Irish Art & Modernism, 1880-1950 PDF Download

Author: S. B. Kennedy
Publisher: Institute of Irish Studies, Queen's University of Belfast
ISBN:
Category : Art, Irish
Languages : en
Pages : 420

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Author: Joe Cleary
Publisher: Cambridge University Press
ISBN: 1139992368
Category : Literary Criticism
Languages : en
Pages : 285

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The story of Irish modernism constitutes a remarkable chapter in the movement's history. This volume serves as an incisive and accessible overview of that brilliant period in which Irish artists not only helped to create a distinctive nationalist literature but also changed the face of European and anglophone culture. This Companion surveys developments in modernist poetry, drama, fiction and the visual arts. Early innovators, such as Oscar Wilde, George Bernard Shaw, Jack B. Yeats and James Joyce, as well as late modernists, including Elizabeth Bowen, Samuel Beckett, Flann O'Brien, Máirtín Ó Cadhain and Francis Bacon, all appear here. Significantly, however, this volume ranges beyond such iconic figures to open up new ground with chapters on Irish women modernists, Irish American modernism, Irish language modernism and the critical reception of modernism in Ireland.

Author: Thomas Bartlett
Publisher: Cambridge University Press
ISBN: 1108605826
Category : History
Languages : en
Pages : 1010

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Book Description
This final volume in the Cambridge History of Ireland covers the period from the 1880s to the present. Based on the most recent and innovative scholarship and research, the many contributions from experts in their field offer detailed and fresh perspectives on key areas of Irish social, economic, religious, political, demographic, institutional and cultural history. By situating the Irish story, or stories - as for much of these decades two Irelands are in play - in a variety of contexts, Irish and Anglo-Irish, but also European, Atlantic and, latterly, global. The result is an insightful interpretation on the emergence and development of Ireland during these often turbulent decades. Copiously illustrated, with special features on images of the 'Troubles' and on Irish art and sculpture in the twentieth century, this volume will undoubtedly be hailed as a landmark publication by the most recent generation of historians of Ireland.

Author: Fintan Cullen
Publisher: Cork University Press
ISBN: 9781859181546
Category : Architecture
Languages : en
Pages : 342

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"The publication of these texts in a single volume enables the reader to create useful historical comparisons as well as facilitating the careful examination of historical documents. Sources in Irish Art: A Reader will be an ideal text for Irish Studies and relevant Art History courses both at undergraduate and postgraduate levels."--BOOK JACKET.

Author: Deirdre F. Brady
Publisher: Oxford University Press
ISBN: 1789622468
Category : Literary Criticism
Languages : en
Pages : 216

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This book is an original account of coterie culture in twentieth-century Ireland and the networks and connections which fostered women's writing. It paints a vivid portrait of the inspirational women involved in the Women Writers' Club, showcasing their influence and achievements in literature and their political campaigning for intellectual and creative freedom.

Author: Irina D. Costache
Publisher: Taylor & Francis
ISBN: 1000898059
Category : Art
Languages : en
Pages : 282

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Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.

Author: Fintan Cullen
Publisher: Routledge
ISBN: 1351562126
Category : Art
Languages : en
Pages : 253

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Looking past the apparent lack of a sustainable Irish display culture, this book demonstrates that there is a very full story to tell of the way Ireland displayed its art from the late eighteenth to the early twentieth century. Ireland on Show analyzes the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland - and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. Fintan Cullen directs much-needed critical attention and analysis to a subject that has been largely overlooked from an Irish perspective. This study moves beyond museums, to address the range of art institutions in Irish cities that displayed art, from the Royal Hibernian Academy, founded in the 1820s, to Hugh Lane's Municipal Art Gallery, opened in Dublin in 1908. Throughout, the book explores the battle between the display of a unionist ethos and a nationalist point of view, a constant that resurfaces over the period. By highlighting the tension between unionist and nationalist viewpoints, Cullen uses the display of art to investigate the complexities of Irish cultural life before the founding of the Free State.

Author: Dermot Keogh
Publisher: Gill & Macmillan Ltd
ISBN: 0717159434
Category : History
Languages : en
Pages : 620

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Professor Dermot Keogh's Twentieth-Century Ireland, the sixth and final book in the New Gill History of Ireland series, is a wide-ranging, informative and hugely engaging study of the long twentieth century, surveying politics, administrative history, social and religious history, culture and censorship, politics, literature and art. It focuses on the consolidation of the new Irish state over the course of the twentieth century. Professor Keogh highlights the long tragedy of emigration, its effect on the Irish psyche and on the under-performance of the Irish economy. He emphasises the lost opportunities for reform of the 1960s and early 70s. Membership of the EU had a diminished impact due to short-term and sectionally motivated political thinking and an antiquated government structure. Professor Keogh looks at how the despair of the 1950s revisited the country in the 1980s as almost an entire generation felt compelled to emigrate, very often as undocumented workers in the United States. Professor Keogh also argues that the violence in Northern Ireland from the late 1960s was an Anglo-Irish failure which was turned around only when Britain acknowledged the role of the Irish government in its resolution. He extends his analysis of the twentieth-century to include a wide-ranging survey of the most contentious events—financial corruption, child sexual abuse, scandals in the Catholic Church—between 1994 and 2005. Twentieth-Century Ireland: Table of Contents - A War without Victors: Cumann na nGaedheal and the Conservative Revolution - De Valera and Fianna Fáil in Power, 1932–1939 - In the Time of War: Neutral Ireland, 1939–1945 - Seán MacBride and the Rise of Clann na Poblachta - The Inter-Party Government, 1948–1951 - The Politics of Drift, 1951&1959 - Seán Lemass and the 'Rising Tide' of the 1960s - The Shifting Balance of Power: Jack Lynch and Liam Cosgrave, 1966–1977 - Charles Haughey and the Poverty of Populism - Ireland in the New Century

Author: Joseph Valente
Publisher: Syracuse University Press
ISBN: 0815655797
Category : Literary Collections
Languages : en
Pages : 423

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The Irish Revival has inspired a richly diverse and illuminating body of scholarship that has enlarged our understanding of the movement and its influence. The general tenor of recent scholarly work has involved an emphasis on inclusion and addition, exploring previously neglected texts, authors, regional variations, and international connections. Such work, while often excellent, tends to see various revivalist figures and projects as part of a unified endeavor, such as political resistance or self-help. In contrast, The Irish Revival: A Complex Vision seeks to reimagine the field by interpreting the Revival through the concept of “complexity,” a theory recently developed in the information and biological sciences. Taken as a whole, these essays show that the Revival’s various components operated as parts of a network but without any overarching aim or authority. In retrospect, the Revival’s elements can be seen to have come together under the heading of a single objective; for example, decolonization broadly construed. But this volume highlights how revivalist thinkers differed significantly on what such an aspiration might mean or lead to: ethnic authenticity, political autonomy, or greater collective prosperity and well-being. Contributors examine how relationships among the Revival’s individual parts involved conflict and cooperation, difference and similarity, continuity and disruption. It is this combination of convergence without unifying purpose and divergence within a broad but flexible coherence that Valente and Howes capture by reinterpreting the Revival through complexity theory.

Author:
Publisher: Field Day Publications
ISBN: 0946755388
Category : Arts
Languages : en
Pages : 332

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