Author: Publisher:
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Category :
Languages : de
Pages :
Book Description
Introduction to the Paper Museum Collection
Author: Introduction to the Paper Museum collection
Author: Mami no HakubutsukanPublisher:
ISBN:
Category :
Languages : en
Pages : 141
Book Description
Johann Friedrich Cotta's "Paper Museum"
Author: Lesley Vivienne FultonPublisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The Restoration of Engravings, Drawings, Books, and Other Works on Paper
Author: Max SchweidlerPublisher: Getty Publications
ISBN: 9780892368358
Category : Books
Languages : en
Pages : 320
Book Description
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
The Paper Museum of the Academy of Sciences in St. Petersburg, C. 1725-1760
Author: Renée KistemakerPublisher:
ISBN: 9789069844268
Category : Anthropological museums and collections
Languages : en
Pages : 347
Book Description
Includes four thematic essays and nine sections in which specific types of objects are discussed; and complete catalogue on the DVD.
Introduction to Object ID
Author: Robin ThornesPublisher: Getty Publications
ISBN: 0892365722
Category : Art
Languages : en
Pages : 73
Book Description
The illicit trade in art and other cultural objects now constitutes one of the most prevalent categories of international crime. Law-enforcement agencies have long recognized that documentation is critical to the protection and recovery of these objects. Standards were needed that would make it possible for information on stolen objects to move easily across electronic networks and, at the same time, that would be intelligible to law enforcement and art communities alike. Developed through the collaboration of museums, police and customs agencies, the art trade, the insurance industry, and appraisers of art and antiques, Object ID is an international standard that defines the minimal information needed to identify art, antiques, and antiquities. Introduction to Object ID summarizes the evolution of Object ID, explains its nine categories, and offers guidelines for using them. The book provides suggestions for writing descriptions of objects and includes a brief discussion of five additional categories that some institutions opt to employ. The second part of the book sets out guidelines for choosing viewpoints, selecting backgrounds, and positioning lighting when documenting cultural objects with photography. The Introduction to series acquaints professionals and students with the complex issues and technologies in the production, management, and dissemination of cultural heritage information resources.
Mobile Museums
Author: Felix Driver Publisher: UCL Press
ISBN: 178735508X
Category : Art
Languages : en
Pages : 372
Book Description
Mobile Museums presents an argument for the importance of circulation in the study of museum collections, past and present. It brings together an impressive array of international scholars and curators from a wide variety of disciplines – including the history of science, museum anthropology and postcolonial history - to consider the mobility of collections. The book combines historical perspectives on the circulation of museum objects in the past with contemporary accounts of their re-mobilisation, notably in the context of Indigenous community engagement. Contributors seek to explore processes of circulation historically in order to re-examine, inform and unsettle common assumptions about the way museum collections have evolved over time and through space. By foregrounding questions of circulation, the chapters in Mobile Museums collectively represent a fundamental shift in the understanding of the history and future uses of museum collections. The book addresses a variety of different types of collection, including the botanical, the ethnographic, the economic and the archaeological. Its perspective is truly global, with case studies drawn from South America, West Africa, Oceania, Australia, the United States, Europe and the UK. Mobile Museums helps us to understand why the mobility of museum collections was a fundamental aspect of their history and why it continues to matter today. Praise for Mobile Museums 'This book advances a paradigm shift in studies of museums and collections. A distinguished group of contributors reveal that collections are not dead assemblages. The nineteenth and twentieth centuries were marked by vigorous international traffic in ethnography and natural history specimens that tell us much about colonialism, travel and the history of knowledge – and have implications for the remobilisation of museums in the future.’ – Nicholas Thomas, University of Cambridge 'The first major work to examine the implications and consequences of the migration of materials from one scientific or cultural milieu to another, it highlights the need for a more nuanced understanding of collections and offers insights into their potential for future re-mobilisation.' – Arthur MacGregor
Historical Perspectives in the Conservation of Works of Art on Paper
Author: Margaret Holben EllisPublisher: Getty Publications
ISBN: 1606064320
Category : Art
Languages : en
Pages : 548
Book Description
This book is the seventh in the Readings in Conservation series, which gathers and publishes texts that have been influential in the development of thinking about the conservation of cultural heritage. The present volume provides a selection of more than ninety-five texts tracing the development of the conservation of works of art on paper. Comprehensive and thorough, the book relates how paper conservation has responded to the changing place of prints and drawings in society. The readings include a remarkable range of historical selections from texts such as Renaissance printmaker Ugo da Carpi’s sixteenth-century petition to the Venetian senate on his invention of chiaroscuro, Thomas Churchyard’s 1588 essay in verse “A Sparke of Frendship and Warme Goodwill,” and Robert Bell’s 1773 piece “Observations Relative to the Manufacture of Paper and Printed Books in the Province of Pennsylvania.” These are complemented by influential writings by such figures as A. H. Munsell, Walter Benjamin, and Jacques Derrida, along with a generous representation of recent scholarship. Each reading is introduced by short remarks explaining the rationale for its selection and the principal matters covered, and the book is supplemented with a helpful bibliography. This volume is an indispensable tool for museum curators, conservators, and students and teachers of the conservation of works of art on paper.
The Paper Museum
Author: Kate S. SimpsonPublisher: Union Square & Co.
ISBN: 145494384X
Category : Juvenile Fiction
Languages : en
Pages : 190
Book Description
In a world where paper is obsolete and magic is all but forgotten, Lydia has moved into the Paper Museum with her Uncle Lem following the disappearance of her parents. Convinced the key to finding them lies in the museum’s book collection, Lydia spends her days digitally scanning her way through the museum’s library. But when Uncle Lem is called away and her Uncle Renald is put in charge of the museum, Lydia’s scanning project comes to an abrupt halt. Uncle Renald takes her aer reader—the personal device that everybody uses for reading, shopping, messaging, and more—but not before Lydia makes a desperate attempt at filing a missing persons report for her parents. The report activates a countdown, and now with nothing but a secret typewriter in her dogwood fort and a cryptic message, Lydia has thirty days to find her parents and stop the mayor from commandeering the museum. Otherwise, both her family home and the Paper Museum itself will be reassigned to someone else. With aer readers on the fritz and the town descending into chaos, Lydia needs to find her parents before the Paper Museum—and her parents—are lost for good. The Paper Museum is a story of family and friendship with a hint of magic.
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