Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Introduzione alla logica
Introduzione alla logica. Linguaggio, significato, argomentazione
Author: Andrea Cantini
Publisher:
ISBN: 9788800860987
Category : Philosophy
Languages : it
Pages : 290
Book Description
Publisher:
ISBN: 9788800860987
Category : Philosophy
Languages : it
Pages : 290
Book Description
Argomentare, dimostrare, confutare. Un'introduzione alla logica
Author: Francesco F. Calemi
Publisher:
ISBN: 9788829013616
Category : Philosophy
Languages : it
Pages : 220
Book Description
Publisher:
ISBN: 9788829013616
Category : Philosophy
Languages : it
Pages : 220
Book Description
Introduzione alla logica
Author: Alfred Tarski
Publisher:
ISBN: 9788845200021
Category : Philosophy
Languages : it
Pages : 304
Book Description
Publisher:
ISBN: 9788845200021
Category : Philosophy
Languages : it
Pages : 304
Book Description
Introduzione alla logica. Dalla teoria dell'argomentazione alla logica formale
Author: Pasquale Frascolla
Publisher:
ISBN: 9788815248282
Category : Philosophy
Languages : it
Pages : 261
Book Description
Publisher:
ISBN: 9788815248282
Category : Philosophy
Languages : it
Pages : 261
Book Description
Introduzione alla logica
Author: Irving M. Copi
Publisher:
ISBN: 9788815057846
Category : Philosophy
Languages : it
Pages : 736
Book Description
Publisher:
ISBN: 9788815057846
Category : Philosophy
Languages : it
Pages : 736
Book Description
Introduzione alla logica
Author: Theodor G. Bucher
Publisher:
ISBN: 9788880912699
Category : Philosophy
Languages : it
Pages : 389
Book Description
Publisher:
ISBN: 9788880912699
Category : Philosophy
Languages : it
Pages : 389
Book Description
Plato and the Art of Philosophical Writing
Author: Christopher Rowe
Publisher: Cambridge University Press
ISBN: 1139467794
Category : Philosophy
Languages : en
Pages : 53
Book Description
Plato's dialogues are usually understood as simple examples of philosophy in action. In this book Professor Rowe treats them rather as literary-philosophical artefacts, shaped by Plato's desire to persuade his readers to exchange their view of life and the universe for a different view which, from their present perspective, they will barely begin to comprehend. What emerges is a radically new Plato: a Socratic throughout, who even in the late dialogues is still essentially the Plato (and the Socrates) of the Apology and the so-called 'Socratic' dialogues. This book aims to understand Plato both as a philosopher and as a writer, on the assumption that neither of these aspects of the dialogues can be understood without the other. The argument of the book is closely based in Plato's text, but should be accessible to any serious reader of Plato, whether professional philosopher, classicist, or student.
Publisher: Cambridge University Press
ISBN: 1139467794
Category : Philosophy
Languages : en
Pages : 53
Book Description
Plato's dialogues are usually understood as simple examples of philosophy in action. In this book Professor Rowe treats them rather as literary-philosophical artefacts, shaped by Plato's desire to persuade his readers to exchange their view of life and the universe for a different view which, from their present perspective, they will barely begin to comprehend. What emerges is a radically new Plato: a Socratic throughout, who even in the late dialogues is still essentially the Plato (and the Socrates) of the Apology and the so-called 'Socratic' dialogues. This book aims to understand Plato both as a philosopher and as a writer, on the assumption that neither of these aspects of the dialogues can be understood without the other. The argument of the book is closely based in Plato's text, but should be accessible to any serious reader of Plato, whether professional philosopher, classicist, or student.
Saggi di storia del pensiero scientifico dedicati a Valerio Tonini
Author: Vincenzo Cappelletti
Publisher:
ISBN:
Category : Science
Languages : it
Pages : 458
Book Description
Publisher:
ISBN:
Category : Science
Languages : it
Pages : 458
Book Description
The Work of Art
Author: Gérard Genette
Publisher: Cornell University Press
ISBN: 9780801482724
Category : Art
Languages : en
Pages : 292
Book Description
What art is--its very nature--is the subject of this book by one of the most distinguished continental theorists writing today. Informed by the aesthetics of Nelson Goodman and referring to a wide range of cultures, contexts, and media, The Work of Art seeks to discover, explain, and define how art exists and how it works. To this end, Gérard Genette explores the distinction between a work of art's immanence--its physical presence--and transcendence--the experience it induces. That experience may go far beyond the object itself.Genette situates art within the broad realm of human practices, extending from the fine arts of music, painting, sculpture, and literature to humbler but no less fertile fields such as haute couture and the culinary arts. His discussion touches on a rich array of examples and is bolstered by an extensive knowledge of the technology involved in producing and disseminating a work of art, regardless of whether that dissemination is by performance, reproduction, printing, or recording. Moving beyond examples, Genette proposes schemata for thinking about the different manifestations of a work of art. He also addresses the question of the artwork's duration and mutability.
Publisher: Cornell University Press
ISBN: 9780801482724
Category : Art
Languages : en
Pages : 292
Book Description
What art is--its very nature--is the subject of this book by one of the most distinguished continental theorists writing today. Informed by the aesthetics of Nelson Goodman and referring to a wide range of cultures, contexts, and media, The Work of Art seeks to discover, explain, and define how art exists and how it works. To this end, Gérard Genette explores the distinction between a work of art's immanence--its physical presence--and transcendence--the experience it induces. That experience may go far beyond the object itself.Genette situates art within the broad realm of human practices, extending from the fine arts of music, painting, sculpture, and literature to humbler but no less fertile fields such as haute couture and the culinary arts. His discussion touches on a rich array of examples and is bolstered by an extensive knowledge of the technology involved in producing and disseminating a work of art, regardless of whether that dissemination is by performance, reproduction, printing, or recording. Moving beyond examples, Genette proposes schemata for thinking about the different manifestations of a work of art. He also addresses the question of the artwork's duration and mutability.