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Author: Georges Denis Zimmermann Publisher: Four Courts Press ISBN: Category : History Languages : en Pages : 356
Book Description
This classic collection is a discussion of songs that gave utterance to the opinions and feelings of an important part of the Irish people in political, social, and religious feelings. First published in 1966, this is a new edition with corrections and additional notes. The songs, which were within the reach of all strands of society, were not only an expression of the singers' and listeners' feelings or opinions but also a form of propaganda. And when printers invested in them with the production of broadsheets and booklets, they became an industry. Thus, as the author states in his introduction, they are a curious melting pot for different kinds of literature or sub-literature.
Author: Georges Denis Zimmermann Publisher: Four Courts Press ISBN: Category : History Languages : en Pages : 356
Book Description
This classic collection is a discussion of songs that gave utterance to the opinions and feelings of an important part of the Irish people in political, social, and religious feelings. First published in 1966, this is a new edition with corrections and additional notes. The songs, which were within the reach of all strands of society, were not only an expression of the singers' and listeners' feelings or opinions but also a form of propaganda. And when printers invested in them with the production of broadsheets and booklets, they became an industry. Thus, as the author states in his introduction, they are a curious melting pot for different kinds of literature or sub-literature.
Author: Sarah Burdett Publisher: Springer Nature ISBN: 3031154746 Category : Literary Criticism Languages : en Pages : 299
Book Description
This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
Author: Mark McCarthy Publisher: Routledge ISBN: 1317112873 Category : Science Languages : en Pages : 533
Book Description
In light of its upcoming centenary in 2016, the time seems ripe to ask: why, how and in what ways has memory of Ireland’s 1916 Rising persisted over the decades? In pursuing answers to these questions, which are not only of historical concern, but of contemporary political and cultural importance, this book breaks new ground by offering a wide-ranging exploration of the making and remembrance of the story of 1916 in modern times. It draws together the interlocking dimensions of history-making, commemoration and heritage to reveal the Rising’s undeniable influence upon modern Ireland’s evolution, both instantaneous and long-term. In addition to furnishing a history of the tumultuous events of Easter 1916, which rattled the British Empire’s foundations and enthused independence movements elsewhere, Ireland’s 1916 Rising mainly concentrates on illuminating the evolving relationship between the Irish past and present. In doing so, it unearths the far-reaching political impacts and deep-seated cultural legacies of the actions taken by the rebels, as evidenced by the most pivotal episodes in the Rising’s commemoration and the myriad varieties of heritage associated with its memory. This volume also presents a wider perspective on the ways in which conceptualisations of heritage, culture and identity in Westernised societies are shaped by continuities and changes in politics, society and economy. In a topical conclusion, the book examines the legacy of Queen Elizabeth II’s visit to the Garden of Remembrance in 2011, and looks to the Rising’s 100th anniversary by identifying the common ground that can be found in pluralist and reconciliatory approaches to remembrance.
Author: M. McAuliffe Publisher: Springer ISBN: 0230238998 Category : History Languages : en Pages : 308
Book Description
This book provides a much-needed historiographical overview of modern Irish History, which is often written mainly from a socio-political perspective. This guide offers a comprehensive account of Irish History in its manifold aspects such as family, famine, labour, institutional, women, cultural, art, identity and migration histories.
