Author: Maria Vittoria Fontana
Publisher: Universitas Studiorum
ISBN: 8833690733
Category : Antiques & Collectibles
Languages : en
Pages : 216
Book Description
This volume contains four essays on inscriptions and/or pseudo inscriptions made with letters of the Arabic alphabet or with characters deriving from the latter, used in artifacts produced in the West (and especially Italy) during the medieval and Renaissance period. Maria Vittoria Fontana is Full Professor of Islamic Archaeology and History of Art at the Department of Science of Antiquities of Sapienza University in Rome; previously, she held the same role at “L’Orientale” University of Naples. She has carried out excavations in Iran, Jordan and Yemen. The last excavation was at Istakhr and the final report was published in the volume Istakhr (Iran) 2011-2016: Historical and Archaeological Essays (Quaderni di Vicino Oriente XIII), Rome: Sapienza 2018. She is also the author of numerous scientific articles and monographs on both archaeological and iconographic subjects, the latter concerning Islamic productions as well as Western ones that have come into contact with Islam.
Islam and the West. Arabic inscriptions and pseudo inscriptions
Author: Maria Vittoria Fontana
Publisher: Universitas Studiorum
ISBN: 8833690733
Category : Antiques & Collectibles
Languages : en
Pages : 216
Book Description
This volume contains four essays on inscriptions and/or pseudo inscriptions made with letters of the Arabic alphabet or with characters deriving from the latter, used in artifacts produced in the West (and especially Italy) during the medieval and Renaissance period. Maria Vittoria Fontana is Full Professor of Islamic Archaeology and History of Art at the Department of Science of Antiquities of Sapienza University in Rome; previously, she held the same role at “L’Orientale” University of Naples. She has carried out excavations in Iran, Jordan and Yemen. The last excavation was at Istakhr and the final report was published in the volume Istakhr (Iran) 2011-2016: Historical and Archaeological Essays (Quaderni di Vicino Oriente XIII), Rome: Sapienza 2018. She is also the author of numerous scientific articles and monographs on both archaeological and iconographic subjects, the latter concerning Islamic productions as well as Western ones that have come into contact with Islam.
Publisher: Universitas Studiorum
ISBN: 8833690733
Category : Antiques & Collectibles
Languages : en
Pages : 216
Book Description
This volume contains four essays on inscriptions and/or pseudo inscriptions made with letters of the Arabic alphabet or with characters deriving from the latter, used in artifacts produced in the West (and especially Italy) during the medieval and Renaissance period. Maria Vittoria Fontana is Full Professor of Islamic Archaeology and History of Art at the Department of Science of Antiquities of Sapienza University in Rome; previously, she held the same role at “L’Orientale” University of Naples. She has carried out excavations in Iran, Jordan and Yemen. The last excavation was at Istakhr and the final report was published in the volume Istakhr (Iran) 2011-2016: Historical and Archaeological Essays (Quaderni di Vicino Oriente XIII), Rome: Sapienza 2018. She is also the author of numerous scientific articles and monographs on both archaeological and iconographic subjects, the latter concerning Islamic productions as well as Western ones that have come into contact with Islam.
Viewing Inscriptions in the Late Antique and Medieval World
Author: Antony Eastmond
Publisher: Cambridge University Press
ISBN: 1316241041
Category : Art
Languages : en
Pages : 281
Book Description
Inscriptions convey meaning not just by their contents but also by other means, such as choice of script, location, scale, spatial organisation, letterform, legibility and clarity. The essays in this book consider these visual qualities of inscriptions, ranging across the Mediterranean and the Near East from Spain to Iran and beyond, including Norman Sicily, Islamic North Africa, Byzantium, medieval Italy, Georgia and Armenia. While most essays focus on Late Antiquity and the Middle Ages, they also look back at Achaemenid Iran and forward to Mughal India. Topics discussed include real and pseudo-writing, multilingual inscriptions, graffiti, writing disguised as images and images disguised as words. From public texts set up on mountainsides or on church and madrasa walls to intimate craftsmen's signatures, barely visible on the undersides of precious objects, the inscriptions discussed in this volume reveal their meanings as textual and visual devices.
