy as seen in the works of Northern European and American travel writers since the Renaissance.
Author: Gabriella Romani Publisher: Rowman & Littlefield ISBN: 1611478014 Category : Literary Criticism Languages : en Pages : 309
Book Description
The late eighteenth and the nineteenth centuries witness significant advancement in the production and, crucially, the consumption of culture in Italy. During the long process towards and beyond Italy becoming a nation-state in 1861, new modes of writing and performing – the novel, the self-help manual, theatrical improvisation – develop in response to new practices and technologies of production and distribution. Key to the emergence of an inclusive national audience in Italy is, however, the audience itself. A wide and varied body of consumers of culture, animated by the notion of an Italian national cultural identity, create in this period an increasingly complex demand for different cultural products. This body is energized by the wider access to education and to the Italian language brought about by educational reforms, by growing urbanization, by enhanced social mobility, and by transcultural connections across European borders. This book investigates this process, analyzing the ways in which authors, composers, publishers, performers, journalists, and editors engage with the anxieties and aspirations of their diverse audiences. Fourteen essays by specialists in the field, exploring individual contexts and cases, demonstrate how interests related to gender, social class, cultural background and practices of reading and spectatorship, exert determining influence upon the production of culture in this period. They describe how women, men, and children from across the social and regional strata of the emerging nation contribute incrementally but actively to the idea and the growing reality of an Italian national cultural life. They show that from newspapers to salon performances, from letters to treatises in social science, from popular novels to literary criticism, from philosophical discussions to opera theaters, there is evidence in Italy in this period of unprecedented participation, crossing academic and popular cultures, in the formation of a national audience in Italy. This cultural transformation later produces the mass culture in Italy which underpins the major movements of the twentieth century and which undergoes new challenges and reformulations in the Italy we know today.
Author: Maria Schoina Publisher: Routledge ISBN: 1351902539 Category : Literary Criticism Languages : en Pages : 341
Book Description
Focusing on key members of the Pisan Circle, Byron, the Shelleys, and Leigh Hunt, Maria Schoina explores configurations of identity and the acculturating practices of British expatriates in post-Napoleonic Italy. The problems involved in British Romanticism's relations to its European 'others' are her point of departure, as she argues that the emergence and mission of what Mary Shelley termed the 'Anglo-Italian' is inextricably linked to the social, political, economic, and cultural conditions of the age: the forging of the British identity in the midst of an expanding empire, the rise of the English middle class and the establishment of a competitive print culture, and the envisioning, by a group of male and female Romantic liberal intellectuals, of social and political reform. Schoina's emphasis on the political implications of the British Romantics' hyphenated self-representation results in fresh readings of the Pisan Circle's Italianate writings that move them away from interpretations focused on a purely aesthetic or poetic attachment to Italy to uncover their complex ideological underpinnings. Recognizing that Mary Shelley was instrumental in conceptualizing the Romantics' discourse of acculturation expands our understanding of this phenomenon, as does Schoina's convincing case for the importance of gender as a major determinant of Mary Shelley's construction of Anglo-Italianness.
Author: Cerimonia Daniela Publisher: Routledge ISBN: 135156031X Category : Foreign Language Study Languages : en Pages : 248
Book Description
Giacomo Leopardi (1798-1837) and Percy Bysshe Shelley (1792-1822) crossed paths during their lifetimes, and though they never met, the legacy of their work betrays a shared destiny. As prominent figures who challenged and contributed to the Romantic debate, Leopardi and Shelley hold important roles in the history of their respective national literatures, but paradoxically experienced a controversial and delayed reception outside their native lands. Cerimonia?s wide-ranging study brings together these two poets for the first time for an exploration of their afterlives, through a close reading of hitherto unstudied translations. This intriguing journey tells the story, from its origins, of the two poets? critical fortune, and examines their position in the cultural debates of the nineteenth century; in disputes regarding translation theories and practices; and shows the configuration of their identities as we understand their legacy today.
Author: Roderick Cavaliero
Author: Roderick Cavaliero
Author: Maureen McCue
Author: Patricia Cove
Author: Andrea Mariani
Author: Giulia Cardillo
Author: Jonathan Sachs
Author: R. Casillo
Author: Gabriella Romani
Author: Maria Schoina
Author: Cerimonia Daniela