Author: C. steven LaruePublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
International Dictionary of Opera, 2 Vols
Author: C. steven LarueInternational Dictionary of Opera: L-Z
Author: C. Steven LaRuePublisher: Detroit : St. James Press
ISBN:
Category : Music
Languages : en
Pages : 864
Book Description
Opera in Context
Author: Mark A. RadicePublisher: Hal Leonard Corporation
ISBN: 1574670328
Category : Music
Languages : en
Pages : 417
Book Description
These essays by respected scholars examine representative operatic productions from diverse national schools and periods, together forming a comprehensive history of the staging techniques of opera over the centuries.
International Dictionary of Opera: A-K
Author: C. Steven LaRuePublisher: Detroit : St. James Press
ISBN:
Category : Music
Languages : en
Pages : 760
Book Description
Twentieth Century Opera
Author: George Whitney MartinPublisher: Hal Leonard Corporation
ISBN: 9780879102753
Category : Music
Languages : en
Pages : 732
Book Description
(Limelight). Martin provides a guide to opera that is sweeping in its scope, thorough in its detail, and authoritative in its commentary. He recalls a century of achievement in an art form that today enjoys unprecedented popularity and that has been generously enriched by challenging works in many cases yet to be fully recognized of the modern era.
Douglas Moore
Author: Jerry L. McBridePublisher: A-R Editions, Inc.
ISBN: 9780895796660
Category : Biography & Autobiography
Languages : en
Pages : 676
Book Description
MLA Index and Bibliography Series vol. 36 Additional information online at https://www.areditions.com/books/IB036.html
Sourcebook for Research in Music
Author: Phillip CrabtreePublisher: Indiana University Press
ISBN: 9780253213235
Category : Bibliographical literature
Languages : en
Pages : 258
Book Description
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
International Dictionary of Opera
Author: C. Steven LaRuePublisher:
ISBN: 9781558620810
Category :
Languages : en
Pages : 0
Book Description
Giacomo Meyerbeer
Author: Marco Clemente PellegriniPublisher: Cambridge Scholars Publishing
ISBN: 144380083X
Category : Music
Languages : en
Pages : 610
Book Description
This Guide has resulted from years of research on the papers and music of Giacomo Meyerbeer, and aims to provide a bibliographical aid and point of reference for further research. The first part presents the private papers connected to the composer and his principal librettist, Eugène Scribe—both archival and printed, with working papers and correspondence, as found in Berlin, Paris and some of the famous libraries of the world. The body of Part 2 draws together all the known resources on Meyerbeer's life and historical reputation—from full scale biographies and entries in reference books, through critical discussions to website resources to records of symposia. The third part provides material about his background with its unique mixture of Jewish and Prussian elements, the powerful role of the city of Berlin in his life and work. The fourth part lists bibliographic material for Meyerbeer's music, looking at his operas, grouped as German, Italian and French, with each individual entry providing a record of the scores available, both modern and historical, the various arrangements made from the operas during the heyday of their popularity, reviews of modern performances, discography, and bibliography of studies and publications pertinent to the wider cultural and historical contexts of the works. The next two sections constitute an extended record of material pertinent to the contemporaries of Meyerbeer. In the fifth section are select bibliographies of composers, authors, artists, performers, politicians, those who played some part in the composer's life, or anyone of significance in his wider contemporary circumstances. This is continued in the sixth part where the cultural and aesthetic elements of the composer's milieu, or life in the theatre during seventy years of the nineteenth century, are listed. The seventh part adds a bibliography of social and historical background, where the incidental issues of Judaism in nineteenth-century Europe, and the wider political, historical and geographical circumstances of Meyerbeer's life, his relentless travelling, and closely recorded experiences in Germany, France, Italy, Belgium, England, and Austria. The eighth section provides a thematic key to this extensive material. Part 9 provides an extended tripartite series of lists of the published scores, arrangements and some special studies of Meyerbeer over the period 1820 to 2005—in alphabetical, chronological and thematic ordering. The last two sections furnish the modern equivalent of this record of Meyerbeer and his compositions, showing in Part 11 the list of performances of his operas since the Second World War, and in Part 12, listing the recordings of the operas, both commercial and private, for the same period. The thirteenth and last section is iconographical, pictures that represent an interesting survey of the popular response to Meyerbeer in the 19th century.
Sourcebook for Research in Music, Third Edition
Author: Allen ScottPublisher: Indiana University Press
ISBN: 0253014565
Category : Music
Languages : en
Pages : 518
Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.