Journal of the Archives of American Art PDF Download

Author: Archives of American Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 356

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Author: Its About Time
Publisher: Independently Published
ISBN: 9781729035009
Category :
Languages : en
Pages : 160

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Book Description
Enjoy spring all year long with this magnificent Van Gogh painting of a milk white pitcher of irises fresh from the garden. Exquisite. This is an 8" x 10" journal or notebook, perfect bound with beautiful matte cover finish and 160 premium white pages -- available with wide ruled, college ruled, 4x4 graph or blank sketchbook interiors. Wonderful for yourself and as a gift for busy people and minds of any age or gender, whether business professionals, college students, teachers, co-workers, artists, moms and dads, kids, dreamer/doers, and just about everybody, especially those hard to buy for folks you know. Who are you? The real you. Are you sure? A gentle reminder that every day is a good day to discover yourself, document your achievements, rock your goals, forgive then celebrate your imperfections, and come to terms with the only thing you can ever know for sure: your authentic self. Start or continue that journey, that never-ending adventure that is the ever-unfolding YOU. Also available as a calendar planner, 8" x 10", perfect bound with beautiful matte cover finish. It features a 1-page overview of the year, 2-page per month calendars, and 2-page per week spreads throughout. Plenty of space for all your planning and scheduling needs. Great for you and also makes great gifts for all your friends -- especially those hard to buy for people on your list. Undated 3- and 6-month planners also available for some titles. It's About Time brings you a wide array of beautiful, high quality planners, journals, diaries, organizers, specialty journals, composition notebooks, dot grid or bullet journal(tm), notebooks, sketchbooks, and other paper delights -- all just waiting for your creative and inspired input, your notes and ideas, to do lists, sketches and doodles, anything and everything you want to commit to paper.

Author:
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 282

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Author: Lee Hendrix
Publisher: Getty Publications
ISBN: 1606066587
Category : Art
Languages : en
Pages : 426

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Now back in print, “the ultimate book-lover’s gift book” (Los Angeles Times) In 1561–62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel (1542–1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image. Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date—a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay’s words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks. Unavailable for nearly a decade, this gorgeous volume features over 180 color illustrations, as well as scholarly commentary and biographies of both artists to inspire scholars, bibliophiles, graphic designers, typographers, and calligraphers.

Author: Patricia Harpring
Publisher: Getty Publications
ISBN: 160606018X
Category : Art
Languages : en
Pages : 259

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This detailed book is a “how-to” guide to building controlled vocabulary tools, cataloging and indexing cultural materials with terms and names from controlled vocabularies, and using vocabularies in search engines and databases to enhance discovery and retrieval online. Also covered are the following: What are controlled vocabularies and why are they useful? Which vocabularies exist for cataloging art and cultural objects? How should they be integrated in a cataloging system? How should they be used for indexing and for retrieval? How should an institution construct a local authority file? The links in a controlled vocabulary ensure that relationships are defined and maintained for both cataloging and retrieval, clarifying whether a rose window and a Catherine wheel are the same thing, or how pot-metal glass is related to the more general term stained glass. The book provides organizations and individuals with a practical tool for creating and implementing vocabularies as reference tools, sources of documentation, and powerful enhancements for online searching.

