Author: Carl Gregor Herzog zu Mecklenburg
Publisher:
ISBN:
Category :
Languages : de
Pages :
Book Description
International bibliography of jazz books
Author: Carl Gregor Herzog zu Mecklenburg
Publisher:
ISBN:
Category :
Languages : de
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : de
Pages :
Book Description
1950-1959
Author: Carl Gregor Mecklenburg (zu)
Publisher:
ISBN: 9783873205673
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9783873205673
Category :
Languages : en
Pages :
Book Description
International Bibliography of Jazz Books
Author: Carl Gregor zu Mecklenburg
Publisher:
ISBN:
Category : Jazz
Languages : de
Pages : 0
Book Description
Publisher:
ISBN:
Category : Jazz
Languages : de
Pages : 0
Book Description
International Bibliography of Jazz Books: 1921-1949
Author: Carl Gregor (Duke of Mecklenburg.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 124
Book Description
Jazz Research and Performance Materials
Author: Eddie S. Meadows
Publisher: Psychology Press
ISBN: 9780815303732
Category : Music
Languages : en
Pages : 854
Book Description
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780815303732
Category : Music
Languages : en
Pages : 854
Book Description
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Jazz
Author: Eddie S. Meadows
Publisher: Routledge
ISBN: 1136776028
Category : Music
Languages : en
Pages : 782
Book Description
Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.
Publisher: Routledge
ISBN: 1136776028
Category : Music
Languages : en
Pages : 782
Book Description
Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.
Jazz Historiography
Author: Daniel Hardie
Publisher: iUniverse
ISBN: 1491714441
Category : Music
Languages : en
Pages : 487
Book Description
Jazz has been around for over a hundred years but how much do we know about its history, and how much of what think we know is true? Beginning in the so called Jazz Age of the 1920s jazz history was recounted and interpreted by admiring authors and record collectors both in the United States and elsewhere. However, since the early 1990s some historians have come to doubt the validity of the conventional narrative of the story of jazz and some of its most hallowed traditions. In Jazz Historiography: The Story of Jazz History Writing Daniel Hardie uncovers the course of jazz history writing from early Jazz Age American and French publications to Academic texts in the 2000s, and seeks answers to questions about the accuracy of those accounts and the influence they have had on our understanding of jazz history - even the impact they might have had on the course of jazz history itself. How much for example did the work of jazz historians influence the course of the New Orleans Revival? Was the appearance of bebop in the 1940s a revolutionary response to oppression experienced by Afro American musicians in a commercialized popular music industry, or was it an attempt to mirror the development of classical music of the time? How has the development of University jazz studies influenced the writing of jazz history?
Publisher: iUniverse
ISBN: 1491714441
Category : Music
Languages : en
Pages : 487
Book Description
Jazz has been around for over a hundred years but how much do we know about its history, and how much of what think we know is true? Beginning in the so called Jazz Age of the 1920s jazz history was recounted and interpreted by admiring authors and record collectors both in the United States and elsewhere. However, since the early 1990s some historians have come to doubt the validity of the conventional narrative of the story of jazz and some of its most hallowed traditions. In Jazz Historiography: The Story of Jazz History Writing Daniel Hardie uncovers the course of jazz history writing from early Jazz Age American and French publications to Academic texts in the 2000s, and seeks answers to questions about the accuracy of those accounts and the influence they have had on our understanding of jazz history - even the impact they might have had on the course of jazz history itself. How much for example did the work of jazz historians influence the course of the New Orleans Revival? Was the appearance of bebop in the 1940s a revolutionary response to oppression experienced by Afro American musicians in a commercialized popular music industry, or was it an attempt to mirror the development of classical music of the time? How has the development of University jazz studies influenced the writing of jazz history?
Jazz and Machine-Age Imperialism
Author: Jeremy F. Lane
Publisher: University of Michigan Press
ISBN: 0472118811
Category : History
Languages : en
Pages : 237
Book Description
A groundbreaking study of the reception of jazz among French-speaking black intellectuals between 1918 and 1945
Publisher: University of Michigan Press
ISBN: 0472118811
Category : History
Languages : en
Pages : 237
Book Description
A groundbreaking study of the reception of jazz among French-speaking black intellectuals between 1918 and 1945
Sourcebook for Research in Music
Author: Phillip Crabtree
Publisher: Indiana University Press
ISBN: 9780253213235
Category : Bibliographical literature
Languages : en
Pages : 258
Book Description
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
Publisher: Indiana University Press
ISBN: 9780253213235
Category : Bibliographical literature
Languages : en
Pages : 258
Book Description
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
The Harvard Dictionary of Music
Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 0674417992
Category : Music
Languages : en
Pages : 1020
Book Description
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Publisher: Harvard University Press
ISBN: 0674417992
Category : Music
Languages : en
Pages : 1020
Book Description
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.