Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 282
Book Description
Interstate 69, SIU 15, US Highway 171 to Interstate Highway 20 Bossier, Caddo, and DeSoto Parishes
Author: I-69/Trans-Texas Corridor
Author: A History of the Baptists of Louisiana: From the Earliest Times to the Present
Author: W. E. PaxtonPublisher: Franklin Classics Trade Press
ISBN: 9780353024762
Category : History
Languages : en
Pages : 628
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Style Manual of the Government Printing Office
Author: Style Manual of the Government Printing Office
Author: Louisiana Hayride
Author: Tracey E. W. LairdPublisher: Oxford University Press
ISBN: 019029051X
Category : Music
Languages : en
Pages : 224
Book Description
On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride--a radio "barn dance" or country music variety show like the Grand Ole Opry--not only launched Williams's career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman. Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the Old South and the West, this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility, the presence of a legal "red-light" district from 1903-17, and musical interchanges between blacks and whites, who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter, the "king of the twelve-string guitar," and Jimmie Davis, the two term "singing governor" of Louisiana who penned "You Are My Sunshine." Against the backdrop of the colorful history of Shreveport, the unique contribution of this radio barn dance is revealed. Radio shaped musical tastes, and the Hayride's frontier-spirit producers took risks with artists whose reputations may have been shaky or whose styles did not neatly fit musical categories (both Hank Williams and Elvis Presley were rejected by the Opry before they came to Shreveport). The Hayride also served as a training ground for a generation of studio sidemen and producers who steered popular music for decades after the Hayride's final broadcast. While only a few years separated the Hayride appearances of Hank Williams and Elvis Presley--who made his national radio debut on the show in 1954--those years encompassed seismic shifts in the tastes, perceptions, and self-consciousness of American youth. Though the Hayride is often overshadowed by the Grand Ole Opry in country music scholarship, Laird balances the record and reveals how this remarkable show both documented and contributed to a powerful transformation in American popular music.
Louisiana Curiosities
Author: Bonnye StuartPublisher: Rowman & Littlefield
ISBN: 0762791039
Category : History
Languages : en
Pages : 289
Book Description
Your round-trip ticket to the wildest, wackiest, most outrageous people, places, and things the Pelican State has to offer! Whether you’re a born-and-raised Louisianan, a recent transplant, or just passing through, Louisiana Curiosities will have you laughing out loud as Louisiana native Bonnye Stuart takes you on a rollicking tour of the strangest sites in the Pelican State. Track down some serious fun, from watching lawnmower racing and petting live alligators to attending a prison rodeo and dancing at a powwow. Feast your way through festivals that celebrate the state’s cultural diversity and local crops, from fiery Cajun gumbo to sweet mayhaw jelly—and stop in at the local wineries and microbreweries to quench your thirst. Learn about the darker side of Louisiana as you tour haunted plantations, mysterious mansions, and spooky cemeteries.
All Music Guide to Country
Author: Michael ErlewinePublisher: Hal Leonard Corporation
ISBN: 9780879304751
Category : Music
Languages : en
Pages : 644
Book Description
Reviews and rates the best recordings of country artists and groups, provides biographies of the artists, and charts the evolution of country music
Atlantic Yacht Club
Author: Yvain
Author: Chretien de TroyesPublisher: Yale University Press
ISBN: 0300187580
Category : Poetry
Languages : en
Pages : 242
Book Description
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.