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Author: René A. Bravmann Publisher: Cambridge University Press ISBN: 9780521201926 Category : Social Science Languages : en Pages : 212
Book Description
Most writers have assumed that the spread of the Islamic faith has tended to weaken and undermine the foundations of traditional African society and culture. In this interesting and original study Professor Bravmann re-examines and refutes the assumption that the aniconic attitudes of Islam, especially the prohibition of representational imagery, have had a detrimental effect on the visual arts in the areas of West Africa influenced by this universalistic faith. The strength and flexibility of West African societies and their art forms is clearly revealed in the major part of this study, which is devoted to a detailed examination of the impact of Islam upon traditional art in the Cercle de Bondoukou and west central areas of Ghana. The text is illustrated with numerous photographs showing a variety of art forms and masquerades in the region.
Author: René A. Bravmann Publisher: Cambridge University Press ISBN: 9780521201926 Category : Social Science Languages : en Pages : 212
Book Description
Most writers have assumed that the spread of the Islamic faith has tended to weaken and undermine the foundations of traditional African society and culture. In this interesting and original study Professor Bravmann re-examines and refutes the assumption that the aniconic attitudes of Islam, especially the prohibition of representational imagery, have had a detrimental effect on the visual arts in the areas of West Africa influenced by this universalistic faith. The strength and flexibility of West African societies and their art forms is clearly revealed in the major part of this study, which is devoted to a detailed examination of the impact of Islam upon traditional art in the Cercle de Bondoukou and west central areas of Ghana. The text is illustrated with numerous photographs showing a variety of art forms and masquerades in the region.
Author: Karin Ådahl Publisher: ISBN: Category : Art Languages : en Pages : 198
Book Description
Documents the presentations made at an international conference held at Uppsala University in 1992, entitled Islamic art and culture in sub -Saharan Africa.
Author: Lamin O. Sanneh Publisher: Oxford University Press ISBN: 0199351619 Category : History Languages : en Pages : 377
Book Description
Over the course of the last 1400 years, Islam has grown from a small band of followers on the Arabian peninsula into a global religion of over a billion believers. How did this happen? The usual answer is that Islam spread by the sword-believers waged jihad against rival tribes and kingdoms and forced them to convert. Lamin Sanneh argues that this is far from the whole story. Beyond Jihad examines the origin and evolution of the African pacifist tradition in Islam, beginning with an inquiry into the faith's origins and expansion in North Africa and its transmission across trans-Saharan trade routes to West Africa. The book focuses on the ways in which, without jihad, the religion spread and took hold, and what that tells us about the nature of religious and social change. At the heart of this process were clerics who used religious and legal scholarship to promote Islam. Once this clerical class emerged, it offered continuity and stability in the midst of political changes and cultural shifts, helping to inhibit the spread of radicalism, and subduing the urge to wage jihad. With its policy of religious and inter-ethnic accommodation, this pacifist tradition took Islam beyond traditional trade routes and kingdoms into remote districts of the Mali Empire, instilling a patient, Sufi-inspired, and jihad-negating impulse into religious life and practice. Islam was successful in Africa, Sanneh argues, not because of military might but because it was made African by Africans who adapted it to a variety of contexts.
Author: Michelle Apotsos Publisher: Routledge ISBN: 1317275551 Category : Architecture Languages : en Pages : 231
Book Description
Architecture, Islam, and Identity in West Africa shows you the relationship between architecture and Islamic identity in West Africa. The book looks broadly across Muslim West Africa and takes an in-depth study of the village of Larabanga, a small Muslim community in Northern Ghana, to help you see how the built environment encodes cultural history through form, material, and space, creating an architectural narrative that outlines the contours of this distinctive Muslim identity. Apotsos explores how modern technology, heritage, and tourism have increasingly affected the contemporary architectural character of this community, revealing the village’s current state of social, cultural, and spiritual flux. More than 60 black and white images illustrate how architectural components within this setting express the distinctive narratives, value systems, and realities that make up the unique composition of this Afro-Islamic community.
Author: Christopher B. Steiner Publisher: Cambridge University Press ISBN: 9780521457521 Category : Art Languages : en Pages : 244
Book Description
African Art in Transit is an absorbing account of the commodification and circulation of African art objects in the international art market. Christopher Steiner's analysis of the role of the African middleman in linking those who produce and supply works of art in Africa with those who buy and collect so-called 'primitive' art in Europe and America is based on extensive field research among the art traders in Côte d'Ivoire. Steiner provides a lucid interpretation which reveals not only a complex economic network with its own internal logic and rules, but also an elaborate process of transcultural valuation and exchange. By focusing directly on the intermediaries in the African art trade, he unveils a critical new perspective on how symbolic codes and economic values are mediated in the context of shifting geographic and cultural domains. He questions conventional definitions of authenticity in African art by demonstrating how the categories 'authentic' and 'traditional' are continually redefined.
Author: Roy Richard Grinker Publisher: John Wiley & Sons ISBN: 1444335227 Category : Social Science Languages : en Pages : 713
Book Description
The second edition of Perspectives on Africa: A Reader in Culture, History, and Representation is both an introduction to the cultures of Africa and a history of the interpretations of those cultures. Key essays explore the major issues and debates through a combination of classic articles and the newest research in the field. Explores the dynamic processes by and through which scholars have described and understood African history and culture Includes selections from anthropologists, historians, philosophers, and critics who collectively reveal the interpenetration of ideas and concepts within and across disciplines, regions, and historical periods Offers a combined focus on ethnography and theory, giving students the means to link theory with data and perspective with practice Newly revised and updated edition of this popular text with 14 brand new chapters and two new sections: Conflict and Violent Transformations; and Development, Governance and Globalization
Author: René A. Bravmann
Author: René A. Bravmann
Author: René Aaron Bravmann
Author: René A. Bravmann
Author: Karin Ådahl
Author: Lamin O. Sanneh
Author: Michelle Apotsos
Author: Christopher B. Steiner
Author: Robert Farris Thompson
Author: Donal Cruise O'Brien
Author: Roy Richard Grinker