Author: Sean Williams Publisher: Routledge ISBN: 100005019X Category : Music Languages : en Pages : 277
Book Description
Focus: Irish Traditional Music, Second Edition introduces the instrumental and vocal musics of Ireland, its diaspora in North America, and its Celtic neighbors while exploring the essential values underlying these rich musical cultures and placing them in broader historical and social context. With both the undergraduate and graduate student in mind, the text weaves together past and present, bringing together important ideas about Irish music from a variety of sources and presenting them, in three parts, within interdisciplinary lenses of history, film, politics, poetry, and art: I. Irish Music in Place and Time provides an overview of the island’s musical history and its relationship to current performance practice. II. Music Traditions Abroad and at Home contrasts the instrumental and vocal musics of the "Celtic Nations" (Scotland, Wales, Brittany, etc.) and the United States with those of Ireland. III. Focusing In: Vocal Music in Irish-Gaelic and English identifies the great songs of Ireland’s two main languages and explores the globalization of Irish music. New to this edition are discussions of those contemporary issues reflective of Ireland’s dramatic political and cultural shifts in the decade since first publication, issues concerning equity and inclusion, white nationalism, the Irish Traveller community, hip hop and punk, and more. Pedagogical features—such as discussion questions, a glossary, a timeline of key dates, and expanded references, as well as an online soundtrack—ensure that readers of Focus: Irish Traditional Music, Second Edition will be able to grasp Ireland's important social and cultural contexts and apply that understanding to traditional and contemporary vocal and instrumental music today.
Author: Stephen Albert Rohs Publisher: Fairleigh Dickinson Univ Press ISBN: 0838641385 Category : Art Languages : en Pages : 263
Book Description
The book takes as its point of departure the notion that a nation's music and performance culture was, in the nineteenth century, conceived of as the voice of its people. From ballads to parades to plays to orations, these cultural forms carried the burden of staging an identity for the national community and for the onlooking eyes of outsiders.
Author: Marianne Elliott Publisher: OUP Oxford ISBN: 019166426X Category : History Languages : en Pages : 345
Book Description
The struggle between Catholic and Protestant has shaped Irish history since the Reformation, with tragic consequences up to the present day. But how do Catholics and Protestants in Ireland see each other? And how do they view their own communities and what these communities stand for? Tracing the history of religious identities in Ireland over the last three centuries, Marianne Elliott argues that these two questions are inextricably linked and that the identity of both Catholics and Protestants is shaped by the way that each community views the other. Cutting through the layers of myths, lies, and half-truths that make up the vision that Catholics and Protestants have of each other, she looks at how mutual religious stereotypes were developed over the centuries, how they were perpetuated and entrenched, and how they have defined modern identities and shaped Ireland's historical destiny, from the independence struggle and partition to the Troubles of the last four decades.
Author: Norman Cazden Publisher: State University of New York Press ISBN: 0791498646 Category : History Languages : en Pages : 208
Book Description
Notes and Sources to Folk Songs of the Catskills, also published by the State University of New York Press, is the companion volume to Folk Songs of the Catskills. It contains extensive reference notes that exemplify and support detailed citations in the commentary preceding each song. The book also includes a comprehensive list of sources, including books, broadsides or pocket songsters, disc recordings, music publications, periodicals, tape archives, and other miscellaneous material, as well as information on variants, adaptations, comments or references, texts, and tunes. These notes are designed to provide succinct reference information.
Author: Elisabetta Viggiani Publisher: Cambridge Scholars Publishing ISBN: 144381993X Category : Philosophy Languages : en Pages : 130
Book Description
The product of an international, multi-disciplinary conference at Queen’s University Belfast, the two-volume Friends and Foes series offers an illuminating investigation of the relationship between friendship and conflict by established and emerging scholars. This second volume explores the topic from political, sociological and psychological perspectives. Many of these essays examine what types of friendships are forged, and how, in contexts of potential, or actual, social and political conflict, such as in Northern Ireland during the Troubles. Others focus on how situations of conflict can be transformed into friendship, using insights from psychology, philosophy, history and anthropology. The papers in this volume will appeal to sociologists, political scientists, and all those concerned with themes of conflict resolution, identity, social capital, community-building and well-being.
Author: Martin Dowling Publisher: Routledge ISBN: 1317008405 Category : Music Languages : en Pages : 419
Book Description
Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce’s short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.
Author: Georges Denis Zimmermann
Author: Georges Denis Zimmermann
Author: Sarah Burdett
Author: Mark McCarthy
Author: M. McAuliffe
Author: Sean Williams
Author: Stephen Albert Rohs
Author: Marianne Elliott
Author: Norman Cazden
Author: Elisabetta Viggiani
Author: Martin Dowling