Publisher: Cambridge University Press
ISBN: 1316241041
Category : Art
Languages : en
Pages : 281
Book Description
Inscriptions convey meaning not just by their contents but also by other means, such as choice of script, location, scale, spatial organisation, letterform, legibility and clarity. The essays in this book consider these visual qualities of inscriptions, ranging across the Mediterranean and the Near East from Spain to Iran and beyond, including Norman Sicily, Islamic North Africa, Byzantium, medieval Italy, Georgia and Armenia. While most essays focus on Late Antiquity and the Middle Ages, they also look back at Achaemenid Iran and forward to Mughal India. Topics discussed include real and pseudo-writing, multilingual inscriptions, graffiti, writing disguised as images and images disguised as words. From public texts set up on mountainsides or on church and madrasa walls to intimate craftsmen's signatures, barely visible on the undersides of precious objects, the inscriptions discussed in this volume reveal their meanings as textual and visual devices.
Islam and the Italian Renaissance
Author: Anna Contadini
Publisher: Warburg Institute
ISBN:
Category : Art
Languages : en
Pages : 258
Book Description
This volume considers aspects of the reciprocal influences between Italian Renaissance culture and that of the Islamic world. The papers on science and philosophy reflect Western scholars' interest in Arabic texts while those on the visual and decorative arts describe the impact of Islamic artefacts, techniques and models on Europe as much as the effects of European influences on Islam. The natural focus of the volume is on Venice and Turkey, but other Italian centres are brought into view and, on the Islamic side, the investigation also encompasses Egypt and Syria under the Mamluks, Persia under the Mongols, Timurids and Safavids, and Mughal India.
Publisher: Warburg Institute
ISBN:
Category : Art
Languages : en
Pages : 258
Book Description
This volume considers aspects of the reciprocal influences between Italian Renaissance culture and that of the Islamic world. The papers on science and philosophy reflect Western scholars' interest in Arabic texts while those on the visual and decorative arts describe the impact of Islamic artefacts, techniques and models on Europe as much as the effects of European influences on Islam. The natural focus of the volume is on Venice and Turkey, but other Italian centres are brought into view and, on the Islamic side, the investigation also encompasses Egypt and Syria under the Mamluks, Persia under the Mongols, Timurids and Safavids, and Mughal India.
The Nomadic Object
Author: Christine Göttler
Publisher: BRILL
ISBN: 9004354506
Category : History
Languages : en
Pages : 649
Book Description
At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Göttler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. Županov.
Publisher: BRILL
ISBN: 9004354506
Category : History
Languages : en
Pages : 649
Book Description
At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Göttler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. Županov.
Imagining the Arabs
Author: Webb Peter Webb
Publisher: Edinburgh University Press
ISBN: 1474408281
Category : History
Languages : en
Pages : 317
Book Description
Who are the Arabs? When did people begin calling themselves Arabs? And what was the Arabs' role in the rise of Islam? Investigating these core questions about Arab identity and history by marshalling the widest array of Arabic sources employed hitherto, and by closely interpreting the evidence with theories of identity and ethnicity, Imagining the Arabs proposes new answers to the riddle of Arab origins and fundamental reinterpretations of early Islamic history. This book reveals that the time-honoured stereotypes which depict Arabs as ancient Arabian Bedouin are entirely misleading because the essence of Arab identity was in fact devised by Muslims during the first centuries of Islam. Arab identity emerged and evolved as groups imagined new notions of community to suit the radically changing circumstances of life in the early Caliphate. The idea of 'the Arab' was a device which Muslims utilised to articulate their communal identity, to negotiate post-Conquest power relations, and to explain the rise of Islam. Over Islam's first four centuries, political elites, genealogists, poetry collectors, historians and grammarians all participated in a vibrant process of imagining and re-imagining Arab identity and history, and the sum of their works established a powerful tradition that influences Middle Eastern communities to the present day.
