Inventing the Landscape PDF Download

Author: Richard Crozier
Publisher: Watson-Guptill Publications
ISBN:
Category : Architecture
Languages : en
Pages : 148

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Author: Musée des impressionnismes (Giverny, France)
Publisher: 5Continents
ISBN:
Category : Art
Languages : en
Pages : 152

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The arts.

Author: Barbara Kennedy
Publisher: John Wiley & Sons
ISBN: 1405172665
Category : Science
Languages : en
Pages : 176

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This book chronicles how successive generations of natural philosophers, geologists and geomorphologists have come to invent the view of the Earth over the past 250 years. Chronicles how successive generations of natural philosophers, geologists and geomorphologists have come to invent different views of the Earth over the last 250 years. Uses as its central viewpoint changing ideas about the significance of the action of rain and rivers on the Earth’s surface. Shows how our contemporary “truths” have come to be accepted and exposes the frailty of even the most impeccably scientific visions of the Earth.

Author: A. Dwight Baldwin
Publisher: U of Minnesota Press
ISBN: 9780816623471
Category : Nature
Languages : en
Pages : 294

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The theory of preservation assumes that humans are different from and opposed to the rest of nature. The contributors to "Beyond preservation", on the other hand, explore their belief that humans are inextricably entwined with nature and therefore have an unavoidable impact on the entire ecosystem. The comprehensive and multidisciplinary approach employed by the editors addresses the possibilities of and problems with the restoration of damaged landscapes and even the invention of new ones. William R. Jordan III, a botanist by training, is committed to ecological restoration, and in the keynote essay he advocates the premises on which his theory is based. Poet and essayist Frederick Turner is fascinated with the construction of new landscapes and proposes a more rather than less ambitious human effort to shape nature. Turner contributes an essay that, together with Jordan's, serves as a cornerstone of the volume. Both Turner and Jordan urge us to use our intelligence and our creative faculties to manage nature by restoring damaged landscapes and creating mutually beneficial relationships among all species. The lead essays are followed by a series of broadly interdisciplinary critiques that confront a host of contemporary issues having to do with our attempts to preserve or restore landscapes. Individual essays address the theoretical issues entailed in restoration; examine case studies of the application of restoration/reclamation/preservation theory and techniques; and finally, reflect on the implications and consequences of environmental restoration. Taken together, these essays are as important for the questions they raise as for their individual assessments of Jordan's and Turner's programmatic statements. A. Dwight Baldwin, Jr., is Professor of Geology at Miami University. Judith De Luce is Professor of Classics, affiliate in women's studies, and fellow in the Scripps Gerontology Center at Miami University. Carl Pletsch is Associate Professor of History at Miami University.

Author: Tula Telfair
Publisher: Harry N. Abrams
ISBN: 9781419722356
Category : Art
Languages : en
Pages : 0

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Tula Telfair's hyper-realistic landscape paintings are at once awe-inspiring and extremely personal. Although vividly detailed, the scenes she depicts are not found in nature; they are conjured from memory and imagination. Informed by her experiences growing up on four continents, Telfair produces fantastical visions with delicate brushstrokes and a breathtaking mastery of color and light. Suggestive of waterfalls in Africa, deserts of the American Southwest, and ice floes in Antarctica, Telfair's art draws attention to the power and fragility of nature. Essays by Henry Adams and Michael S. Roth explore the technical and aesthetic aspects of Telfair's work, her personal history, and the interplay between realism and invention.

Author: Christoph Heinrich
Publisher:
ISBN: 9780914738916
Category : Impressionism (Art)
Languages : en
Pages : 0

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Featuring rarely seen paintings from the collection of Frederic C. Hamilton of Denver, supplemented by works from the Denver Art Museum, this book presents a broad-ranging history of Impressionist landscape--from the pioneering artists who painted in the forest of Fontainebleau and such paragons and teachers as Courbet, Corot, Daubigny, Boudin, and Manet through the central figures of Impressionism--Pissarro, Monet, Renoir, Sisley, and Morisot--and ultimately to Caillebotte, Cézanne, and van Gogh, whose works marked the start of a new era.

Author: John Howe
Publisher:
ISBN: 9780813024790
Category : History
Languages : en
Pages : 237

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The eleven essays in this volume offer diverse approaches to very different landscapes. Yet they agree in viewing medieval western European landscape as artifact, as territiry constructed by medieval people on several interrelated levels. By helping to articulate how places came to be managed, created, and imagined, they offer their readers a much better apprecitaion of what might be called a "deep ecology" of the Middle Ages. --introd.

Author: Matteo Vercelloni
Publisher: Getty Publications
ISBN: 1606060473
Category : Architecture
Languages : en
Pages : 287

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The authors trace the evolution of the Western garden from the first plots cultivated for pleasure in the Middle East to today's diverse green spaces that challenge traditional ideas about what constitutes a garden. They examine the changing attitude toward nature--as something to be dominated or embraced, ordered or allowed to range freely, exploited or conserved. Examples of the highly prescribed hortus conclusus or enclosed spaces of the Middle Ages are found in the Italian Renaissance gardens and the symmetries of Versailles and Les Tuileries. After the rise of Romanticism in the late eighteenth century, English gardeners such as William Kent and "Capability" Brown embraced the concept that nature should prevail over man's manipulation of it and created gardens that broke through traditional enclosures. A century later, while the American West witnessed both the conquering spirit of the homesteaders and the first stirrings of the conservation movement, urban parks and gardens were created as oases to which all people had access. The book concludes with a look at contemporary gardens, where efforts to reclaim landscapes and repurpose crumbling infrastructure are taking place within an atmosphere of ecological sensitivity--appreciating the idea that the whole planet is a garden and all who live in it are gardeners.

Author: Mitchell Albala
Publisher: Watson-Guptill
ISBN: 0823008347
Category : Art
Languages : en
Pages : 202

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Book Description
Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.

Author: Ginger Strand
Publisher: Simon and Schuster
ISBN: 1416564810
Category : History
Languages : en
Pages : 363

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Americans call Niagara Falls a natural wonder, but the Falls aren't very natural anymore. In fact, they are a study in artifice. Water diverted, riverbed reshaped, brink stabilized and landscape redesigned, the Falls are more a monument to man's meddling than to nature's strength. Held up as an example of something real, they are hemmed in with fakery -- waxworks, haunted houses, IMAX films and ersatz Indian tales. A symbol of American manifest destiny, they are shared politely with Canada. Emblem of nature's power, they are completely human-controlled. Archetype of natural beauty, they belie an ugly environmental legacy still bubbling up from below. On every level, Niagara Falls is a monument to how America falsifies nature, reshaping its contours and redirecting its force while claiming to submit to its will. Combining history, reportage and personal narrative, Inventing Niagara traces Niagara's journey from sublime icon to engineering marvel to camp spectacle. Along the way, Ginger Strand uncovers the hidden history of America's waterfall: the Mohawk chief who wrested the Falls from his adopted tribe, the revered town father who secretly assisted slave catchers, the wartime workers who unknowingly helped build the Bomb and the building contractor who bought and sold a pharaoh. With an uncanny ability to zero in on the buried truth, Strand introduces us to underwater dams, freaks of nature, mythical maidens and 280,000 radioactive mice buried at Niagara. From LaSalle to Lincoln to Los Alamos, Mohawks to Marilyn, Niagara's story is America's story, a tale of dreams founded on the mastery of nature. At a time of increasing environmental crisis, Inventing Niagara shows us how understanding the cultural history of nature might help us rethink our place in it today.