Author: A.J. Carmichael Publisher: AJ CARMICHAEL ISBN: Category : Social Science Languages : en Pages : 327
Book Description
Celtic mythology is a rich and intricate diverse world, a captivating realm where deities and humans interact amidst mystical environments and celestial conflicts. Rooted predominantly in the ancient cultures of Ireland and Wales, this mythology serves as a compendium of stories, a cultural and spiritual mirror reflecting the Celtic people's values, traditions, and laws. By delving into the extensive range of Celtic myths, particularly the mythological, Ulster, and Fenian cycles in Ireland and the Mabinogion in Wales, we can uncover the profound influence these myths have had on European literary and cultural development. The primary method of transmitting these stories was oral, posing a significant challenge to studying Celtic myths. The religious perspectives of the scribes, particularly Christian monks, have left a significant imprint on these texts, but they remain crucial for our understanding. Irish literature draws from significant sources such as 'The Book of Invasions' and 'The Book of Leinster,' while Welsh literature relies on an important source known as 'Mabinogion.' Roman historians provide additional external narratives that contribute to understanding the Celts in a wider context of ancient European history. Unravelling these sources requires a nuanced approach to differentiate the authentic pagan elements from the Christian additions. The Celtic pantheon features diverse deities who govern various aspects of existence and the natural realm. In Irish mythology, the Dagda embodies paternal dominion and jurisdiction over the cycles of life and death, whereas Morrigan signifies the supremacy and inevitability of warfare. According to Welsh mythology, Arawn is the sovereign of the Otherworld, and Bran the Blessed is a colossal king with deep ties to the land and its well-being. The Celts' gods frequently engage with humans, often directly intervening in their destinies, highlighting the Celts' perception of the cosmos as a profoundly interconnected domain. The Mythological Cycle in Ireland narrates the tales of ancient deities and their conflicts, including the Tuatha Dé Danann, celestial beings who eventually assimilate into Irish civilisation as the forefathers of the contemporary Irish people after being conquered by the Milesians. The purpose of this cycle is twofold: to document Ireland's legendary history and to assert a divine entitlement to the land and its governance.
Author: D.W. Harding Publisher: Routledge ISBN: 113426464X Category : Art Languages : en Pages : 334
Book Description
More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art. Tempering the much-adopted art-historical approach, D.W. Harding argues for a broader definition of Celtic art and views it within a much wider archaeological context. He re-asserts ancient Celtic identity after a decade of deconstruction in English-language archaeology. Harding argues that there were communities in Iron Age Europe that were identified historically as Celts, regarded themselves as Celtic, or who spoke Celtic languages, and that the art of these communities may reasonably be regarded as Celtic art. This study will be indispensable for those people wanting to take a fresh and innovative perspective on Celtic Art.
Author: H. R. Ellis Davidson Publisher: Syracuse University Press ISBN: 9780815624417 Category : Body, Mind & Spirit Languages : en Pages : 292
Book Description
Most people know of Valhalla, the World-Tree and the gods of Norse mythology, or the strange hunts and voyages of the ancient lrish tales. Yet few people realise the significance of the similarities and contrasts between the religions of the pre-Christian people of north-western Europe. The Celts and Germans and Scandinavians had much in common in their religious practices and beliefs, and this is the first serious attempt that has been made to compare them. There are striking resemblances in their ideas about battle-goddesses and protective spirits, holy places, sacrificial rituals, divination and ideas about the Other World; and Myths and Symbols in Pagan Europe poses questions like: do such parallels go back to early times or are they owing to late Viking contact? Hilda Ellis Davidson has worked for many years on pre-Christian Scandinavian and Germanic religion and now compares them with the Celts from the background of previous studies, using evidence from archaeology, iconography, later literature and folklore, in a search for basic patterns which will add to our knowledge of the early peoples in Europe. Aimed at teachers and libraries but also accessible to students of history, religion and Celtic, Norse and German languages and cultures.
Author: Kimberly Klimek Publisher: Routledge ISBN: 1351593080 Category : History Languages : en Pages : 625
Book Description
Global Medieval Contexts 500–1500: Connections and Comparisons provides a unique wide-lens introduction to world history during this period. Designed for students new to the subject, this textbook explores vital networks and relationships among geographies and cultures that shaped medieval societies. The expert author team aims to advance a global view of the period and introduce the reader to histories and narratives beyond an exclusively European context. Key Features: Divided into chronological sections, chapters are organized by four key themes: Religion, Economics, Politics, and Society. This framework enables students to connect wider ideas and debates across 500 to 1500. Individual chapters address current theoretical discussions, including issues around gender, migration, and sustainable environments. The authors’ combined teaching experience and subject specialties ensure an engaging and accessible overview for students of history, literature, and those undertaking general studies courses. Theory boxes and end-of-chapter questions provide a basis for group discussion and research. Full-color maps and images illustrate chapter content and support understanding. As a result, this text is essential reading for all those interested in learning more about the histories and cultures of the period, as well as their relevance to our own contemporary experiences and perspectives. This textbook is supported by a companion website providing core resources for students and lecturers.
Author: Ian Hickey Publisher: Taylor & Francis ISBN: 1000867358 Category : Literary Criticism Languages : en Pages : 248
Book Description
Seamus Heaney’s Mythmaking examines Seamus Heaney’s poetic engagement with myth from his earliest work to the posthumous publication of Aeneid Book VI. The essays explore the ways in which Heaney creates his own mythic outlook through multiple mythic lenses. They reveal how Heaney adopts a demiurgic role throughout his career, creating a poetic universe that draws on diverse mythic cycles from Greco-Roman to Irish and Norse to Native American. In doing so, this collection is in dialogue with recent work on Heaney’s engagement with myth. However, it is unique in its wide-ranging perspective, extending beyond Ancient and Classical influences. In its focus on Heaney’s personal metamorphosis of several mythic cycles, this collection reveals more fully the poet’s unique approach to mythmaking, from his engagement with the act of translation to transnational influences on his work and from his poetic transformations to the poetry’s boundary-crossing transitions. Combining the work of established Heaney scholars with the perspectives of early-career researchers, this collection contains a wealth of original scholarship that reveals Heaney’s expansive mythic mind. Mythmaking, an act for which Heaney has faced severe criticism, is reconsidered by all contributors, prompting multifaceted and nuanced readings of the poet’s work.
Author: Stuart McHardy Publisher: Luath Press Ltd ISBN: 1912387816 Category : History Languages : en Pages : 210
Book Description
Stuart McHardy examines the Pictish symbols which have been discovered on various items across Scotland. The book sets out a cohesive interpretation of the Pictish past, using a variety of both temporal and geographical sources. This interpretation serves as a backdrop for his analysis of the symbols themselves, providing a context for his suggestion that there was an underlying series of ideas and beliefs behind the creation of the symbols.
Author: Barbara Freitag
Author: Françoise Henry
Author: Susan Power Bratton
Author: Françoise Henry
Author: A.J. Carmichael
Author: D.W. Harding
Author: H. R. Ellis Davidson
Author: Kimberly Klimek
Author: Ian Hickey
Author: Stuart McHardy