Author: Marcel Clarence StrattonPublisher:
ISBN:
Category :
Languages : en
Pages : 320
Book Description
Eugene Isabey (1803-1886), Painter
Author: Marcel Clarence StrattonPublisher:
ISBN:
Category :
Languages : en
Pages : 320
Book Description
Isabey, Eugene, 1803-1886
Author: Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
Eugène Isabey, 1803-1886. [Catalogue of an Exhibition.] Musée de Dieppe, 20 Juin-15 Septembre 1966. [Illustrated.].
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Author: Musée DieppeEugène Isabey 1803-1886
Author: Pierre MiquelEugène Isabey 1803-1886 [Dieppe, 1966].
![Eugène Isabey 1803-1886 [Dieppe, 1966]. PDF](https://books.google.com/books/content/images/frontcover/lzkHjwEACAAJ?fife=w80-h100)
Author: European Painting and Sculpture, Ca. 1770-1937, in the Museum of Art, Rhode Island School of Design
Author: Rhode Island School of Design. Museum of ArtPublisher: University of Pennsylvania Press
ISBN: 0911517553
Category : Art
Languages : en
Pages : 296
Book Description
This documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.
Wanderings by the Seine
Author: Leitch RitchiePublisher:
ISBN:
Category : France
Languages : en
Pages : 354
Book Description
Catalogue of Paintings
Author: Metropolitan Museum of Art (New York, N.Y.)Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 424
Book Description
Courbet and the Modern Landscape
Author: Publisher: Getty Publications
ISBN: 0892368365
Category : Landscape in art
Languages : en
Pages : 158
Book Description
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
Manet and the American Civil War
Author: Juliet Wilson-BareauPublisher: Metropolitan Museum of Art
ISBN: 0300099622
Category : Naval battles in art
Languages : en
Pages : 88
Book Description
"On June 19, 1864, the United States warship Kearsarge sank the Confederate raider Alabama off the coast of Cherbourg, France, in one of the most celebrated naval engagements of the American Civil War. When Kearsarge later anchored off the French resort town of Boulogne-sur-Mer it was thronged by curious visitors, one of whom was the artist Edouard Manet. Although he did not witness the historic battle, Manet made a painting of it partly as an attempt to regain the respect of his colleagues after having been ridiculed for his works in the 1864 Salon. Manet's picture of the naval engagement and his portrait of the victorious Kearsarge belong to a group of his seascapes of Boulogne whose unorthodox perspective and composition would profoundly influence the course of French painting." "Manet's paintings and watercolors related to the battle are considered in depth alongside numerous prints, photographs, letters, and archival newspaper illustrations that illuminate the history of the episode and in some cases dispel lingering misconceptions. Manet's other Boulogne seascapes are also discussed in terms of their complex chronology and evolution. A final chapter touches on some of the sources for the seascapes - from Old Master paintings to Japanese woodblock prints - and traces the influence of the seascapes on such artists as Gustave Courbet, James Abbott McNeill Whistler, and Claude Monet."--BOOK JACKET.