Publisher: Edinburgh University Press
ISBN: 1474408281
Category : History
Languages : en
Pages : 317
Book Description
Who are the Arabs? When did people begin calling themselves Arabs? And what was the Arabs' role in the rise of Islam? Investigating these core questions about Arab identity and history by marshalling the widest array of Arabic sources employed hitherto, and by closely interpreting the evidence with theories of identity and ethnicity, Imagining the Arabs proposes new answers to the riddle of Arab origins and fundamental reinterpretations of early Islamic history. This book reveals that the time-honoured stereotypes which depict Arabs as ancient Arabian Bedouin are entirely misleading because the essence of Arab identity was in fact devised by Muslims during the first centuries of Islam. Arab identity emerged and evolved as groups imagined new notions of community to suit the radically changing circumstances of life in the early Caliphate. The idea of 'the Arab' was a device which Muslims utilised to articulate their communal identity, to negotiate post-Conquest power relations, and to explain the rise of Islam. Over Islam's first four centuries, political elites, genealogists, poetry collectors, historians and grammarians all participated in a vibrant process of imagining and re-imagining Arab identity and history, and the sum of their works established a powerful tradition that influences Middle Eastern communities to the present day.
Arabic Script on Christian Kings
Author: Isabelle Dolezalek
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110533871
Category : History
Languages : en
Pages : 276
Book Description
Isabelle Dolezalek wurde für Ihre Arbeit mit dem 2018 ICMA Annual Book Prize des International Center of Medieval Art ausgezeichnet. Auf zahlreichen mittelalterlichen Objekten finden sich arabische Inschriften. Nur wenige davon wurden jedoch für lateinisch-christliche Auftraggeber produziert. Die normannischen und staufischen Königsgewänder aus Sizilien bilden eine bemerkenswerte Ausnahme. Welche Assoziationen sollte der Gebrauch arabischer Textilinschriften bei den zeitgenössischen Betrachtern im 12. und 13. Jahrhundert hervorrufen? Wie wurden die Inschriften in späteren Zeiten rezipiert? Die transkulturell und interdisziplinär ausgerichtete Studie beleuchtet praktische und politische Entscheidungen, die der Produktion der sizilischen Textilinschriften zugrunde liegen, und lenkt so das Augenmerk auf ein Ornament, das konventionelle kulturelle Grenzen nicht nur überschreitet, sondern grundlegend in Frage stellt.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110533871
Category : History
Languages : en
Pages : 276
Book Description
Isabelle Dolezalek wurde für Ihre Arbeit mit dem 2018 ICMA Annual Book Prize des International Center of Medieval Art ausgezeichnet. Auf zahlreichen mittelalterlichen Objekten finden sich arabische Inschriften. Nur wenige davon wurden jedoch für lateinisch-christliche Auftraggeber produziert. Die normannischen und staufischen Königsgewänder aus Sizilien bilden eine bemerkenswerte Ausnahme. Welche Assoziationen sollte der Gebrauch arabischer Textilinschriften bei den zeitgenössischen Betrachtern im 12. und 13. Jahrhundert hervorrufen? Wie wurden die Inschriften in späteren Zeiten rezipiert? Die transkulturell und interdisziplinär ausgerichtete Studie beleuchtet praktische und politische Entscheidungen, die der Produktion der sizilischen Textilinschriften zugrunde liegen, und lenkt so das Augenmerk auf ein Ornament, das konventionelle kulturelle Grenzen nicht nur überschreitet, sondern grundlegend in Frage stellt.
Islam in Russia
Author: Ravil Bukharaev
Publisher: Routledge
ISBN: 1136808000
Category : Social Science
Languages : en
Pages : 448
Book Description
A fascinating story of spiritual survival. The cultural and national reawakening that has accompanied the resurgence of Islam in Russia has contributed to the revival and renewal of Islamic thought throughout the Muslim world. The author explores how Islam vis-a-vis Russian Orthodox Christianity shaped national, political and cultural developments in the vast region of European Russia and Siberia. This volume thus presents an analysis of the history, development and future prospects for Islam in Russia based on exhaustive research of the primary and secondary sources as well as the author's own personal experience.
