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Iranian Photography Now

Iranian Photography Now PDF Author: Rose Issa
Publisher: Hatje Cantz Verlag
ISBN:
Category : Art
Languages : en
Pages : 244

Book Description
Edited by Rose Issa. Text by Homi K. Bhabha.

Iranian Photography Now

Iranian Photography Now PDF Author: Rose Issa
Publisher: Hatje Cantz Verlag
ISBN:
Category : Art
Languages : en
Pages : 244

Book Description
Edited by Rose Issa. Text by Homi K. Bhabha.

Photography Now

Photography Now PDF Author: Charlotte Jansen
Publisher: Ilex Press
ISBN: 1781578427
Category : Photography
Languages : en
Pages : 240

Book Description
In the last century, photography was always novel. Now, it feels like our world is over-saturated with images. In the 21st century, what can photography do that is new? This extensively illustrated survey answers that question, presenting fifty photographers from around the world who are defining photography today. Their styles, formats, and interpretations of the medium vary widely, but in each case, the work featured in this book represents photography doing what it has always done best: finding new ways to tell stories, and new stories to tell. Artists featured include Nan Goldin, Wolfgang Tillmans, Hassan Hajjaj, Andreas Gursky, Juno Calypso, Ryan McGinley, Zanele Muholi, Shirin Neshat, Catherine Opie, Martin Parr, Cindy Sherman, Hiroshi Sugimoto and Juergen Teller.

Exploring Iran

Exploring Iran PDF Author: Ayse Gursan-Salzmann
Publisher: University of Pennsylvania Press
ISBN:
Category : History
Languages : en
Pages : 0

Book Description
Bronze Age site of Tepe Hissar near the town of Damghan and the monumental buildings of the pre-Islamic Sasanian Palace.

She who Tells a Story

She who Tells a Story PDF Author: Kristen Gresh
Publisher: MFA Publications
ISBN: 9780878468041
Category : Photography
Languages : en
Pages : 0

Book Description
She Who Tells a Story introduces the pioneering work of twelve leading women photographers from Iran and the Arab world: Jananne Al-Ani, Boushra Almutawakel, Gohar Dashti, Rana El Nemr, Lalla Essaydi, Shadi Ghadirian, Tanya Habjouqa, Rula Halawani, Nermine Hammam, Rania Matar, Shirin Neshat and Newsha Tavakolian. As the Middle East has undergone unparalleled change over the past twenty years, and national and personal identities have been dismantled and rebuilt, these artists have tackled the very notion of representation with passion and power. Their provocative images, which range in style from photojournalism to staged and manipulated visions, explore themes of gender stereotypes, war and peace and personal life, all the while confronting nostalgic Western notions about women of the Orient and exploring the complex political and social landscapes of their home regions. Enhanced with biographical and interpretive essays, and including more than 100 reproductions of photographs and film and video stills, this book challenges us to set aside preconceptions about this part of the world and share in the vision of a group of vibrant artists as they claim the right to tell their own stories in images of great sophistication, expressiveness and beauty.

Shadi Ghadirian

Shadi Ghadirian PDF Author: Rose Issa
Publisher: Saqi Books
ISBN:
Category : Photography
Languages : en
Pages : 68

Book Description
The first monograph about this cutting-edge Iranian photographer.

Liminalities of Gender and Sexuality in Nineteenth-Century Iranian Photography

Liminalities of Gender and Sexuality in Nineteenth-Century Iranian Photography PDF Author: Staci Gem Scheiwiller
Publisher: Routledge
ISBN: 1315512114
Category : Art
Languages : en
Pages : 444

Book Description
Nineteenth-century Iran was an ocularcentered society predicated on visuality and what was seen and unseen, and photographs became liminal sites of desire that maneuvered "betwixt and between" various social spaces—public, private, seen, unseen, accessible, and forbidden—thus mapping, graphing, and even transgressing those spaces, especially in light of increasing modernization and global contact during the nineteenth and early twentieth centuries. Of primary interest is how photographs negotiated and coded gender, sexuality, and desire, becoming strategies of empowerment, of domination, of expression, and of being seen. Hence, the photograph became a vehicle to traverse multiple locations that various gendered physical bodies could not, and it was also the social and political relations that had preceded the photograph that determined those ideological spaces of (im)mobility. In identifying these notions in photographs, one may glean information about how modern Iran metamorphosed throughout its own long durée or resisted those societal transformations as a result of modernization.

New Visual Culture of Modern Iran

New Visual Culture of Modern Iran PDF Author: Reza Abedini
Publisher: Bis Publishers
ISBN:
Category : Art
Languages : en
Pages : 168

Book Description
This publication shows a new side of Iran, one we do not often read about in newspapers.

Technologies of the Image

Technologies of the Image PDF Author: David J. Roxburgh
Publisher: Yale University Press
ISBN: 0300229194
Category : Art
Languages : en
Pages : 193

Book Description
-This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018.-

Urban Iran

Urban Iran PDF Author: Salar Abdoh
Publisher: Mark Batty Publisher
ISBN:
Category : Art
Languages : en
Pages : 136

Book Description
Writers, photographers and artists reveal everyday life in contemporary Iran.

Local Portraiture

Local Portraiture PDF Author: Carmen Pérez González
Publisher: Amsterdam University Press
ISBN: 9789087281564
Category : Arts in general
Languages : en
Pages : 0

Book Description
Photography is clearly not a mirror of daily life: that images are constructions is especially obvious in 19th-century studio portrait photography. This book explores how indigenous Iranian photographers constructed their own realities in contrast to how foreign photographers constructed Iranians' realities. Through an in-depth comparative visual analysis of 19th-century Iranian portrait photography and Persian painting, the author arrives at the insight that aesthetic preferences correlate with socio-cultural habits and practices in writing, reading and looking. Subsequently, she advocates for a place in a global history of photography for those unknown, local photo histories (such as the Iranian one) and for the indigenous photographers who produced them.