Author: Vincent Van Gogh
Publisher:
ISBN:
Category :
Languages : en
Pages : 60

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- Digitally restored illustrations- Translated captions- AnnotatedVincent Van Gogh often depicted flowering fields, gardens and floral arrangements through the skilled prism of his own unique vision, from the tulips of his native Holland to the sunflowers, irises and lavender fields of Southern France where he spent his last years. In particular, the years 1887 and 1890 were peak years for his flower paintings. Vincent Van Gogh's short art career provided the world with unparalleled paintings from a troubled genius. It was to be an age of post-Impressionistic color, form and wonderment that the art world discovered only after the master's death. Bouts of anxiety, mental illness and epilepsy may have tormented him and brought about his suicide at the age of 37. But they may also have been catalysts for an emotionality and vibrance in his art that reveals a turbulent search for grace.This volume displays 50 of Van Gogh's finest flower art pieces in a digitally restored state: their eye-popping brilliance and vitality are just as on the day Vincent Van Gogh finished them. Unless otherwise noted, they were originally oil paintings on canvas or wood. The arrangement is chronological within each category.Images include: FLOWERS GROWINGTulip Fields, 1883Garden with Sunflower & Female Figure, 1887Shed in Montmartre with Sunflower, 1887Lavender Field of Saintes-Maries, 1888Flowering Garden with Path, 1888Flower Garden, 1888Garden Behind House (Noon Hour), 1888Memory of the Garden at Etten, 1888Iris, 1889Irises (Sword Lilies), 1889Lilac Bush, 1889Poppies & Butterflies, 1890Rose Bush, 1890Marguerite Gachet in Her Garden, 1890Poppy Field, 1890Garden of Daubigny I, 1890Child with an Orange among the Flowers, 1890Young Girl in Wheat Field with Poppies, 1890Garden at Auvers, 1890Garden of Daubigny II, 1890FLOWER ARRANGEMENTSLunaria, 1884Forget-Me-Not and Peonies, 1886Vase with Asters and Phlox, 1886Vase with Sunflowers, Roses & Other Flowers, 1886Vase with Red Poppies, 1886Vase with Zinnias, 1886Geraniums in a Flower Pot, 1886Carnations in a Vase, 1886Cornflowers, Poppies, Peonies & Chrysanthemums, 1886Vase with Red & White Carnations on a Yellow Background, 1886Crown Imperials in a Copper Vase, 1887Vase with Daisies and Anemones, 1887Lilacs, Daisies & Anemones in a Vase, 1887Lilacs with an Orange Background, 1887Two Cut Sunflowers, 1887Four Withered Sunflowers, 1887Fourteen Sunflowers in a Vase, 1888Twelve Sunflowers in a Vase, 1888Three Sunflowers in a Vase, 1888Vase with Oleanders next to Zola's "Joie de Vivre" Novel, 1888Twelve Sunflowers in a Vase, 1889Fourteen Sunflowers in a Vase, 1889Vase with Irises, 1890Irises on a Yellow Background, 1890Vase with Roses, 1890Wildflowers and Thistles in a Vase, 1890Vase with Greater Musk Mallows, 1890Cornflowers & Poppies in a Vase, 1890Japanese Vase with Roses & Anemones, 1890Vase with Flowers & Thistles, 1890

Author:
Publisher:
ISBN:
Category : Wall Street journal
Languages : en
Pages : 1040

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Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380

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Author: Richard Thomson
Publisher: Metropolitan Museum of Art
ISBN: 1588396150
Category : Art
Languages : en
Pages : 146

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Book Description
Georges Seurat (1859–1891) created just six major figure paintings during his lifetime, one of which, the alluring Circus Sideshow (Parade de cirque), has remained the most challenging to interpret since it first intrigued viewers at the 1888 Salon des Indépendants in Paris. Unlike Seurat’s earlier sunlit scenes, Circus Sideshow presents a nighttime tableau depicting a parade—a street show enticing passersby to purchase tickets. With its geometrically precise composition, muted colors, and elements of abstraction, the painting stands apart as a masterpiece of Neo-Impressionism and heralds Seurat’s subsequent depictions of popular entertainments. This book, the first comprehensive study of Circus Sideshow, situates the painting in the context of nineteenth-century Paris and of the many social changes France was undergoing. Renowned art historian Richard Thomson illuminates the roles of caricature, naturalist and avant-garde painting, and circus advertising; examines Seurat’s use of contemporary aesthetic theory; and discusses how artists ranging from Rouault to Picasso mined the sideshow theme into the twentieth century. Illustrated with Seurat’s related drawings, works by other artists, and period posters and broadsides, Seurat’s Circus Sideshow delves into the history of traveling circuses and seasonal fairs in France, exploring the ongoing appeal of this traditional form of popular entertainment through the fin de siècle. Two additional essays describe the painting’s enthusiastic reception in New York upon its 1929 debut and present the results of a fresh technical examination of the canvas, making this volume the definitive resource on one of Seurat’s most captivating works.

Author: Jo van Gogh-Bonger
Publisher: Getty Publications
ISBN: 1606065602
Category : Art
Languages : en
Pages : 193

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The general outlines of Vincent van Gogh’s life—the early difficulties in Holland and Paris, the revelatory impact of the move to Provence, the attacks of madness and despair that led to his suicide—are almost as familiar as his paintings. Yet neither the paintings nor Van Gogh’s story might have survived at all had it not been for his sister-in-law, the teacher, translator, and socialist Jo van Gogh-Bonger. Jo married the painter’s brother, Theo, in 1889, and over the next two years lived through the deaths of both Vincent and her new husband. Left with an infant son, she inherited little save a cache of several hundred paintings and an enormous archive of letters. Advised to consign these materials to an attic, she instead dedicated her life to making them known. Over the next three decades she tirelessly promoted Vincent’s art, organizing major exhibitions and compiling and editing the correspondence, the first edition of which included, as a preface, her account of Van Gogh’s life. This short biography, written from a vantage point of familial intimacy, affords a revealing and, at times, heartbreaking testimony to the painter’s perilous life. An introduction by the art critic and scholar Martin Gayford provides an insightful discussion of the author’s relationship with the Van Goghs, while abundant color illustrations throughout the book trace the development of the painter’s signature style.