Publisher: Routledge
ISBN: 1136808000
Category : Social Science
Languages : en
Pages : 448
Book Description
A fascinating story of spiritual survival. The cultural and national reawakening that has accompanied the resurgence of Islam in Russia has contributed to the revival and renewal of Islamic thought throughout the Muslim world. The author explores how Islam vis-a-vis Russian Orthodox Christianity shaped national, political and cultural developments in the vast region of European Russia and Siberia. This volume thus presents an analysis of the history, development and future prospects for Islam in Russia based on exhaustive research of the primary and secondary sources as well as the author's own personal experience.
Bazaar to Piazza
Author: Rosamond E. Mack
Publisher: Univ of California Press
ISBN: 9780520221314
Category : Art
Languages : en
Pages : 282
Book Description
From Italian textiles featuring Islamic and Asian motifs to ceramics and glassware that reflected Syrian techniques and ornamental concepts, this book gives an extraordinary view of the influence of imported Oriental goods in Italy over three crucial centuries of artistic development, from 1300 to 1600.".
Publisher: Univ of California Press
ISBN: 9780520221314
Category : Art
Languages : en
Pages : 282
Book Description
From Italian textiles featuring Islamic and Asian motifs to ceramics and glassware that reflected Syrian techniques and ornamental concepts, this book gives an extraordinary view of the influence of imported Oriental goods in Italy over three crucial centuries of artistic development, from 1300 to 1600.".
Wisdom’s House, Heaven’s Gate
Author: Teresa Shawcross
Publisher: Springer Nature
ISBN: 3031352637
Category :
Languages : en
Pages : 505
Book Description
Publisher: Springer Nature
ISBN: 3031352637
Category :
Languages : en
Pages : 505
Book Description
Did Muhammad Exist?
Author: Robert Spencer
Publisher: Bombardier Books
ISBN: 1642938548
Category : History
Languages : en
Pages : 307
Book Description
Is there any sound historical evidence that the prophet of Islam actually existed, or is the entire story of Muhammad fable or fiction? It is a question that few have thought—or dared—to ask. Virtually everyone, Muslim and non-Muslim alike, takes for granted that the prophet of Islam lived as a prophet, as well as a political and military leader, in seventh-century Arabia. But this widely accepted story begins to crumble on close examination. In his blockbuster New York Times bestseller The Truth about Muhammad, historian and Islam expert Robert Spencer revealed the often shocking contents of Islamic teachings about Muhammad. Now, in this newly revised and expanded version of Did Muhammad Exist?, he lays bare those teachings’ surprisingly shaky historical foundations. This updated and enlarged version of this acclaimed book examines even more striking and compelling evidence that the story of Muhammad, who for so long was assumed to have lived in the “full light of history,” could be more myth and legend than historical fact. Spencer meticulously examines historical records and archaeological findings, pioneering new scholarship to reconstruct what we can know about Muhammad, the Qur’an, and the early days of Islam. The evidence he presents challenges the most fundamental assumptions about Islam’s origins.
Publisher: Bombardier Books
ISBN: 1642938548
Category : History
Languages : en
Pages : 307
Book Description
Is there any sound historical evidence that the prophet of Islam actually existed, or is the entire story of Muhammad fable or fiction? It is a question that few have thought—or dared—to ask. Virtually everyone, Muslim and non-Muslim alike, takes for granted that the prophet of Islam lived as a prophet, as well as a political and military leader, in seventh-century Arabia. But this widely accepted story begins to crumble on close examination. In his blockbuster New York Times bestseller The Truth about Muhammad, historian and Islam expert Robert Spencer revealed the often shocking contents of Islamic teachings about Muhammad. Now, in this newly revised and expanded version of Did Muhammad Exist?, he lays bare those teachings’ surprisingly shaky historical foundations. This updated and enlarged version of this acclaimed book examines even more striking and compelling evidence that the story of Muhammad, who for so long was assumed to have lived in the “full light of history,” could be more myth and legend than historical fact. Spencer meticulously examines historical records and archaeological findings, pioneering new scholarship to reconstruct what we can know about Muhammad, the Qur’an, and the early days of Islam. The evidence he presents challenges the most fundamental assumptions about Islam’s origins.